Conjured by o~ SeMeN SPeRmS ~o on April 20, 2015
Lui (French for “Him”) is a French adult entertainment magazine created in November 1963 by Daniel Filipacchi, a fashion photographer turned publisher, Jacques Lanzmann, a jack of all trades turned novelist, and Frank Ténot, a press agent, pataphysician and jazz critic.
The objective was to bring some charm “à la française” to the market of men’s magazines, following the success of Playboy in the USA, launched just a decade before.
France, indeed, in the first half of 20th century had an outstanding reputation for erotic publications, feeding also foreign market and inspiring also ersatz French-flavoured magazines abroad, when, for example, US publishers used French-sounding titles like Chère and Dreamé or placed tricolour flags on the covers, attempting to attract the casual buyer. It was anyway a semi-clandestine circulating material, not allowed to be freely displayed or openly bought. In this sense Playboy changed the way ‘soft-pornography’ (become more respectfully ‘adult entertainment’), can be publicly circulated.
This magazine was particularly successful from its origins to the early eighties, afterwards it began a long decline. It was published regularly till November 1987 (the final issue of this first series was the number 285). After 1987 there was a further attempt to relaunch the title but the publication ceased again in 1994. Passed into the hands of the media group of Michel Birnbaum, after a transient stimulus, it became a pornographic magazine with episodic dissemination. It was published every three months.
After the purchase of the title by Jean-Yves Le Fur, it has been relaunched on September 5, 2013 as a high-end magazine with Frédéric Beigbeder at his helm.
First series (1963–1987)
This magazine successful recipe was combining content with depth articles and beautiful naked women, featuring many B-List but also celebrities, often prominent French actresses, such as Brigitte Bardot, Mireille Darc, Jane Birkin or Marlène Jobert.
It featured a monthly pin-up by Aslan. The first girl to pose on the cover was Valérie Lagrange (the number 1 appeared on 11 January 1963)) photographed by Francis Giacobetti, future director of the soft-core movie Emmanuelle 2.
The magazine hosted also a cartoon by Lauzier: Les Sextraordinaires Aventures de Zizi et Peter Panpan. Among the first collaborators are Jean-Louis Bory, René Chateau, Philippe Labro, Francis Dumoulin, Francis Giacobetti, Siné, Michel Mardore, Gilles Sandier and many others.
The magazine motto was Lui, le magazine de l’homme moderne (The Magazine of the Modern Man). In the beginning, it had also a mascot, a cat’s head, similarly to the magazine Playboy Bunny, but it disappeared in the early 1970s.
Conjured by o~ SeMeN SPeRmS ~o on June 18, 2014
Stacia joined the band in 1971; however accounts vary as to how and why she began working with the band. Liner notes to In Search of Space indicate that poet and lyricist Robert Calvert recruited her for live shows; other sources state that she was a friend of Nik Turner, saxophonist and flautist for the band. In 2012, Turner told Mojo Magazine, “I met Stacia for the first time at the Isle of Wight… She said, “Can I dance with you?” and I said, “Yeah, but you must take off all your clothes and paint your body.” She took all her clothes off but unfortunately I didn’t have any body paint. That was like her audition.” In an interview in British music magazine Melody Maker, Stacia herself stated that she attended a show and, inspired by the music, got on stage and performed an impromptu dance to the band’s music. She immediately became an integral part of the live show after joining in 1971.
According to a 1974 interview in Penthouse, Stacia was six feet (183 cm) tall and “happily bisexual”. She regularly augmented her visual impact by performing topless or nude, her body decorated in iridescent or luminescent paint. In a 2007 BBC Four documentary, Lemmy described her as 6 ft 2 inches (188 cm) tall with a 52 inch (132 cm) bust and a bookbinder by trade. The same documentary said that she was working as a petrol pump attendant in Cornwall when she joined the band.
Stacia regarded what she did with the band as interpretive dance, and was an integral part of the early to mid-1970s Hawkwind show, particularly during the Space Ritual era. She left Hawkwind in 1975 after touring with them for the Warrior on the Edge of Time album. Her departure, along with that of Lemmy (who went on to form Motörhead) and Robert Calvert, signaled the end of an era; though Calvert, after a guest appearance with the band at the Reading festival, decided to rejoin the band full-time towards the end of that year.
Conjured by o~ SeMeN SPeRmS ~o on June 16, 2014
Mondo Hollywood is a documentary “mondo movie” by Robert Carl Cohen, released in 1967. Filmed over the preceding two years, it was described by Variety as a “flippy, trippy psychedelic guide to Hollywood”.
Long considered a cult classic, “Mondo Hollywood” captures the underside of Hollywood by documenting a moment in time (1965-67), when an inquisitive trust in the unknown was paramount, hope for the future was tangible and life was worth living on the fringe. An interior monologue narrative approach is used throughout the film, where each principal person shown not only decided on what they wanted to be filmed doing, but also narrated their own scenes. The film opens with Gypsy Boots (the original hippie vegan – desert hopping blender salesman), and stripper Jennie Lee, working out ‘Watusi-style’ beneath the ‘Hollywood’ sign — leading into the ‘sustainable community’ insight of Lewis Beach Marvin III, the S&H Green Stamp heir, who lived in a $10 a month garage while owning a mountain retreat in Malibu.
Conjured by o~ SeMeN SPeRmS ~o on March 28, 2013
Conjured by o~ SeMeN SPeRmS ~o on December 30, 2011