Director | SeMeN SPeRmS SuPeR SiTe

Maniac Cop

maniac_cop

Maniac Cop (1988)

maniac-cop-5223e711307a9

Orchid or demon: Flower of a new species of orchid looks like a devil’s head phy.so/387511157

Vincent Gallo Sues Facebook After Ex-Girlfriend Sends Nude Photos to “Fake” Vincent Gallo hollywoodreporter.com/thr-esq/vincen…

Armed Robbers Use Pokémon Go To Find 9 Victims
gizmodo.com/armed-robbers-…

Pokemon Go Leads to Reckless Driving, Injuries, and A Corpse
hardware.slashdot.org/story/16/07/10…

Warning: Pokemon GO is a Death Sentence if you are a Black Man
medium.com/mobile-lifesty…

Sharing Your Netflix Password Is Now a Federal Crime
google.com/amp/amp.timein…

Copspeak: 7 Ways Journalists Use Police Jargon to Obscure the Truth fair.org/home/copspeak-…

These People With Bernie Sanders Tattoos Must be Feeling Pretty Stupid Right Now infowars.com/these-people-w…

Holocaust Museum to visitors: Please stop catching Pokémon here wpo.st/HqRl1

Parents upset after Stanford mall robot injures child abc7news.com/1423093/

US Customs wants your social media account details when travelling
nakedsecurity.sophos.com/2016/06/29/us-…

Is all of mass transit bugged?
csoonline.com/article/309050…

Purdue Pharma OxyContin Drug Pusher Scumbags fw.to/wUirp3W

Mexican hitwoman claims to have sex with corpses and drink their blood dailym.ai/29x2uA1

Balding Actresses
google.com/search?tbm=isc…

Joyce DeWitt, John Ritter and Jenilee Harrison during Screening of ‘Angel Dusted’ at Director’s Guild in Los Angeles
gettyimages.com/event/screenin…

Angel Dusted (TV Movie) – Feature Clip youtu.be/GBBAqoaZGgQ

The Motor City is Burnin’
makeloveland.com/fire-gallery/i…

Psycho-Cop-Returns-1993

File under SeMeN SPeRmS BLArRrG, SeMeN SPeRmS Links 'o Death, Sex

Doin’ Time in Times Square by Charlie Ahearn Old School Grimy NYC

51aob1ia6FL._SY445_Shot from his window, the forty minute video, called “Doin’ Time in Times Square,” includes everything you’d expect from candid 1980s Times Square footage—slow mo knock-out punches, neon XXX signs, plenty of cameos from the NYPD, and chaos. The chaos, however, is interspersed with quiet scenes from inside the apartment where all of this was being filmed from. It’s been described as “the home video from hell,” and was shown at the New York Film Festival in the 1990s.doin-time-in-times-square1367681186_thumb

 

“Described as the home video from hell, Doin Time in Times Square documents the view and action outside director Charlie Ahearns 43rd Street apartment window from 1981 to 1983. Charlie Ahearn, whose 1983 film Wild Style was a cult hip hop hit, was blessed with a generous view of the sleeze emporiums up Eighth Avenue and down 43rd. His window provides a view into midtown New Yorks street brutality in those dark years before it was cleaned up and Disneyfied, His Hi-8 camera captures rip-offs, drug sales, police stake-outs and fights – lots of fights. On any given day we see fist-fights, domestic squabbles and bad deals going down. It is both a social and personal document.”

File under Blast From The Past, New York City History, SeMeN SPeRmS BLArRrG

The Internet Sucks

Internet Blowjob

Police Trolling Personal Ads to Trick People Into Sex Crimes
reason.com/blog/2014/07/1…

Whoremonger Google executive dies of a heroin OD on board his yacht, hooker gets blamed
dailymail.co.uk/news/article-2…

Bloodshot hollow eyes, emaciated arms and rambling on the phone: Haunting video of Angelina Jolie the heroin addict
dailymail.co.uk/tvshowbiz/arti…

Teen gets 23 years for fatally shooting police dog
ocala.com/article/201407…

Connecticut drug treatment director bought crack cocaine for client who he also paid for sex
blog.ctnews.com/connecticutpos…

Psychonauts explore unknown world of legal highs – with themselves as lab rats
theguardian.com/society/2014/j…

Man Discovers A Four Foot Long Venomous Snake Coiled In A Toilet
khou.com/news/Man-on-ba…

MindRDR Is A Google Glass App You Control With Your Thoughts
techcrunch.com/2014/07/09/for…
Great, soon Google will mine yer mind

Seattle police search for person who donated three human skulls to thrift store
kirotv.com/news/news/huma…

