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Schoolgirl Report aka Schulmädchen Report 70′s German Teen Softcore Sexploitation

Ernst Hofbauer (b. 22 August 1925 Vienna, Austria – d. 24 February 1984 Munich, Germany at age 58) was an Austrian film director.

During the early 1970s, in Munich, Hofbauer teamed with Walter Boos, Wolf C. Hartwig, and Ludwig Spitaler to produce the original thirteen films under the banner Schulmadchen Report (or Schoolgirl Report); the stories were adapted from books written by Guenther Hunold, while Guenther Heller composed the film script, Klaus Werner did the camera work, and the music was handled by Gert Wilden & Orchestra. Hofbauer and Boos were referred to as the ‘Titans of Teen Libido’. The films were classified as ‘sexploitation’, and were extremely popular, seen by more than 30 million people all over the world.

Schoolgirls Report 75

In the United States, the films were released in grindhouses and drive-ins, and the names of the films were changed to conform to American standards. Because the films focused on young girls who may have been under legal age in this country, the Schoolgirl Report series was eventually suppressed.

The Schoolgirl Report series was very interesting because the films portrayed many unknown teenagers and actresses who were vibrant, beautiful, naive, innocent, and unabashed. Most of the films related a series of vignettes to tell an interesting story. Hidden pedophile lust, co-ed skinnydipping, situations involving first-time sexual experiences, and encounters with teachers were all shown in the episodes. Interracial love affairs, male and female masturbation sequences, forced prostitution, rape, voyeurism, harmless erotic games, seduction, and erotic touching are also portrayed in the vignettes. Well-known German sex kitten Ingrid Steeger and the ever-horny Italian comic Rinaldo Talamonti play key roles in many of the vignettes. Rosl Mayr appears in almost all of the thirteen Schulmadchen Report films as an elderly lady with a comic role. She is perfectly cast as a comedic talent and is the only senior actress that plays a key element in many of the vignettes. Marie Ekorre, Sonja Jeannine, Christina Lindberg, and Birgit Tetzlaff are a few of the young actresses who titillate the audience with their erotic encounters. Friedrich von Thon conducted street interviews to discuss the plots in the vignettes, and many of the situations were followed up with a courtroom setting (the male actors were charged with statutory rape). The Schoolgirl Report films were classified as ‘soft-core’ eroticism, which is similar to the David Hamilton genre.

Ernst Hofbauer directed many erotic films in addition to the original thirteen Schulmadchen Report classics. Sex sells, and Hofbauer exploited consumer demand for R-rated movies involving young actors and actresses. He had a unique style that combined youth, eroticism, wit, and anecdote. His exploitation films of the 1970s appealed to moviegoers from all walks of life.

A chronological list of the original 13 Schoolgirl Report films follows:

  • ★ Schulmadchen Report I: What Parents Don’t Think is Possible, aka Schoolgirl Report Part I
  • ★ Schulmadchen Report II: What Keeps Parents Awake at Night, aka Schoolgirl Report Part II
  • ★ Schulmadchen Report III: What Parents Find Unthinkable, aka Schoolgirls Growing Up
  • ★ Schulmadchen Report IV: What Drives Parents to Despair, aka Campus Swingers
  • ★ Schulmadchen Report V: What All Parents Should Know, aka 14 and Under
  • ★ Schulmadchen Report VI: Erotic Young Lovers, aka Campus Pussycats
  • ★ Schulmadchen Report VII: But Heart Needs to Be There
  • ★ Schulmadchen Report VIII: What Parents Should Never Get to Know, aka Naughty Coeds
  • ★ Schulmadchen Report IX: Examination Before the Matriculation
  • ★ Schulmadchen Report X: Every Girl Starts Sometime
  • ★ Schulmadchen Report XI: Confessions of a Naked Virgin, aka Blue Dreams
  • ★ Schulmadchen Report XII: Young Girls Need Love, aka Blue Fantasies
  • ★ Schulmadchen Report XIII: Don’t Forget The Love When Having Sex

File under Blast From The Past, Fetish, History of Pornography, Music, SeMeN SPeRmS Approved, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS ViDeO CLuB, Sex

Conjured by SeMeN SPeRmS on July 20, 2014

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Action Park Is Back! The Most Insane Amusement Park Ever

Action Park Traction Park 6 Dead

Growin’ up in the tri-state area, everyone had a story of a relative or friend bein’ injured at Action Park, it was like a suburban legend. So craze to see it’s open again.

