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Ilsa She Wolf Of The SS (1975) Sexy Nazisploitation

 

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Ilsa, She Wolf of the SS is a 1975 American Nazi exploitation film produced in the USA. The film was directed by Don Edmonds, produced by David F. Friedman and written by Jonah Royston.

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Ilsa is Kommandant of a Nazi prison camp, who conducts sadistic scientific experimentsdesigned to demonstrate that women are more capable of enduring pain than men are, and therefore should be allowed to fight in the army. Ilsa is also portrayed as a buxom woman with a voracious sexual appetite for men. Every night, she chooses another one of her male prisoners and rapes him; however, due to her insatiable hunger, she gets disappointed when her current victim eventually ejaculates, and promptly has him castrated and put to death. Only an American prisoner, who can withhold ejaculating, manages to use her weakness to his favor.

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The film was made on the Los Angeles set of the TV series Hogan’s Heroes. The series had already been cancelled and the show’s producers let the film be made on it once they learned that a scene called for it to be burned down, saving them the cost of having it demolished.

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When Lee Frost and David F. Friedman‘s 1969 Love Camp 7 became popular in Canada, André Link and Cinepix’s John Dunning created a script for Ilsa, She Wolf of the SS. After offering to produce, Friedman agreed and brought on Dyanne Thorne to play as the titular character. Friedman is credited onscreen as “Herman Traeger”.

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Ilsa is patterned after real-life murderous female Nazi camp personnel Ilse Koch and Irma Grese.

Friedman (under the pseudonym Herman Traeger) put a notice before the film opens: “The film you are about to see is based on documented fact. The atrocities shown were conducted as “medical experiments” in special concentration camps throughout Hitler‘s Third Reich. Although these crimes against humanity are historically accurate, the characters depicted are composites of notorious Nazi personalities; and the events portrayed, have been condensed into one locality for dramatic purposes. Because of its shocking subject matter, this film is restricted to adult audiences only. We dedicate this film with the hope that these heinous crimes will never happen again.”

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File under Cult Movies, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS ViDeO CLuB, Sex

Bear Blow Jobs

Bear Blow Jobs

Brown Bears Caught Performing Oral Sex

The club of fellatio-loving animals just gained a new member: bears
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Times Square Costumed Characters Out Of Control
Brawling Statues of Liberty, Spiderman & Toy Story Gropers
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Skulls Found Inside Teddy Bears At Mexico Airport #Santeria
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An Occult History Of The Television Set
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Heil Hipster: The Young Neo-Nazis Trying to Put a Stylish Face on Hate #Nipsters
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CIA hatched plan to make demon toy to counter Osama bin Laden’s influence #PsyOps
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A Chinese Chemical Company And A ‘Bath Salts’ Epidemic
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Paraplegic suing doctor for shortening penis
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Indian teenager is worshipped because he has a seven inch TAIL
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Three American friends hospitalized after becoming ‘possessed’ following Ouija board game
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Sneaker Pawn Shop in Harlem
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Seattle Woman Sees Drone Peeping Into Her Apartment Window
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File under Culture, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS Links 'o Death, Sex

The Dirk Diggler Story (1988) Paul Thomas Anderson Pre-Boogie Nights Mockumentary

Dirk Diggler Story 1988

The Dirk Diggler Story is a 1988 mockumentary short film written and directed by Paul Thomas Anderson. It follows the rise and fall of Dirk Diggler, a well-endowed male porn star. The character was modeled on American porn actor John Holmes. The film was later expanded into Anderson’s successful 1997 breakout film Boogie Nights.

Dirk Diggler (Michael Stein) was born as Steven Samuel Adams on April 15, 1961 outside of Saint Paul, Minnesota. His parents are a construction worker and a boutique shop owner who attend church every Sunday and believe in God. Looking for a career as a male model, Diggler drops out of school at age 16 and leaves home. Jack Horner (Robert Ridgely) discovers Diggler at a falafel stand. Diggler meets his friend, Reed Rothchild (Eddie Delcore), through Horner in 1979, while working on a film.

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Horner slowly introduces Diggler to the business until Diggler became noticeable within the industry. Diggler becomes a prominent model and begins appearing in pornographic films. Diggler has critical and box office hits which leads him to stardom. The hits and publicity lead to fame and money, which lead Diggler to the world of drugs. With the amount of money Diggler is making he is able to support both his and Rothchild’s addictions. The drugs eventually cause a breakup between Diggler and Horner, since Diggler is having issues with his performance on set.

