Blaxploitation | SeMeN SPeRmS SuPeR SiTe

SeMeN SPeRmS UnCut BET Retro Twerkfest

 

bet uncut

BET Uncut

BET: Uncut was a television program that aired on BET. The music video program contained highly sexualized imagery. Because of its content, the show was rated TV-MA and accompanied by an on-air message stating that it is not suitable for children under the age of 17. The show aired on Wednesdays through Fridays at 3 a.m. EST. Though some of the videos were from well-known hip hop artists, most were from lesser-known artists, and the production value of the videos were often quite poor.

Its last episode aired on July 8, 2006 and was hosted by Jermaine Dupri.

While the videos are lightly censored, its content has been the focus of controversy. For example, MSNBC has reported that even some hip-hop artists such as Big Boi of Outkast thought the show was distasteful and could constitute soft porn.Likewise, individuals affiliated with historically black institutions such as Spelman College and Essence Magazine have publicly stated that the erotic imagery of the show falls outside of acceptable standards. Regardless, the show maintained a degree of popularity.

File under Back In The Dunn Day, Blast From The Past, Blaxploitation, Hip-Hop, Influences, Music, SeMeN SPeRmS Approved, SeMeN SPeRmS BLArRrG, Sex, Trash TV

Scrub Me Mama With A Boogie Beat (1941) Banned Racist Cartoon


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Lazy black folks in Lazy Town (Pop. 123½) are napping and attracting flies. They are so lethargic they even fight in slow motion. Then a riverboat arrives with a red hot mama on board and she quickly has everyone moving to a Harlem boogie beat, dancing, scrubbing clothes, and eating watermelon. As the boogie-woogie comes to a close, Mammy hoists her skirt. Her big bottom reads “The End”. – IMDb
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File under Animation, Banned Cartoons, Blast From The Past, Blaxploitation, Cult Movies, It Only Gets Worse, Secret History, SeMeN SPeRmS BLArRrG

Wattstax (1973) Stax Soul Concert Film

Wattstax is a 1973 documentary film by Mel Stuart that focused on the 1972 Wattstax music festival and the African American community of Watts in Los Angeles, California. The film was nominated for a Golden Globe award for Best Documentary Film in 1974.

The concert was held at the Los Angeles Memorial Coliseum on August 20, 1972, and organized by Memphis’s Stax Records to commemorate the seventh anniversary of the Watts riots. Wattstax was seen by some as “the Afro-American answer to Woodstock”.

Tracklist:

What You See Is What You Get – The Dramatics
Oh La De Da – The Staple Singers
We the People – The Staple Singers
Star-Spangled Banner – Kim Weston
Lift Ev’ry Voice and Sing – Kim Weston
Respect Yourself – The Staple Singers
Someone Greater Than I – Jimmy Jones
Lying on the Truth – Rance Allen Group
Peace Be Still – The Emotions
Old-Time Religion – William Bell, Louise McCord, Debra Manning, Eric Mercury, Freddy Robinson, Lee Sain, Ernie Hines, Little Sonny, the Newcomers, Eddie Floyd, the Temprees, Frederick Knight
Son of Shaft/Feel It – The Bar-Kays
I’ll Play The Blues For You – Albert King
Walking the Back Streets and Crying – Little Milton
Jody’s Got Your Girl and Gone – Johnnie Taylor
I May Not Be What You Want – Mel and Tim
Pick Up the Pieces – Carla Thomas
Do the Funky Chicken – Rufus Thomas
If Loving You Is Wrong, I Don’t Want to be Right – Luther Ingram
Theme from Shaft – Isaac Hayes
Soulsville – Isaac Hayes

 


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File under Blast From The Past, Blaxploitation, Cult Movies, Culture, Music, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS ViDeO CLuB

Blackenstein (1973) 70’s Blaxploitation Frankenstein Monster

To Stop This Mutha Takes One Bad Brutha

Eddie is a Vietnam veteran who loses his arms and legs when he steps on a landmine, but a brilliant surgeon is able to attach new limbs. Unfortunately an insane jealous assistant(who has fallen in love with Eddie’s fiance) switches Eddie’s DNA injections, transforming him into a gigantic killer.
A blaxploitation horror film by director William A.Levey. Written by Frank R. Saletri. Starring John Hart, Ivory Stone and Joe De Sue.

