Conjured by o~ SeMeN SPeRmS ~o on August 4, 2014
Ilsa is Kommandant of a Nazi prison camp, who conducts sadistic scientific experimentsdesigned to demonstrate that women are more capable of enduring pain than men are, and therefore should be allowed to fight in the army. Ilsa is also portrayed as a buxom woman with a voracious sexual appetite for men. Every night, she chooses another one of her male prisoners and rapes him; however, due to her insatiable hunger, she gets disappointed when her current victim eventually ejaculates, and promptly has him castrated and put to death. Only an American prisoner, who can withhold ejaculating, manages to use her weakness to his favor.
The film was made on the Los Angeles set of the TV series Hogan’s Heroes. The series had already been cancelled and the show’s producers let the film be made on it once they learned that a scene called for it to be burned down, saving them the cost of having it demolished.
When Lee Frost and David F. Friedman‘s 1969 Love Camp 7 became popular in Canada, André Link and Cinepix’s John Dunning created a script for Ilsa, She Wolf of the SS. After offering to produce, Friedman agreed and brought on Dyanne Thorne to play as the titular character. Friedman is credited onscreen as “Herman Traeger”.
Friedman (under the pseudonym Herman Traeger) put a notice before the film opens: “The film you are about to see is based on documented fact. The atrocities shown were conducted as “medical experiments” in special concentration camps throughout Hitler‘s Third Reich. Although these crimes against humanity are historically accurate, the characters depicted are composites of notorious Nazi personalities; and the events portrayed, have been condensed into one locality for dramatic purposes. Because of its shocking subject matter, this film is restricted to adult audiences only. We dedicate this film with the hope that these heinous crimes will never happen again.”
Conjured by o~ SeMeN SPeRmS ~o on August 1, 2014
Story of a Junkie is a 1987 drama film directed by Lech Kowalski and starring John Spaceley. Distributed by Troma Entertainment. Filmed in documentary-style, the film follows the character of Gringo, a young man looking for fortune in New York, only to fall into heroin addiction.
The movie has amassed quite a reputation in certain circles for its depictions of hard drug usage in New York City’s East Village area. Many of the cast members, including leading man John Spaceley, are actual junkies. The numerous shooting-up sequences are reportedly entirely real, as are many of the drug dens and their denizens. Perhaps even more notable than the cinema verite structure is the almost total lack of moralizing on the part of the producers or its characters.
Lead actor Spaceley died in the early 1990s, reportedly from AIDS, which he contracted through intravenous drug use. His final moments are chronicled in yet another Lech Kowalski film, “Born to Lose: The Last Rock & Roll Movie”, a documentary about deceased former New York Dolls guitarist Johnny Thunders.
Troma Entertainment hails Story of a Junkie as one of the company’s best films; it’s one of the most well-known outside of the films directed by Troma founders Lloyd Kaufman and Michael Herz.
A harrowing, bloody story of heroin addiction that puts films like Trainspotting to shame, Gringo mixes documentary footage with staged scenes to show the life of addict John Spacely.
Perhaps you’ve seen him somewhere and just can’t remember his name. The face is about an enigmatic as they come: classic Roman features topped by a greasy dyed matt of slicked back blond hair, pirate-style patch covering his right eye and cigarette dangling from an ever-present smirk. Or maybe you’ve never really noticed him and could frankly care less who he is or was. To you, John Spacely is just another loser, a human being throwing their life away by indulging in the most shameless of self-satisfactions: drug abuse. The minute you learn he’s a card-carrying member of the Riders of the White Horse, you’re thoughts turn to how selfish and stupid he is, how addiction is for the weak and lazy. You now no longer wish to know anything about him, his life, or how he ended up strung out in New York City. Instead, you sneer down your self-righteous nose and blame him (and his kind) for all the problems of the world. Maybe it would help you to learn a little about who John Spacely is. Perhaps your perceptions will change when you learn what drove him to drugs and what he has to do on a daily basis to survive. One thing’s for sure, the minute you see the horrifying docudrama Story of a Junkie, you will think twice about ever attempting to use drugs. This film is as successful a PSA warning about the terrors of dependency that you will probably ever see. It makes the Hollywood glamorization of such struggling souls that much more laughable.
GRINGO Story of a Junkie is about as close to pure European neo-realism as an American movie is ever likely to get. It is also a stunning example of the cinema vérité style of filmmaking, the capturing of events as they happen without concern about continuity or performance. Part documentary, part confessional, this occasionally brilliant but always brave movie is an incredibly searing indictment on the use and abuse of drugs.
Whereas Tinsel Town tripe likes to romanticize the ritualistic intake of mind and or mood altering substances as a photogenic character flaw, Story of a Junkie tells it like it really is. Never once white washing or trivializing the life of a heroin addict, director Lech Kowalski and his cast of real life drug users draw us directly into the warped urban war zone where the vast majority of pusher and partakers exist. Never cringing from the sights, the sounds, the smells and the surreality of the real drug culture, the desperation is palpable and the danger, predominant. From how fixes are “cut” to the hierarchy in a shooting gallery, you’ll be hard pressed to find another film that tackles this terrible subject with more authenticity. It is drug abuse as slasher film, a frightening, sometime funny and often fatalistic representation of people living a life with a maniacal monkey on their back.
It’s impossible for us non-addicts to understand the struggles and the will to survive (if only for the next score) of the person hopelessly obsessed with using. But for some reason, we are no longer a society that accepts brutal honesty. Everything needs to be sugarcoated with a small fraction of hope inserted to keep us feeling safe and secure. Frankly, the plain truth is all that Story of a Junkie has to offer. Without its integrity, its desire to get to the very heart of this corrupt cosmos, all we’d have is a carnival sideshow, a scandalous showcase of pure exploitation. But because of the tales it tells and the people who tell them, Story of a Junkie transcends its trappings to become a work of astounding power.
Conjured by o~ SeMeN SPeRmS ~o on May 25, 2014
Get With Stone – Take The Trip
Police officer Stone goes undercover with the Gravediggers outlaw motorcycle gang, to find out who is murdering their members, one by one.
The film stars Ken Shorter and features Rebecca Gilling, Bill Hunter and Helen Morse. The film’s soundtrack was composed by Billy Green and featured some members of his group Sanctuary. Motorcycles featured include the legendary Kawasaki Z1(900). Stone initially rides a Norton.
When several members of the GraveDiggers outlaw motorcycle club are murdered, Sydney detective Stone (Ken Shorter) is sent to investigate. Led by the Undertaker (Sandy Harbutt), a Vietnam war veteran, the GraveDiggers allow Stone to pose as a gang member. Leaving behind society girlfriend Amanda (Helen Morse), Stone begins to identify with the Undertaker and his comrades Hooks (Roger Ward), Toad (Hugh Keays-Byrne), Dr Death (Vincent Gil), Captain Midnight (Bindi Williams), Septic (Dewey Hungerford) and Vanessa (Rebecca Gilling), the Undertaker’s girlfriend. Amid violent confrontations with the Black Hawks, a rival gang the GraveDiggers hold responsible, Stone uncovers a political conspiracy behind the killings. When the truth is revealed, Stone must choose between his job and his loyalty to the GraveDiggers.
Conjured by o~ SeMeN SPeRmS ~o on May 3, 2014