Jimi Hendrix Experience
File under SeMeN SPeRmS BLArRrG
Conjured by o~ SeMeN SPeRmS ~o on September 2, 2015
40 kids from the ages of 8-15 are put into the abandoned town of Bonanza City, New Mexico for 40 days. They have to build their own society by electing leaders, passing laws, and establish an economy.
The show, featuring 40 children aged 8 to 15, was filmed on location at the Bonanza Creek Movie Ranch, a privately owned town built on the ruins of Bonanza City, New Mexico, eight miles south of Santa Fe, with production beginning on April 1, 2007.
The show stresses the difficulty in creating a viable society. While each child received $5,000 for their involvement, Gold Stars valued at $20,000 and $50,000 were awarded to select outstanding participants as decided by the elected Town Council.
Speaking before an audience of television reviewers, producer Tom Forman acknowledged that Kid Nation would inevitably share some elements with William Golding’s novel Lord of the Flies, which depicted planewrecked children without adult supervision. But adults were present off-camera during the Kid Nation production, including cameramen, producers, a medic, and a child psychologist, although all interacted with the children as little as possible. Participants also missed a month of school, but Forman suggested that such real-world tasks as preparing a group breakfast, doing physical chores like fetching water, and making group decisions constituted an educational experience in its own right. Foreman said that all participants were cleared by a team of psychologists, any child could choose to go home at any time, and some did. – Wiki
Conjured by o~ SeMeN SPeRmS ~o on May 9, 2015
Even the Gorillas and Bears in Our Zoos Are Hooked on Prozac
Rent-a-Narc Drug Sniffing Dogs Help Parents Find Troubled Kid’s Stashes
How a Banker Introduced ‘Magic Mushrooms’ to the West
I Took Shrooms and Nude Modeled
Losing Your Virginity: A Better Experience Now Than 20 Years Ago, Says Science
Resident Discovers Home Was Once Serial Killer’s ‘Torture Chamber’
Disgraced Chinese Official Stashed Porn Under Buddha Shrine
Scottish mayor steps down after being banned from all 36 pubs in his town
Catholic priest arrested in Italy for suspected drug dealing, said cocaine was self-prescribed for depression
Finally, a male contraceptive: behold the polyester ball cozy!
When the U.S. Almost Nuked the Moon
The shameful secret behind the popularity of spy movies
Almost everyone involved in developing Tor was (or is) funded by the US government
How unique and trackable is your web browser?
Don’t Send Your Kid to the Ivy League
The nation’s top colleges are turning our kids into zombies
Adult Sex Workers Are Arrested When We “Think Of The Children”
Before They Were Famous: Head Shots of Future Adult Film Stars
Four-winged dinosaur is ‘biggest ever’
Using DNA to find a perfect mate? New dating site uses DNA tests to gauge ‘biological compatibility’
Tinder Guys With Tigers
Lounge Chair In Abandoned Home Turned Into Massive Yellow Jacket Nest
Conjured by o~ SeMeN SPeRmS ~o on July 22, 2014
The Powder Ridge Rock Festival was scheduled to be held July 31, August 1 and August 2, 1970 at Powder Ridge Ski Area in Middlefield, Connecticut. A legal injunction forced the event to be canceled, keeping the musicians away; but a crowd of 30,000 attendees arrived anyway, to find no food, no entertainment, no adequate plumbing, and at least seventy drug dealers. William Manchester wrote: “Powder Ridge was an accident waiting to happen, and it happened.” Volunteer doctor William Abruzzi declared a drug “crisis” on 1 August and said “Woodstock was a pale pot scene. This is a heavy hallucinogens scene.”
