Exploitation | SeMeN SPeRmS SuPeR SiTe

Heil To The Chief

President Trump’s face on some of 5,500 packets of heroin
https://t.co/SVvpZ0IJq9

This Exists: Snail Mucus Soothing Gel

Why Yale University Library decided to preserve nearly 3,000 horror and exploitation movies on VHS
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Two scabies infected men arrested after sex act in NJ Bed Bath & Beyond https://t.co/Fg7OYvI9H8

‘Don Disco’ Britain’s OLDEST DJ still spinning records at the age of 80
https://t.co/4behGyQ9Wd

Weed smugglers are getting creative with fake limes https://t.co/mZ6fQ36jd7

Internal documents show TSA has no scientific basis for its behavior detection program https://t.co/gzvCLnL0nd

Weird Monument to Yuri Gagarin, First Man In Space
https://t.co/ShohxyW0cL

People in tech have money. Why won’t they spend it on art? https://t.co/QcfzQkA7C7

D.C.’s Inauguration Protesters Are Being Hit With Facebook Data Searches #DeleteYourFacebook
https://t.co/YDAqeRiiLB

RIP Prof. Irwin Corey

Russians Engineer a Brilliant Slot Machine Cheat—And Casinos Have No Fix https://t.co/hWgbHL6Pgw

Retro wonderland: exploring the postmodern aesthetics of ‘90s Taco Bell interior design
https://t.co/ZKvOQYNJ9d

Buddhist monk held after millions of meth pills found in monastery #PervertedMonks https://t.co/1vx2aV3A0O

Leaked video shows new ‘nightmare-inducing’ wheeled robot from Boston Dynamics https://t.co/WRuU3BId2S

Google Chrome 56 Quietly Added Bluetooth Snitch API https://t.co/UaMGOodtdZ

Silicon Valley’s technolibertarian dream was invented by LSD Guru Timothy Leary https://t.co/ON0u2S5loD

President Trump’s face on some of 5,500 packets of heroin
https://t.co/SVvpZ0IJq9
Missing Foundation, the long-lost industrial rockers who almost destroyed New York City https://t.co/LYlnDSjLvC

FBI: U.S. law enforcement infiltrated by white supremacists https://t.co/gaMyWdXrOD

Why An LSD High Lasts For So Long https://t.co/FAdPBRgVS8

Human porn stars will be replaced by ‘virtual actors’ in the future #JO2CGI https://t.co/Bga8Kl2MyR

Why Hollywood as We Know It Is Already Over https://t.co/Qfd2rMjTTy

Here’s what Chinese smog does to a high-speed train
https://t.co/uw0HVmYIJW

STYX 1978 World Tour TV promo

File under Horror, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS Links 'o Death, Sex

Schoolgirl Report aka Schulmädchen Report 70’s German Teen Softcore Sexploitation

Ernst Hofbauer (b. 22 August 1925 Vienna, Austria – d. 24 February 1984 Munich, Germany at age 58) was an Austrian film director.

During the early 1970s, in Munich, Hofbauer teamed with Walter Boos, Wolf C. Hartwig, and Ludwig Spitaler to produce the original thirteen films under the banner Schulmadchen Report (or Schoolgirl Report); the stories were adapted from books written by Guenther Hunold, while Guenther Heller composed the film script, Klaus Werner did the camera work, and the music was handled by Gert Wilden & Orchestra. Hofbauer and Boos were referred to as the ‘Titans of Teen Libido’. The films were classified as ‘sexploitation’, and were extremely popular, seen by more than 30 million people all over the world.

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In the United States, the films were released in grindhouses and drive-ins, and the names of the films were changed to conform to American standards. Because the films focused on young girls who may have been under legal age in this country, the Schoolgirl Report series was eventually suppressed.

The Schoolgirl Report series was very interesting because the films portrayed many unknown teenagers and actresses who were vibrant, beautiful, naive, innocent, and unabashed. Most of the films related a series of vignettes to tell an interesting story. Hidden pedophile lust, co-ed skinnydipping, situations involving first-time sexual experiences, and encounters with teachers were all shown in the episodes. Interracial love affairs, male and female masturbation sequences, forced prostitution, rape, voyeurism, harmless erotic games, seduction, and erotic touching are also portrayed in the vignettes. Well-known German sex kitten Ingrid Steeger and the ever-horny Italian comic Rinaldo Talamonti play key roles in many of the vignettes. Rosl Mayr appears in almost all of the thirteen Schulmadchen Report films as an elderly lady with a comic role. She is perfectly cast as a comedic talent and is the only senior actress that plays a key element in many of the vignettes. Marie Ekorre, Sonja Jeannine, Christina Lindberg, and Birgit Tetzlaff are a few of the young actresses who titillate the audience with their erotic encounters. Friedrich von Thon conducted street interviews to discuss the plots in the vignettes, and many of the situations were followed up with a courtroom setting (the male actors were charged with statutory rape). The Schoolgirl Report films were classified as ‘soft-core’ eroticism, which is similar to the David Hamilton genre.