 

File under Blast From The Past, Blaxploitation, Cult Movies, Horror, SeMeN SPeRmS Approved, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS ViDeO CLuB

George Clinton Documentary (2010) Parliament/Funkadelic

 

In the intergalactic continuum of funk, the name best known by earth people and aliens alike is the Atomic Dog and Mothership Captain himself, George Clinton. Born in North Carolina and raised in Plainfield, NJ, Clinton chose music as his language to communicate a message of love, respect and dance-floor artistry to earthlings the world round. His extraterrestrial brew of rock, soul, Motown and doo-wop made for a potent funk brew that became the recipe for two beloved 70’s groups – Funkadelic and Parliament – both of which he helmed, and populated with musicians who would themselves become some of the brightest stars in the 70’s and 80’s, including Maceo Parker and Bootsy Collins.

Clinton’s own star blazed ever more brightly through the 80’s, when hits such as Loopzilla and Atomic Dog shook dance floors in all quadrants of the known universe. An entire generation of rappers grew up with his music, and in turn, made his beats and grooves the DNA of Hip Hop. But bad business deals hounded Clinton from the outset, and with finances further diminished by a proclivity for mind altering chemicals, his earthly empire crumbled, leaving him all but destitute today. On this exclusive episode of Unsung, George Clinton reveals the story of his long strange ride.

TVOne

While “Unsung” dealt briefly with Clinton’s legal battles, it failed to mention Clinton’s victory in regaining control and ownership of 4 Funkadelic albums, which include “One Nation Under A Groove” and “(not just) Knee Deep.” Also, Clinton recently prevailed via settlement with Capitol/ EMI and won an appellate ruling in his battle against music giant Universal Music Group.

Additionally, ‘UNSUNG’ failed to mention the positive things Clinton is doing like:

Donating 25% of the Funkadelic catalog and $10K on behalf of the band to the Barack Obama Green Charter High School in Plainfield, New Jersey this school year.
Donating 10% of the catalog to 2 local Plainfield, New Jersey churches and 1 temple.
Clinton’s on going support for education through his Mother’s Hip Connection Education Foundation.
Clinton and Parliament-Funkadelic still tour regularly in high demand and love to be near their fans.

Clinton hoped that more would have been said about the other members – past and present – who have contributed to the success of Parliament – Funkadelic and inclusion in the Rock and Roll Hall of Fame.

“I do this for my band, no one is greater than the other, not even me,” Clinton states.

“If it wasn’t for band mates like William ‘Bootsy’ Collins, Eddie Hazel, Bernie Worrell, Walter ‘Junie’ Morrison, Garry ‘Starchild’ Shider, Michael ‘Kidd Funkadelic’ Hampton, Dewayne ‘Blackbyrd’ McKnight, Glen Goins, Jerome ‘Bigfoot’ Brailey, Ramon ‘Tiki’ Fulwood, ‘Billy Bass’ Nelson, Cordell ‘Boogie’ Mosson, Phelps ‘Catfish’ Collins, Clarence ‘Fuzzy’ Haskins, Ray ‘Stingray’ Davis, Calvin Simon, Grady Thomas, and a host of other wonderful musicians who lent their time and talent, I could have never created this style of music without them,” says George.

Clinton is committed to passionately seeking justice through the courts, not only for himself but for band members like the late Garry Shider who recently died and, like Clinton, lost his music catalog to Clinton’s opposition.

“That’s why I fight, for my band, it’s only right” says, Clinton.

PRWeb

File under Blast From The Past, Blaxploitation, Culture, Fashion, Fuck Art Let's Fuck, Influences, Massive Consumption of Drugs, Music, SeMeN SPeRmS Approved, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS ViDeO CLuB