Thirty Seconds Over New York 1977 Pulp #WTC
Conjured by o~ SeMeN SPeRmS ~o on March 22, 2014
Nobody for President!
Nobody keeps all campaign promises
As you read this, Nobody is in Washington working for you
I believe that Nobody should have that much power
I want Nobody to run my life
Nobody bakes Apple Pie better than my mom
as told by Wavy Gravy
Conjured by o~ SeMeN SPeRmS ~o on October 4, 2012
Der Fuehrer’s Face (originally titled Donald Duck in Nutzi Land) is a 1942 American animated propaganda short film produced by Walt Disney Productions and released in 1943 by RKO Radio Pictures. The cartoon, which features Donald Duck in a nightmare setting working at a factory in Nazi Germany, was made in an effort to sell war bonds and is an example of American propaganda during World War II. The film was directed by Jack Kinney and features adapted and original music by Oliver Wallace. The film is well known for Wallace’s original song “Der Fuehrer’s Face”, which was actually released earlier by Spike Jones.
Der Fuehrer’s Face won the Academy Award for Best Animated Short Film at the 15th Academy Awards. It was the only Donald Duck film to receive the honor, although eight other films were also nominated.In 1994, it was voted Number 22 of “the 50 Greatest Cartoons” of all time by members of the animation field. However, because of the propagandistic nature of the short, and the depiction of Donald Duck as a Nazi (albeit a reluctant one), Disney kept the film out of general circulation after its original release. Its first home video release came in 2004 with the release of the third wave of the Walt Disney Treasures DVD sets.
Conjured by o~ SeMeN SPeRmS ~o on July 28, 2012
On April 26, 1986, a reactor at the Chernobyl Nuclear Power Plant in the Ukrainian city of Pripyat exploded and began spewing radioactive smoke and gas. Firemen discovered that no amount of water could extinguish the blaze. More than 40,000 residents in the immediate area were exposed to fallout 100 times greater than that from the two atomic bombs dropped on Japan. But the most serious nuclear accident in history had only begun.
Based on top-secret government documents that came to light only in the Nineties, during the collapse of the Soviet Union, THE BATTLE OF CHERNOBYL reveals a systematic cover-up of the true scope of the disaster, including the possibility of a secondary explosion of the still-smoldering magma, whose radioactive clouds would have rendered Europe uninhabitable. The government effort to prevent such a catastrophe lasted for more than seven months and sacrificed the lives of thousands of soldiers, miners and other workers.
THE BATTLE OF CHERNOBYL dramatically chronicles the series of harrowing efforts to stop the nuclear chain reaction and prevent a second explosion, to “liquidate” the radioactivity, and to seal off the ruined reactor under a mammoth “sarcophagus.” These nerve-racking events are recounted through newly available films, videos and photos taken in and around the plant, computer animation, and interviews with participants and eyewitnesses, many of whom were exposed to radiation, including government and military leaders, scientists, workers, journalists, doctors, and Pripyat refugees.
The consequences of this catastrophe continue today, with thousands of disabled survivors suffering from the “Chernobyl syndrome” of radiation-related illnesses, and the urgent need to replace the hastily-constructed and now crumbling sarcophagus over the still-contaminated reactor. As this remarkable film makes clear, THE BATTLE OF CHERNOBYL is far from over.
Conjured by o~ SeMeN SPeRmS ~o on March 18, 2011
The Power of Nightmares, subtitled The Rise of the Politics of Fear, is a BBC documentary film series, written and produced by Adam Curtis. Its three one-hour parts consist mostly of a montage of archive footage with Curtis’s narration. The series was first broadcast in the United Kingdom in late 2004 and has subsequently been broadcast in multiple countries and shown in several film festivals, including the 2005 Cannes Film Festival.
The films compare the rise of the Neo-Conservative movement in the United States and the radical Islamist movement, making comparisons on their origins and claiming similarities between the two. More controversially, it argues that the threat of radical Islamism as a massive, sinister organised force of destruction, specifically in the form of al-Qaeda, is a myth perpetrated by politicians in many countries—and particularly American Neo-Conservatives—in an attempt to unite and inspire their people following the failure of earlier, more utopian ideologies.
Conjured by o~ SeMeN SPeRmS ~o on March 10, 2011