Stem cell treatment causes nasal growth in woman’s back
newscientist.com/article/dn2585…

Stripper’s Outfit Reveals More Than She Wanted
articles.courant.com/2013-06-21/new…

Hadda Google to see if there was a metal band named ‘Iron Dome’…There is!
Haah…Pro-Israel Metal about IDF tanks

File under SeMeN SPeRmS BLArRrG, SeMeN SPeRmS Links 'o Death, Sex

Vintage LUI Covers – Classic French Erotic Sexy Adult – The Magazine Of The Modern Man

Lui Magazine Roller Skates

Lui (French for “Him”) is a French adult entertainment magazine created in November 1963 by Daniel Filipacchi, a fashion photographer turned publisher, Jacques Lanzmann, a jack of all trades turned novelist, and Frank Ténot, a press agent, pataphysician and jazz critic.

The objective was to bring some charm “à la française” to the market of men’s magazines, following the success of Playboy in the USA, launched just a decade before.

France, indeed, in the first half of 20th century had an outstanding reputation for erotic publications, feeding also foreign market and inspiring also ersatz French-flavoured magazines abroad, when, for example, US publishers used French-sounding titles like Chère and Dreamé or placed tricolour flags on the covers, attempting to attract the casual buyer. It was anyway a semi-clandestine circulating material, not allowed to be freely displayed or openly bought. In this sense Playboy changed the way ‘soft-pornography’ (become more respectfully ‘adult entertainment’), can be publicly circulated.

This magazine was particularly successful from its origins to the early eighties, afterwards it began a long decline. It was published regularly till November 1987 (the final issue of this first series was the number 285). After 1987 there was a further attempt to relaunch the title but the publication ceased again in 1994. Passed into the hands of the media group of Michel Birnbaum, after a transient stimulus, it became a pornographic magazine with episodic dissemination. It was published every three months.

After the purchase of the title by Jean-Yves Le Fur, it has been relaunched on September 5, 2013 as a high-end magazine with Frédéric Beigbeder at his helm.

First series (1963–1987)
This magazine successful recipe was combining content with depth articles and beautiful naked women, featuring many B-List but also celebrities, often prominent French actresses, such as Brigitte Bardot, Mireille Darc, Jane Birkin or Marlène Jobert.

It featured a monthly pin-up by Aslan. The first girl to pose on the cover was Valérie Lagrange (the number 1 appeared on 11 January 1963)) photographed by Francis Giacobetti, future director of the soft-core movie Emmanuelle 2.

The magazine hosted also a cartoon by Lauzier: Les Sextraordinaires Aventures de Zizi et Peter Panpan. Among the first collaborators are Jean-Louis Bory, René Chateau, Philippe Labro, Francis Dumoulin, Francis Giacobetti, Siné, Michel Mardore, Gilles Sandier and many others.

The magazine motto was Lui, le magazine de l’homme moderne (The Magazine of the Modern Man). In the beginning, it had also a mascot, a cat’s head, similarly to the magazine Playboy Bunny, but it disappeared in the early 1970s.

File under Fashion, SeMeN SPeRmS BLArRrG, Sex

REVOLUTION (1968) Hippie Documentary Haight Ashbury LSD 60’s San Francisco Scene

A documentary that explores the counterculture of San Francisco in the mid-1960’s

The sex is free. The pot is cheap. Everyone can afford the acid.

Revolution 1968
Peace, love and groovy, mind-altering drugs are the topics at hand in this San Francisco freak-out documentary. It’s a crude but heartfelt time capsule, released in the summer of ’68, just before the Haight Asbury scene turned into one big, unwashed bummer. And even if director Jack O’Connell (THE GREENWICH VILLAGE STORY, SWEDISH FLY GIRLS) may not have made a great movie, he was at the right time, at the right place, and (most important) with the right tripped-out attitude… Much of the movie is random footage of the hippie phenomenon, while a cute, blond, 20-year-old runaway named “Today Malone” provides a (slight) framework to this ragged mess. And a bigger bunch of long-haired, wide-eyed freaks I’ve never seen — crammed shoulder-to-shoulder, celebrating the summer solstice in the Golden Gate Park. God, the stench of patchouli must’ve been nauseating!

revolution 1968

Bands blast away, hippie chicks spin in circles, the lightshow begins, and it’s the same old acid haze we’ve come to know and love. Along the way, some interesting tidbits sneak in, including firsthand tales of getting busted, posted notes to runaway children, Ms. Malone unsuccessfully begging passers-by for spare change, a middle-aged nun describing how she’s similar to these “hippie girls,” and a typical hairball asked if he worries about chromosome damage from too much acid (when it’s, obviously, already too late). Of course, what movie about drugs is complete without a few suited “experts” (including San Francisco’s Director of Public Health and the thick-necked Chief of Police) warning about the evils of this new generation’s chemical dependence. But in the long run, this is a refreshingly pro-drug, pro-hippie pic that pushes the joys of LSD when Today doses on camera, and flies off on its mind-altering effects (actually, all they do is sit around a room, rolling their eyes and feeling a peach).