After the breakup Diggler tries to make a film himself, but it is never completed. He then attempts a music career, which is successful but leads him deeper into drugs because of the amount of money he is making. He then stars in a TV show, which is a failure both critically and commercially. Having failed and with no work, Diggler returns to the porn industry, taking roles in low-budget homosexual films to help support his habit. On July 17, 1981, during a film shoot, Diggler dies of a drug overdose.

The film ends with a quote from Diggler: “All I ever wanted was a cool ’78 ‘Vette and a house in the country.”

Dirk Diggler Story 1988

The film was Anderson’s first real production having experimented with what he called “standard fare”. Anderson conceived the film when he was 17 years old and a senior at Montclair College Preparatory School. Anderson called his friend Michael Stein, telling him to come over for a production meeting, and told Stein his idea: “John Holmes”. Stein loved the idea and was cast to play the role of Dirk Diggler; he selected his own wardrobe. Stein showed Anderson some video of his friend Eddie Dalcour, who was a professional body builder, which Anderson loved and cast him in the role of Reed Rothchild. Anderson’s father, Ernie Anderson, narrated the film and Robert Ridgely, a friend of Anderson’s father, played the role of Jack Horner

The film was shot in 1987 using a video camera and steadicam provided by Anderson’s father. Some scenes were shot at a motel. Anderson raised money for the film by cleaning cages in a pet store. Being influenced by This is Spinal Tap at the time, he decided to do a mockumentary and used the John Holmes documentary, Exhausted, as a model for the film, even taking some dialogue almost word-for-word. Anderson worked from a shot list and wanted the actors to be serious since the characters took their work seriously. Anderson edited the film using two VCRs. According to Anderson, the film drew admiring laughs when it was was shown at a University of Southern California film festival.

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The Dirk Diggler Story was expanded into Anderson’s 1997 breakout film Boogie Nights with a number of scenes appearing almost verbatim in both films. Two actors had roles in both films; in Boogie Nights, Robert Ridgely played The Colonel, a pornography financier, and Michael Stein had a cameo appearance as a stereo store customer. The main differences between The Dirk Diggler Story and Boogie Nights are the mockumentary versus narratives styles in the former and latter films, respectively; Diggler’s stint in gay porn in the first film versus his prostitution in the second; and Diggler’s dying from an overdose in the first film versus his happy return to his former roles and lifestyle in the second.

File under Music, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS ViDeO CLuB, Sex

Story Of A Junkie (1985) Gringo 80’s East Village NYC Heroin Addict Docudrama

John Spacely Gringo Story Of A Junkie

Story of a Junkie is a 1987 drama film directed by Lech Kowalski and starring John Spaceley. Distributed by Troma Entertainment. Filmed in documentary-style, the film follows the character of Gringo, a young man looking for fortune in New York, only to fall into heroin addiction.

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The movie has amassed quite a reputation in certain circles for its depictions of hard drug usage in New York City’s East Village area. Many of the cast members, including leading man John Spaceley, are actual junkies. The numerous shooting-up sequences are reportedly entirely real, as are many of the drug dens and their denizens. Perhaps even more notable than the cinema verite structure is the almost total lack of moralizing on the part of the producers or its characters.

John Spacely Gringo Story Of A Junkie

Lead actor Spaceley died in the early 1990s, reportedly from AIDS, which he contracted through intravenous drug use. His final moments are chronicled in yet another Lech Kowalski film, “Born to Lose: The Last Rock & Roll Movie”, a documentary about deceased former New York Dolls guitarist Johnny Thunders.

Troma Entertainment hails Story of a Junkie as one of the company’s best films; it’s one of the most well-known outside of the films directed by Troma founders Lloyd Kaufman and Michael Herz.

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A harrowing, bloody story of heroin addiction that puts films like Trainspotting to shame, Gringo mixes documentary footage with staged scenes to show the life of addict John Spacely.