Tickets were sold by mail at a price of $20 for the whole weekend. The announced line-up of musicians included:
Day 1: Eric Burdon & War, Sly and the Family Stone, Delaney & Bonnie, Fleetwood Mac, Melanie, Mountain, J.F. Murphy and Free Flowing Salt, Allan Nichols, James Taylor
Day 2: Joe Cocker, Allman Brothers, Cactus, Little Richard, Van Morrison, Rhinoceros, Ten Wheel Drive, Jethro Tull, Tony Williams Lifetime, Zephyr
Day 3: Janis Joplin, Chuck Berry, Bloodrock, Savoy Brown, Chicken Shack, Grand Funk Railroad, Richie Havens, John B. Sebastian, Spirit, Ten Years After
Robert Santelli stated in Aquarius Rising that an appearance by Led Zeppelin was also planned.
Powder Ridge might have been a legendary hippie music fest had things gone right. In the year following Woodstock, however, things often went wrong for hippie music fests, which went into “a long spiral of decline”. Thirty of the forty-eight major festivals planned for 1970 were cancelled, usually due to swiftly materializing local opposition. Powder Ridge, however, made national news because of the arrival of tens of thousands of ticketholders despite the event’s cancellation. The New York Times followed its progress in about thirty articles before, during, and after the event.
Middlefield residents, worried about the impact of the crowd on their small town, received an injunction against the festival just days before it began.
When the owner of the ski resort tried to contact the promoters to tell of the injunction, they could not be found. It looked like the event was never going to happen anyway.
Attendees arrive anyway
Local authorities posted warning signs on every highway leading to Middlefield: “Festival Prohibited, turn back”.
By 1970, rock festivals were regarded as having a political dimension. Carol Brightman wrote that “Rock shows… such as the Powder Ridge concert… were increasingly being covered by the national media as civil events, one step removed from street demonstrations.” The CIA had Powder Ridge, like other rock events, under surveillance, and noted in a July 30 situation report that “hippie-type young people [were] already beginning to assemble in the area.”
Promoters, however, kept hinting that there was still a chance that the concert would be held: “It’s a total wait and see thing,” a spokesman said and, after all, Woodstock had almost been cancelled too.
Approximately 30,000 people came to the site for the weekend. Most of the musicians, however, did not show up. Only Melanie and a few local bands actually performed during the three-day weekend. One of these local bands was “The Mustard Family” who, in the dark of night, hauled their instruments and equipment into the festival, by back roads and trails, and performed for the enthusiastic crowd. The official poster for the festival lists New York band, Haystacks Balboa, as the special opening act on Thursday night. The band’s equipment was stopped by the authorities and the musicians gathered at a local cafe to await word as to their performance. After long negotiations, the band’s manager advised the band to return home, there was to be no performance.
Drugs were openly sold and commonly consumed at the festival. Rock doctor William Abruzzi (also at Woodstock) was there to treat bad LSD trips, and said there were more bad trips at Powder Ridge per capita than at any other music festival he’d ever worked. He attributed some of the problems to the barrels of “electric water” that were available for free public consumption; people were invited to drop donations of drugs into these barrels, creating drug cocktails of unknown strength and composition.
William Manchester writes:
One of the more sensational scenes, attested to by several witnesses, occurred in a small wood near some homes. A boy and a girl, both naked and approaching from different directions, met under the trees. On impulse they suddenly embraced. She dropped to her knees, he mounted her from behind, and after he had achieved his climax they parted—apparently without exchanging a word.
According to The New York Times, observers who had been at both Woodstock and Powder Ridge were struck by the contrasting moods of the two festivals:
The gentle euphoria—the grins, small smiles, and exchanged “V” signals— of people milling through the muddy fields of Bethel seemed to be missing at Powder Ridge. Instead, last night and this morning, the major pastime here was often shuffling walks along paved roads by grim-faced young men and women who looked remarkably similar to old people moving slowly along the boardwalks of the Rockaways or Atlantic City.
In his autobiography, Nothing’s Sacred, comedian Lewis Black claims to have attended the festival with some friends. Black explains in depth his activities of the weekend, including drug experimentation, failing at his appointed parking attendant job, and the downturn the concert took after a fiery speech from a Black Panther of the militant New Haven, Connecticut contingent, which happened to coincide with a thunderstorm. Black theorizes that under the effects of hallucinogens, many attendees probably thought that the Black Panther was actually causing the storm, and many began to experience bad trips.