revolution 1968

The filmmakers have all the bases covered. They document the oddest niches of Hippiedom, which appeals to the curious. There are plenty of groovy visuals, in case you’re dosed. They even toss in some nude performance art to suck in the T&A crowd. It also features ragamuffin fashion at its worst (not as ratty as today’s Squatter Chic look, but close), plus music by Country Joe and The Fish, Quicksilver Messenger Service, and The Steve Miller Band… Nowadays, this nonsense is impossible to watch without laughing at these naive, burnt-out rebels, and it’s a reality check for folks who think the hippie subculture was exactly like PSYCH-OUT or THE TRIP. Unfortunately, real life was a lot less charismatic than reel life. And whenever one these wide-eyed innocents vows they’ll never conform to The System, I’ll give you odds that nowadays, they’re somewhere in suburbia, selling Amway products and falling asleep to AMERICA’S FUNNIEST HOME VIDEOS.

Shock Cinema

revolution 1968

File under Culture, Fashion, Music, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS ViDeO CLuB, Sex

Story Of A Junkie (1985) Gringo 80’s East Village NYC Heroin Addict Docudrama

John Spacely Gringo Story Of A Junkie

Story of a Junkie is a 1987 drama film directed by Lech Kowalski and starring John Spaceley. Distributed by Troma Entertainment. Filmed in documentary-style, the film follows the character of Gringo, a young man looking for fortune in New York, only to fall into heroin addiction.

John Spacely Gringo Story Of A Junkie

The movie has amassed quite a reputation in certain circles for its depictions of hard drug usage in New York City’s East Village area. Many of the cast members, including leading man John Spaceley, are actual junkies. The numerous shooting-up sequences are reportedly entirely real, as are many of the drug dens and their denizens. Perhaps even more notable than the cinema verite structure is the almost total lack of moralizing on the part of the producers or its characters.

John Spacely Gringo Story Of A Junkie

Lead actor Spaceley died in the early 1990s, reportedly from AIDS, which he contracted through intravenous drug use. His final moments are chronicled in yet another Lech Kowalski film, “Born to Lose: The Last Rock & Roll Movie”, a documentary about deceased former New York Dolls guitarist Johnny Thunders.

Troma Entertainment hails Story of a Junkie as one of the company’s best films; it’s one of the most well-known outside of the films directed by Troma founders Lloyd Kaufman and Michael Herz.

Gringo Story Of A Junkie

A harrowing, bloody story of heroin addiction that puts films like Trainspotting to shame, Gringo mixes documentary footage with staged scenes to show the life of addict John Spacely.

story-of-a-junkie-02

Perhaps you’ve seen him somewhere and just can’t remember his name. The face is about an enigmatic as they come: classic Roman features topped by a greasy dyed matt of slicked back blond hair, pirate-style patch covering his right eye and cigarette dangling from an ever-present smirk. Or maybe you’ve never really noticed him and could frankly care less who he is or was. To you, John Spacely is just another loser, a human being throwing their life away by indulging in the most shameless of self-satisfactions: drug abuse. The minute you learn he’s a card-carrying member of the Riders of the White Horse, you’re thoughts turn to how selfish and stupid he is, how addiction is for the weak and lazy. You now no longer wish to know anything about him, his life, or how he ended up strung out in New York City. Instead, you sneer down your self-righteous nose and blame him (and his kind) for all the problems of the world. Maybe it would help you to learn a little about who John Spacely is. Perhaps your perceptions will change when you learn what drove him to drugs and what he has to do on a daily basis to survive. One thing’s for sure, the minute you see the horrifying docudrama Story of a Junkie, you will think twice about ever attempting to use drugs. This film is as successful a PSA warning about the terrors of dependency that you will probably ever see. It makes the Hollywood glamorization of such struggling souls that much more laughable.

