Father Yod & Yahowha 13
File under SeMeN SPeRmS BLArRrG
Conjured by o~ SeMeN SPeRmS ~o on March 17, 2015
A man is raising money to buy and destroy Wu-Tang Clan’s ‘secret’ album
Meet the anarchists who plan to go nuts at the World Cup
Close Encounters of the Fatal Kind
Never Say “I Kill White People Like You” When Asked To Turn Off Your Phone Post-Takeoff
Hollywood’s Worst Lovers! Big Egos Don’t Make Up For These A-List Hunks’ Small Packages
How using a smartphone or tablet could make you FAT: Blue light emitted by devices ‘increases hunger’
Pope Francis tells couples not to substitute dogs and cats for children
NJ man catching ride home with police left heroin in the back seat, arrested
UCSB Mass Shooter Elliot Rodger’s Dependence On Xanax Made Him ‘More Withdrawn, Lonely, Isolated & Anxious’
Linkin Nark: Linkin Park Gets Sublime’s Weed Confiscated
Female-named hurricanes kill more than male hurricanes because people don’t respect them, study finds
“Scooby Snax” and “Purple Flake” Synthetic Drug Sends 28 to Hospital
No Profit In Junkies, New Heroin Vaccine Ignored
Silk Road may have prevented drug violence, study says
Vandal modifies SeaWorld sign
“Sea World SUCKS”
Good-bye Sasha: Legendary Chemist Alexander Shulgin Dies at 88
Conjured by o~ SeMeN SPeRmS ~o on June 3, 2014
The Dirk Diggler Story is a 1988 mockumentary short film written and directed by Paul Thomas Anderson. It follows the rise and fall of Dirk Diggler, a well-endowed male porn star. The character was modeled on American porn actor John Holmes. The film was later expanded into Anderson’s successful 1997 breakout film Boogie Nights.
Dirk Diggler (Michael Stein) was born as Steven Samuel Adams on April 15, 1961 outside of Saint Paul, Minnesota. His parents are a construction worker and a boutique shop owner who attend church every Sunday and believe in God. Looking for a career as a male model, Diggler drops out of school at age 16 and leaves home. Jack Horner (Robert Ridgely) discovers Diggler at a falafel stand. Diggler meets his friend, Reed Rothchild (Eddie Delcore), through Horner in 1979, while working on a film.
Horner slowly introduces Diggler to the business until Diggler became noticeable within the industry. Diggler becomes a prominent model and begins appearing in pornographic films. Diggler has critical and box office hits which leads him to stardom. The hits and publicity lead to fame and money, which lead Diggler to the world of drugs. With the amount of money Diggler is making he is able to support both his and Rothchild’s addictions. The drugs eventually cause a breakup between Diggler and Horner, since Diggler is having issues with his performance on set.
After the breakup Diggler tries to make a film himself, but it is never completed. He then attempts a music career, which is successful but leads him deeper into drugs because of the amount of money he is making. He then stars in a TV show, which is a failure both critically and commercially. Having failed and with no work, Diggler returns to the porn industry, taking roles in low-budget homosexual films to help support his habit. On July 17, 1981, during a film shoot, Diggler dies of a drug overdose.
The film ends with a quote from Diggler: “All I ever wanted was a cool ’78 ‘Vette and a house in the country.”
The film was Anderson’s first real production having experimented with what he called “standard fare”. Anderson conceived the film when he was 17 years old and a senior at Montclair College Preparatory School. Anderson called his friend Michael Stein, telling him to come over for a production meeting, and told Stein his idea: “John Holmes”. Stein loved the idea and was cast to play the role of Dirk Diggler; he selected his own wardrobe. Stein showed Anderson some video of his friend Eddie Dalcour, who was a professional body builder, which Anderson loved and cast him in the role of Reed Rothchild. Anderson’s father, Ernie Anderson, narrated the film and Robert Ridgely, a friend of Anderson’s father, played the role of Jack Horner
The film was shot in 1987 using a video camera and steadicam provided by Anderson’s father. Some scenes were shot at a motel. Anderson raised money for the film by cleaning cages in a pet store. Being influenced by This is Spinal Tap at the time, he decided to do a mockumentary and used the John Holmes documentary, Exhausted, as a model for the film, even taking some dialogue almost word-for-word. Anderson worked from a shot list and wanted the actors to be serious since the characters took their work seriously. Anderson edited the film using two VCRs. According to Anderson, the film drew admiring laughs when it was was shown at a University of Southern California film festival.
The Dirk Diggler Story was expanded into Anderson’s 1997 breakout film Boogie Nights with a number of scenes appearing almost verbatim in both films. Two actors had roles in both films; in Boogie Nights, Robert Ridgely played The Colonel, a pornography financier, and Michael Stein had a cameo appearance as a stereo store customer. The main differences between The Dirk Diggler Story and Boogie Nights are the mockumentary versus narratives styles in the former and latter films, respectively; Diggler’s stint in gay porn in the first film versus his prostitution in the second; and Diggler’s dying from an overdose in the first film versus his happy return to his former roles and lifestyle in the second.
Conjured by o~ SeMeN SPeRmS ~o on May 30, 2014
Maverick director Floyd Mutrux made his feature debut with this offbeat semi-documentary look at the realities of the Los Angeles drug scene. Mutrux and his camera crew follow a handful of real-life heroin addicts as they go through their daily routines of scoring dope and whiling away the hours until their next fix.
Dusty and Sweets are a thirty-something couple whose often strained relationship is held together by their shared dependence on heroin. Kit is a blasé male hustler who turns tricks to support his habit.
Though featuring enough on-screen skin popping to make nearly any audience wince, Dusty and Sweets McGee’s beautiful photography and languid mood captures the blissfully narcotic allure of Los Angeles in a way that makes the film compelling, while allowing its subjects to seem both human and tragic.
Tip is a self-described “everyday card-carrying dope fiend” who demonstrates his technique for ripping off supermarkets and explains how to keep up a habit behind bars.
(The dealers are played by actors, among them William Fraker, a noted cinematographer who helped shoot the film, and Billy Gray, a former child star from Father Knows Best.)
And a cheerfully blank teenage couple seem to spend their days either shooting up, nodding off, or wondering where to get more dope.
Dusty and Sweets McGee also includes a soundtrack of vintage rock and roll radio, and a brief appearance by the group Blues Image, playing their sole hit “Ride Captain Ride”. ~ Mark Deming, Rovi
Conjured by o~ SeMeN SPeRmS ~o on May 23, 2013
Conjured by o~ SeMeN SPeRmS ~o on March 19, 2013
Conjured by o~ SeMeN SPeRmS ~o on July 28, 2012
Conjured by o~ SeMeN SPeRmS ~o on July 15, 2012