Conjured by o~ SeMeN SPeRmS ~o on May 29, 2014
Produced and directed by Henry Chalfant and Rita Fecher
Completed in 1993 Flyin’ Cut Sleeves presents alternating portrayals, from the past and the present, of former street gang presidents in the Bronx: Benjy Melendez, The Ghetto Brothers, Ben Buxton, The Savage Nomads, Nelly “China” Velez, The Savage Nomad Girls, Felipe “Blackie” Mercado, The Savage Skulls, and Lorine Padilla, Blackie’s wife. The project grew out of the experiences of Rita Fecher, the film’s co-producer, who taught in a South Bronx school in the late 1960′s and early 1970′s, became intimately involved with the gangs, their leaders, and the leaders’ families and began to document their lives. Their world was the streets, set against a backdrop of uprooted families, cultural alienation, drugs and violence. Neighborhood teenagers responded by organizing into street groups known to the members as “families”, but labeled in the most alarming terms as violent gangs by the press. In fact, the “families” had a stabilizing effect, enabling the youths to cope with their troubled environment and providing their young leaders with a means of exercising authority. The political climate at the time, movements of national liberation and such organizations as the Black Panthers and Young Lords Party influenced the young gang leaders to aspire to be more than warriors and to become, to some degree, a positive force in their communities. – HenryChalfant.com
Conjured by o~ SeMeN SPeRmS ~o on May 15, 2014
“Reggae: The Story of Jamaican Music” was an impressive documentary made by director Mike Connolly for the BBC.
It was originally shown in 2002 and the documentary traces the evolution of Reggae Music from Mento and Ska, all the way up to Roots, Dub, and Dancehall. The film traces the story of how Jamaica conquered the world through its music. With interviews and commentary from reggae legends this is well worth investing some of your time in watching.
Interviews include Buju Banton, Shaggy, Sly and Robbie, Capleton, Max Romero, Bunny Wailer, Jimmy Cliff, Gregory Isaacs, and many many more.
The documentary has been hard to find in recent years, and doesn’t get too many repeats, so it was with great pleasure that we found it had been made available to watch online. We have aggregated it into 3 parts below……so enjoy!
1/ TRAIN TO SKAVILLE
The early roots of reggae music, and its rise to popularity. How the music was used to recount experiences and songs of social commentary were written. In the sixties immigration from Jamaica to the UK increased and brought Jamaican music. Ska picked up a white fan base. The programme also covers both the music scene and the social climate in Jamaica during the sixties. By the end of the sixties reggae had established itself as mainstream pop music in Britain, and was increasingly recorded in this country by Dandy Livingstone, Eddy Grant and Greyhound etc.
2/ REBEL MUSIC
A look at reggae in the 1970s, when, ten years after independence from Britain and the harsh economic conditions were taking their toll, the disillusioned and dissatisfied Jamaican youth channeled their anger into roots music. The era gave rise to Bob Marley, the country’s first superstar, Lee “Scratch” Perry, reggae’s most notable producer, and King Tubby, who popularised ‘dub’, the remixing of existing records. In Britain, black youth latched on to the roots sound to create their own version, Brit reggae, with bands such as Steel Pulse and Aswad emerging.
3/ INNA DANCEHALL STYLE
Examines the progression of reggae after the death of Bob Marley, including the start of dancehall. In America reggae had a connection with hip-hop and DJ Shabba Ranks saw his popularity rise and fall. Looks at how Jamaican street styles have achieved a dominance in Britain and the rise of New Roots in Jamiaca.
Conjured by o~ SeMeN SPeRmS ~o on June 11, 2013
Conjured by o~ SeMeN SPeRmS ~o on June 6, 2013
Conjured by o~ SeMeN SPeRmS ~o on June 2, 2013