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Perhaps you’ve seen him somewhere and just can’t remember his name. The face is about an enigmatic as they come: classic Roman features topped by a greasy dyed matt of slicked back blond hair, pirate-style patch covering his right eye and cigarette dangling from an ever-present smirk. Or maybe you’ve never really noticed him and could frankly care less who he is or was. To you, John Spacely is just another loser, a human being throwing their life away by indulging in the most shameless of self-satisfactions: drug abuse. The minute you learn he’s a card-carrying member of the Riders of the White Horse, you’re thoughts turn to how selfish and stupid he is, how addiction is for the weak and lazy. You now no longer wish to know anything about him, his life, or how he ended up strung out in New York City. Instead, you sneer down your self-righteous nose and blame him (and his kind) for all the problems of the world. Maybe it would help you to learn a little about who John Spacely is. Perhaps your perceptions will change when you learn what drove him to drugs and what he has to do on a daily basis to survive. One thing’s for sure, the minute you see the horrifying docudrama Story of a Junkie, you will think twice about ever attempting to use drugs. This film is as successful a PSA warning about the terrors of dependency that you will probably ever see. It makes the Hollywood glamorization of such struggling souls that much more laughable.

John Spacely Gringo Story Of A Junkie

GRINGO Story of a Junkie is about as close to pure European neo-realism as an American movie is ever likely to get. It is also a stunning example of the cinema vérité style of filmmaking, the capturing of events as they happen without concern about continuity or performance. Part documentary, part confessional, this occasionally brilliant but always brave movie is an incredibly searing indictment on the use and abuse of drugs.
Whereas Tinsel Town tripe likes to romanticize the ritualistic intake of mind and or mood altering substances as a photogenic character flaw, Story of a Junkie tells it like it really is. Never once white washing or trivializing the life of a heroin addict, director Lech Kowalski and his cast of real life drug users draw us directly into the warped urban war zone where the vast majority of pusher and partakers exist. Never cringing from the sights, the sounds, the smells and the surreality of the real drug culture, the desperation is palpable and the danger, predominant. From how fixes are “cut” to the hierarchy in a shooting gallery, you’ll be hard pressed to find another film that tackles this terrible subject with more authenticity. It is drug abuse as slasher film, a frightening, sometime funny and often fatalistic representation of people living a life with a maniacal monkey on their back.

John Spacely Gringo Story Of A Junkie

It’s impossible for us non-addicts to understand the struggles and the will to survive (if only for the next score) of the person hopelessly obsessed with using. But for some reason, we are no longer a society that accepts brutal honesty. Everything needs to be sugarcoated with a small fraction of hope inserted to keep us feeling safe and secure. Frankly, the plain truth is all that Story of a Junkie has to offer. Without its integrity, its desire to get to the very heart of this corrupt cosmos, all we’d have is a carnival sideshow, a scandalous showcase of pure exploitation. But because of the tales it tells and the people who tell them, Story of a Junkie transcends its trappings to become a work of astounding power.

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File under Cult Movies, Culture, Massive Consumption of Drugs, New York City History, Punksploitation, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS ViDeO CLuB

The Young Ones (1982-1984) BBC Comedy Series

Usta love this show as a kid, cool to find all the episodes on Youtube. Enjoy!

The Young Ones is a British sitcom, first broadcast in 1982, which ran for two series on BBC2. Its anarchic, offbeat humour helped bring alternative comedy to television in the 1980s and made household names of its writers and performers. Soon afterwards, it was shown on MTV, one of the first non-music television shows on the fledgling channel.

The main characters were four undergraduate students sharing a house: violent punk Vyvyan (Adrian Edmondson), pompous would-be anarchist Rick (Rik Mayall), long-suffering paranoid hippie Neil (Nigel Planer), and the suave, diminutive and shady Mike (Christopher Ryan). It also featured Alexei Sayle, who played various members of the Balowski family—most often Jerzei Balowski, the quartet’s landlord—and occasional independent characters, such as the train driver in “Bambi” and the Mussolini-lookalike Police Chief in “Cash”.

The show combined traditional sitcom style with violent slapstick, non-sequitur plot turns, and surrealism. These older styles were mixed with the working and lower-middle class attitudes of the growing 1980s alternative comedy boom, in which all the principal performers except Ryan had been involved. Every episode except one featured a live performance by a band, including Madness, Motörhead, and The Damned. – Wikipedia


File under Blast From The Past, Comedy, Music, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS ViDeO CLuB