John Spacely Gringo Story Of A Junkie

GRINGO Story of a Junkie is about as close to pure European neo-realism as an American movie is ever likely to get. It is also a stunning example of the cinema vérité style of filmmaking, the capturing of events as they happen without concern about continuity or performance. Part documentary, part confessional, this occasionally brilliant but always brave movie is an incredibly searing indictment on the use and abuse of drugs.
Whereas Tinsel Town tripe likes to romanticize the ritualistic intake of mind and or mood altering substances as a photogenic character flaw, Story of a Junkie tells it like it really is. Never once white washing or trivializing the life of a heroin addict, director Lech Kowalski and his cast of real life drug users draw us directly into the warped urban war zone where the vast majority of pusher and partakers exist. Never cringing from the sights, the sounds, the smells and the surreality of the real drug culture, the desperation is palpable and the danger, predominant. From how fixes are “cut” to the hierarchy in a shooting gallery, you’ll be hard pressed to find another film that tackles this terrible subject with more authenticity. It is drug abuse as slasher film, a frightening, sometime funny and often fatalistic representation of people living a life with a maniacal monkey on their back.

John Spacely Gringo Story Of A Junkie

It’s impossible for us non-addicts to understand the struggles and the will to survive (if only for the next score) of the person hopelessly obsessed with using. But for some reason, we are no longer a society that accepts brutal honesty. Everything needs to be sugarcoated with a small fraction of hope inserted to keep us feeling safe and secure. Frankly, the plain truth is all that Story of a Junkie has to offer. Without its integrity, its desire to get to the very heart of this corrupt cosmos, all we’d have is a carnival sideshow, a scandalous showcase of pure exploitation. But because of the tales it tells and the people who tell them, Story of a Junkie transcends its trappings to become a work of astounding power.

-Source

File under Cult Movies, Culture, Massive Consumption of Drugs, New York City History, Punksploitation, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS ViDeO CLuB

The Prince Of Porn 80’s Vintage BDSM Sleaze Documentary

dr bizarro

Phil Prince was a director of rather sleazy bondage and discipline films in the New York of the late 1970’s and early 80’s. As the editor of some of these films, Brian O’Hara became acquainted with Prince and gained his consent for a filmed interview. Outtakes from Phil’s films intercut with his ruminations on the porn world circa 1984.

savage sadists
Features clips from:

  • Den of Dominance (1980) (Short)
  • Forgive Me, I Have Sinned (1981)
  • Tales of the Bizarre (1982)
  • The Taming of Rebecca (1982)
  • Kneel Before Me (1983)
  • Oriental Techniques in Pain and Pleasure (1983)
  • Dr. Bizarro (1983)
  • Daughters of Discipline (1983) (Short)
  • Pain Mania (1983)

pain and pleasure

kneel before me

 

File under Blast From The Past, History of Pornography, New York City History, SeMeN SPeRmS BLArRrG, Sex

Little Ladies Of The Night (1977) 70’s Underage Teen Hollywood Hookers Made For TV Movie

little.ladies.of.the.night.vhs.s.a

Marvin J. Chomsky directs this drama about a young girl (Linda Purl) who escapes her oppressive mother only to wind up on the lonely streets of Hollywood. Broke and with nowhere to turn for help, Hailey becomes trapped in the service of a pimp (Clifton Davis). With the help of his partner Russ Garfield (Louis Gossett Jr.), can detective Lyle York (David Soul), a former pimp himself, get Hailey off the streets?

little-ladies-of-the-night

The sister of ex-pimp and current Los Angeles Police detective Kyle York was murdered working the streets a few years ago. Since his reform, he has teamed with Officer Russ Garfield to clear the streets of under-age girls working in prostitution. Pretty, young runaway Hailey Atkins has been turned out. Down deep she wants to go straight but has had great difficultly escaping her pimp and doesn’t even have a place to go. York and Garfield go out on a limb to try and help.

little.ladies.of.the.night.vhs.s.3

Actors: David Soul, Louis Gossett Jr., Linda Purl, Clifton Davis, Carolyn Jones, Kathleen Quinlan, Lana Wood
Director: Marvin J. Chomsky
Writers: Hal Sitowitz, Ted Morgan
Producers: Aaron Spelling, Hal Sitowitz, Leonard Goldberg, Shelley Hull
Filming Locations: Los Angeles, California, USA
First Broadcast: Jan 16, 1977 (ABC TV movie of the week)

MV5BMTg5MTE0OTk0NV5BMl5BanBnXkFtZTcwNjk4MDAyMQ@@._V1_SY475_SX258_AL_

“Well, it was an eye-opener for me. I went with a male friend—a large male, physically strong friend—and we hung out in Hollywood and met and talked to some young prostitutes. Oh, the vacant stares in their eyes; the hopes for who they wanted to become. They wanted to become actresses. They had come to Hollywood, and they were sure that they could succeed. This was Hollywood Boulevard. You didn’t have to go far to look for this stuff going on” – Linda Purl on “Little Ladies of the Night”

File under Blast From The Past, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS ViDeO CLuB, Sex