 

Action Park is an amusement park located in Vernon, New Jersey, USA. The park was open from 1978 until 1996 while it was owned and operated by Great American Recreation. In 1996, the park closed and was re-opened under new management in 1998 as Mountain Creek Resort and Crystal Springs Resort ski area. On April 2, 2014, the original management, who has since repurchased the property, announced that Mountain Creek Waterpark would be renamed back to Action Park beginning with the Summer 2014 season, based on an increasing rise in nostalgia, as current adults recount their experiences at the park in the 1980′s and 90′s.

Man Drowns In Wave Pool Action Park

The original Action Park featured three separate attraction areas: The Alpine Center, featuring an alpine slide, Motorworld, and Waterworld. The lattermost was one of the first modern American water parks. Many of its attractions were unique, attracting thrillseekers from across the New York City metro area. The park’s popularity went hand-in-hand with a reputation for poorly designed, unsafe rides; underaged, undertrained, and often under-the-influence staff; intoxicated, unprepared visitors; and a consequently poor safety record.

Action Park Injuries Up In '86

At least six people are known to have died as a result of mishaps on rides at the original park. It was given nicknames such as “Traction Park”, “Accident Park”, and “Class Action Park” by doctors at nearby hospitals due to the number of severely injured parkgoers they treated. Little action was taken by state regulators despite a history of repeat violations. In its later years personal-injury lawsuits forced the closure of more and more rides and finally the park itself in 1996.

Action Park Negligence

Weird New Jersey Action Park Memories

File under Blast From The Past, Childhood Memories, SeMeN SPeRmS BLArRrG

Bear Blow Jobs

Bear Blow Jobs

Brown Bears Caught Performing Oral Sex

The club of fellatio-loving animals just gained a new member: bears
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Brawling Statues of Liberty, Spiderman & Toy Story Gropers
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An Occult History Of The Television Set
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CIA hatched plan to make demon toy to counter Osama bin Laden’s influence #PsyOps
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A Chinese Chemical Company And A ‘Bath Salts’ Epidemic
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BqXBejzIAAAwSUa

Three American friends hospitalized after becoming ‘possessed’ following Ouija board game
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Sneaker Pawn Shop in Harlem
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File under Culture, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS Links 'o Death, Sex

Perversion For Profit (1965) Vintage Anti Porn Propaganda

Perversion For Profit Censored Nudes

Perversion for Profit is a 1965 propaganda film financed by Charles Keating and narrated by news reporter George Putnam. A vehement diatribe against pornography, the film argues that sexually explicit materials corrupt young viewers and readers, leading to acts of violence and “perverted” attitudes regarding sex—including inclination toward homosexuality. Although Perversion for Profit is quite serious in its suggestion that pornography could erode the integrity of American culture, Peter L. Stein of the San Francisco Chronicle wrote in a 2003 review that it was “shrill and sometimes comical”.

Perversion For Profit

Today, Perversion for Profit is in the public domain, and due largely to its unintentional humor value, it has become popular on the Prelinger Archives website and on YouTube. As Peter L. Stein observes in an article for the San Francisco Chronicle, however, the film also has considerable historical significance, serving as a sort of time capsule of pornography from the era as well as an example of historical concerns regarding media influence:

…as the parade of girlie magazine covers, men’s physique pictorials and campy S&M leaflets continues, the film betrays a kind of prurience the filmmakers could hardly have intended. What results is a remarkable visual record of midcentury underground literature and sexual appetites, and a gloss on the values of the society that condemned them.

“Now, you might ask yourself ‘Why this sudden concern? Pornography and sex deviation have always been with mankind.’ This is true. But, now, consider another fact: never in the history of the world have the merchants of obscenity, the teachers of unnatural sex acts, had available to them the modern facilities for disseminating this filth. High-speed presses, rapid transportation, mass distribution: all have combined to put the vilest obscenity within reach of every man, woman, and child in the country.”—George Putnam, narrator.

Perversion For Profit
“This same type of rot and decay caused sixteen of the nineteen major civilizations to vanish from the Earth. Magnificent Egypt, classical Greece, imperial Rome, all crumbled away not because of the strength of the aggressor, but because of moral decay from within. But we are in a unique position to cure our own ills: our Constitution was written by men who put their trust in God and founded a government based in His laws. These laws are on our side. We have a constitutional guarantee of protection against obscenity. And, in this day especially, we must seek to deliver ourselves from this twisting, torturing evil. We must save our nation from decay and deliver our children from the horrors of perversion. We must make our land, ‘the land of the free’, a safe home. Oh, God, deliver us, Americans, from evil.”—George Putnam, narrator (closing words).