Ernst Hofbauer directed many erotic films in addition to the original thirteen Schulmadchen Report classics. Sex sells, and Hofbauer exploited consumer demand for R-rated movies involving young actors and actresses. He had a unique style that combined youth, eroticism, wit, and anecdote. His exploitation films of the 1970s appealed to moviegoers from all walks of life.

A chronological list of the original 13 Schoolgirl Report films follows:

  • ★ Schulmadchen Report I: What Parents Don’t Think is Possible, aka Schoolgirl Report Part I
  • ★ Schulmadchen Report II: What Keeps Parents Awake at Night, aka Schoolgirl Report Part II
  • ★ Schulmadchen Report III: What Parents Find Unthinkable, aka Schoolgirls Growing Up
  • ★ Schulmadchen Report IV: What Drives Parents to Despair, aka Campus Swingers
  • ★ Schulmadchen Report V: What All Parents Should Know, aka 14 and Under
  • ★ Schulmadchen Report VI: Erotic Young Lovers, aka Campus Pussycats
  • ★ Schulmadchen Report VII: But Heart Needs to Be There
  • ★ Schulmadchen Report VIII: What Parents Should Never Get to Know, aka Naughty Coeds
  • ★ Schulmadchen Report IX: Examination Before the Matriculation
  • ★ Schulmadchen Report X: Every Girl Starts Sometime
  • ★ Schulmadchen Report XI: Confessions of a Naked Virgin, aka Blue Dreams
  • ★ Schulmadchen Report XII: Young Girls Need Love, aka Blue Fantasies
  • ★ Schulmadchen Report XIII: Don’t Forget The Love When Having Sex

File under Blast From The Past, Fetish, History of Pornography, Music, SeMeN SPeRmS Approved, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS ViDeO CLuB, Sex

Conjured by o~ SeMeN SPeRmS ~o on July 20, 2014

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Acid, Delirio Dei Sensi (1968) LSD Paradise At Five Dollars Italian Hippie Drugsploitation

Acid, Delirio Dei Sensi 1968 Acid Delirium Of The Senses

Acid, Delirio Dei Sensi (Acid, Delirium Of The Senses) LSD Paradise At Five Dollars
Young trippers get mixed up with the mob in this strangely effective acid exploitation film.

Director: Giuseppe Maria Scotese
Cast: Bud Thompson, Bruna Caruso, Annabella Andreoli
Year: 1968

Delirio Dei Sensi 1968 Acid Delirium Of The Senses

 

 

 

Delirio Dei Sensi 1968 Acid Delirium Of The Senses

 

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Delirio Dei Sensi 1968 Acid Delirium Of The Senses

(Turn on captions for English subtitles)

File under Blast From The Past, Drugsploitation, Massive Consumption of Drugs, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS ViDeO CLuB

Story Of A Junkie (1985) Gringo 80’s East Village NYC Heroin Addict Docudrama

John Spacely Gringo Story Of A Junkie

Story of a Junkie is a 1987 drama film directed by Lech Kowalski and starring John Spaceley. Distributed by Troma Entertainment. Filmed in documentary-style, the film follows the character of Gringo, a young man looking for fortune in New York, only to fall into heroin addiction.

John Spacely Gringo Story Of A Junkie

The movie has amassed quite a reputation in certain circles for its depictions of hard drug usage in New York City’s East Village area. Many of the cast members, including leading man John Spaceley, are actual junkies. The numerous shooting-up sequences are reportedly entirely real, as are many of the drug dens and their denizens. Perhaps even more notable than the cinema verite structure is the almost total lack of moralizing on the part of the producers or its characters.

John Spacely Gringo Story Of A Junkie

Lead actor Spaceley died in the early 1990s, reportedly from AIDS, which he contracted through intravenous drug use. His final moments are chronicled in yet another Lech Kowalski film, “Born to Lose: The Last Rock & Roll Movie”, a documentary about deceased former New York Dolls guitarist Johnny Thunders.

Troma Entertainment hails Story of a Junkie as one of the company’s best films; it’s one of the most well-known outside of the films directed by Troma founders Lloyd Kaufman and Michael Herz.

Gringo Story Of A Junkie

A harrowing, bloody story of heroin addiction that puts films like Trainspotting to shame, Gringo mixes documentary footage with staged scenes to show the life of addict John Spacely.