Perversion For Profit Censored Nudes
“This moral decay weakens our resistance to the onslaught of the communist masters of deceit.” —George Putnam, narrator.

File under Culture, History of Pornography, Horror, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS ViDeO CLuB, Sex

Mayor of the Sunset Strip (2003) Rodney Bingenheimer Hollywood Rock Scenester

Rodney Bingenheimer Riot House

The Rodney Bingenheimer of today seems always to be smiling through a deep sadness. He is a small man who still has the youthful cuteness that must have won him friends in his early days. His hair is still combed in the same tousled mid-1970s rock star style, and his T-shirts are the real thing, not retro. He lives now in an inexpensive apartment jammed with records, tapes, discs, and countless autographed photos of his friends the stars. And, yes, they are still his friends; they have not forgotten him, and David Bowie, Cher, Debbie Harry, Courtney Love, Nancy Sinatra and Mick Jagger all appear in this film and seem genuinely fond of Rodney.

Rodney Bingenheimer Riot House

Well they might. He introduced some of them — Bowie in particular — to American radio. He was known for finding new music and playing it first: The Ramones, the Sex Pistols, the Clash, Nirvana. Stations all over the country stole their playlists from Rodney. “Sonny and Cher were kinda like my mom and my dad,” he says wistfully at one point. He ran a little club for a while, featuring British glam rock, and the stars remember with a grin that it was so small the “VIP Area” consisted simply of a velvet rope separating a few chairs from the dance floor.

Rodney Bingenheimer English Disco

The story of how Bingenheimer entered into this world is apparently true, unlikely as it sounds. As a kid he was obsessed with stars, devoured the fan magazines, collected autographs. One day when he was a teenager, his mother dropped him off in front of Connie Stevens’ house and told him he was on his own. He didn’t see his mother for another five or six years. Connie wasn’t home.

Rodney Bingenheimer n Jimi Hendrix

He migrated to the Sunset Strip, but instead of dying there or disappearing into drugs or crime, he simply ingratiated himself. People liked him. He hustled himself into a job as a gofer for Davy Jones of the Monkees (they looked a little alike), and then became a backstage caterer; a survivor of a Doors tour remembers a Toronto concert where Rodney had enormous platters of fresh shrimp backstage. But the Beatles were backstage visitors, and Rodney gave them the shrimp, so there were only a few left for the Doors, who had paid for them. Challenged by The Doors, Rodney shrugged and said, “Well, they’re the Beatles.”

Rodney Bingenheimer English Disco

Wherever Bingenheimer went in the music and club scene, his face was his passport. Robert Plant says, “Rodney got more girls than I do.” We hear a little of his radio show from the old days, and what comes across is not a vibrating personality or a great radio voice — it’s kind of tentative, really — but an almost painful sincerity. He loves the music he plays, and he introduces it to you like a lover he thinks is right for you. The road downhill was gradual, apparently. We get glimpses of Rodney today, repairing his mom’s old Nova with a pair of pliers, shuffling forlornly through souvenirs of his glory days. He seems very even, calm, sad but resigned, except for one moment the documentary camera is not supposed to witness, when he finds that another deejay, a person he sponsored and gave breaks to, is starting a show of new music — stealing Rodney’s gig. He explodes in anger. We’re glad he does. He has a lot to feel angry about.

Rodney Bingenheimer-and-joan-jett

The film was directed by George Hickenlooper, who made the classic doc “Hearts Of Darkness: A Filmmaker’s Apocalypse” (1991), about the nightmare of Coppola’s “Apocalypse Now,” and the wonderful fiction film “The Man From Elysian Fields” (2001). Why did he make this film (apart from the possibility that someone named Hickenlooper might feel an affinity for someone named Bingenheimer)? Hickenlooper has been around fame at an early age. He was 26 when he released the doc about the Coppola meltdown. He cast Mick Jagger and James Coburn in “Elysian Fields.” He was aware of Rodney Bingenheimer when the name still opened doors. His film evokes what the Japanese call mono no aware, which refers to the impermanence of life and the bittersweet transience of things. There is a little Rodney Bingenheimer in everyone, but you know what? Most people aren’t as lucky as Rodney. – Roger Ebert

rodney mayor

File under Blast From The Past, Music, SeMeN SPeRmS ViDeO CLuB, Sex