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Perhaps you’ve seen him somewhere and just can’t remember his name. The face is about an enigmatic as they come: classic Roman features topped by a greasy dyed matt of slicked back blond hair, pirate-style patch covering his right eye and cigarette dangling from an ever-present smirk. Or maybe you’ve never really noticed him and could frankly care less who he is or was. To you, John Spacely is just another loser, a human being throwing their life away by indulging in the most shameless of self-satisfactions: drug abuse. The minute you learn he’s a card-carrying member of the Riders of the White Horse, you’re thoughts turn to how selfish and stupid he is, how addiction is for the weak and lazy. You now no longer wish to know anything about him, his life, or how he ended up strung out in New York City. Instead, you sneer down your self-righteous nose and blame him (and his kind) for all the problems of the world. Maybe it would help you to learn a little about who John Spacely is. Perhaps your perceptions will change when you learn what drove him to drugs and what he has to do on a daily basis to survive. One thing’s for sure, the minute you see the horrifying docudrama Story of a Junkie, you will think twice about ever attempting to use drugs. This film is as successful a PSA warning about the terrors of dependency that you will probably ever see. It makes the Hollywood glamorization of such struggling souls that much more laughable.

John Spacely Gringo Story Of A Junkie

GRINGO Story of a Junkie is about as close to pure European neo-realism as an American movie is ever likely to get. It is also a stunning example of the cinema vérité style of filmmaking, the capturing of events as they happen without concern about continuity or performance. Part documentary, part confessional, this occasionally brilliant but always brave movie is an incredibly searing indictment on the use and abuse of drugs.
Whereas Tinsel Town tripe likes to romanticize the ritualistic intake of mind and or mood altering substances as a photogenic character flaw, Story of a Junkie tells it like it really is. Never once white washing or trivializing the life of a heroin addict, director Lech Kowalski and his cast of real life drug users draw us directly into the warped urban war zone where the vast majority of pusher and partakers exist. Never cringing from the sights, the sounds, the smells and the surreality of the real drug culture, the desperation is palpable and the danger, predominant. From how fixes are “cut” to the hierarchy in a shooting gallery, you’ll be hard pressed to find another film that tackles this terrible subject with more authenticity. It is drug abuse as slasher film, a frightening, sometime funny and often fatalistic representation of people living a life with a maniacal monkey on their back.

John Spacely Gringo Story Of A Junkie

It’s impossible for us non-addicts to understand the struggles and the will to survive (if only for the next score) of the person hopelessly obsessed with using. But for some reason, we are no longer a society that accepts brutal honesty. Everything needs to be sugarcoated with a small fraction of hope inserted to keep us feeling safe and secure. Frankly, the plain truth is all that Story of a Junkie has to offer. Without its integrity, its desire to get to the very heart of this corrupt cosmos, all we’d have is a carnival sideshow, a scandalous showcase of pure exploitation. But because of the tales it tells and the people who tell them, Story of a Junkie transcends its trappings to become a work of astounding power.

-Source

File under Cult Movies, Culture, Massive Consumption of Drugs, New York City History, Punksploitation, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS ViDeO CLuB

Diary Of A Teenage Hitchhiker (1979) TV Movie Teen Exploitation

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The girl by the side of the road. You’ve seen her standing there. Thumb out. Smiling. There are thousands like her all over America. And you’ve heard about what happens to some of them when they get in the wrong car. This movie is about one of these kids. And about her family. But it could be about your family. Where is your daughter tonight?

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 Despite a nationwide pattern of beatings, rapes and murders, young women continue to thumb rides— often from the same street corner where they know another girl hitched her way TO DEATH.

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File under Blast From The Past, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS ViDeO CLuB

Pinky Violence: Essential Trailers (1970-1977)

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Pink film (ピンク映画 Pinku eiga or Pink eiga?) is a broad cinematic term used to categorize a wide variety of Japanese films with adult content. This encompasses everything from dramas to action thrillers and exploitation films (a.k.a. pinky violence), and softcore pornographic (romance pornography or roman poruno) features. The term is often mistakenly used to apply only to sex films. However, the so-called pink movie is part of an ongoing (and evolving) cycle of films rather than a specific genre.

Pinku eiga, along with the bloody and violent yakuza-eiga, or contemporary gangster film, both became wildly popular in the mid-1960s and dominated the Japanese domestic cinema through the mid-1980s. In the 1960s, the pink films were largely the product of small, independent studios. In the 1970s, some of Japan’s major studios, facing the loss of their theatrical audience, took over the pink film. With their access to higher production-values and talent, some of these films became critical and popular successes. Though the appearance of the AV (adult video) took away most of the pink film audience in the 1980s, films in this genre are still being produced.

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File under Arts 'n Crafts, Blast From The Past, Cult Movies, Fashion, Influences, Re¢e$$ion $pe¢iaL, SeMeN SPeRmS Approved, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS ViDeO CLuB, Sex