Films | SeMeN SPeRmS SuPeR SiTe

All American High Revisited 1984 High School 1968 Documentary Teenage America

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All American High Revisited

All American High is a 1987 documentary film directed by Keva Rosenfeld that chronicles the life of the 1984 senior class at Torrance High School inLos Angeles County, California.

The film is narrated by the Finnish exchange student “Rikki” Rauhala and observes 1980s California high school culture from a foreigner’s perspective.

The film was independently financed, with additional funds provided through an American Film Institute (AFI)National Endowment for the Arts (NEA)grant. The film was selected for Grand Jury Prize competition at the 1987 Sundance Film Festival.  It was originally broadcast on Public Broadcasting Service (PBS).

All American High Revisited

A second documentary film about the former Torrance High senior class was directed by Keva Rosenfeld in 2014 (released in 2015), All American High Revisited.  It combines the original film with new footage of the film’s principal subjects being interviewed on their high school years, the process of growing up, and the various paths in life that they took. 

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Bonus: HIGH SCHOOL (1968) Directed by Frederick Wiseman

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High School is a 1968 American documentary film directed by Frederick Wiseman that shows a typical day for a group of students at Northeast High School in Philadelphia, Pennsylvania. It was one of the first direct cinema (or cinéma vérité) documentaries. It was shot over five weeks in March and April 1968. The film was not shown in Philadelphia at the time of its release, due to Wiseman’s concerns over what he called “vague talk” of a lawsuit.

The film was released in October 1968 by Wiseman’s distribution company, Zipporah Films. High School has been aired on PBS Television. Wiseman distributes his work (DVDs and 16mm prints) through Zipporah Films, which rents them to high schools, colleges, and libraries on a five-year long-term lease. High School was selected in 1991 for preservation in the National Film Registry.

Wiseman made a second documentary on high school, High School II, based on Central Park East Secondary School in New York City, released in 1994.

File under Blast From The Past, Culture, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS ViDeO CLuB

Cobra Woman (1944) Classic Cult Technicolor Fantasy Adventure

I read somewhere that Cobra Woman was the favorite film of Kenneth Anger

Cobra Woman 1944
cobra_woman 1944“The film is one of a subgenre of colorful “exotic” tales released by Universal during the war years; others include Cobra Woman, Arabian Nights and Ali Baba and the Forty Thieves, and, like the others, has a certain Technicolor camp appeal.”

Cobra Woman 1944 Maria Montez

Cobra Woman 1944

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I can see the influence it had on Indiana Jones and the Temple of Doom and Flash Gordon (the 70’s remake)

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File under SeMeN SPeRmS BLArRrG, SeMeN SPeRmS ViDeO CLuB

Ain’t No Cure For The Summertime Blues

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Summertime Gear 2016

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Stolen brain used to get high
“Long would soak marijuana in the brain’s formaldehyde…”smoke ‘wet'” via.fox43.com/m2irx

Church of Satan Recommended Films
churchofsatan.com/sources-film-l…

One striking chart shows why pharma companies are fighting legal marijuana washingtonpost.com/news/wonk/wp/2…

GOP Is Adding ‘Porn Addiction’ to Its Platform, But Does It Even Exist? nymag.com/scienceofus/20…

Hoards of Mindless, Obedient Sheeple Now Stampede Anywhere the Puppet Masters Plant Fictitious Monsters thedailysheeple.com/the-pokemon-pi…

Sexual assault linked to Pokémon game fox5atlanta.com/news/174404972…

America’s most notorious surf gang is being wiped out newsweek.com/lunada-bay-boy…

We try trendy new vagina ‘massage’ but at £250 a session, pleasure comes at a price thesun.co.uk/living/1433891…

Brick City Records by Coop
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Lighting Up Tokyo: Japan’s Custom Supercar Crew

When Clones / Synthetics MALFUNCTION!!

THE CLONES  OF ACTOR KEVIN HART  2016

File under SeMeN SPeRmS BLArRrG, SeMeN SPeRmS Links 'o Death, Sex

Schoolgirl Report aka Schulmädchen Report 70’s German Teen Softcore Sexploitation

Ernst Hofbauer (b. 22 August 1925 Vienna, Austria – d. 24 February 1984 Munich, Germany at age 58) was an Austrian film director.

During the early 1970s, in Munich, Hofbauer teamed with Walter Boos, Wolf C. Hartwig, and Ludwig Spitaler to produce the original thirteen films under the banner Schulmadchen Report (or Schoolgirl Report); the stories were adapted from books written by Guenther Hunold, while Guenther Heller composed the film script, Klaus Werner did the camera work, and the music was handled by Gert Wilden & Orchestra. Hofbauer and Boos were referred to as the ‘Titans of Teen Libido’. The films were classified as ‘sexploitation’, and were extremely popular, seen by more than 30 million people all over the world.

Schoolgirls Report 75

In the United States, the films were released in grindhouses and drive-ins, and the names of the films were changed to conform to American standards. Because the films focused on young girls who may have been under legal age in this country, the Schoolgirl Report series was eventually suppressed.

The Schoolgirl Report series was very interesting because the films portrayed many unknown teenagers and actresses who were vibrant, beautiful, naive, innocent, and unabashed. Most of the films related a series of vignettes to tell an interesting story. Hidden pedophile lust, co-ed skinnydipping, situations involving first-time sexual experiences, and encounters with teachers were all shown in the episodes. Interracial love affairs, male and female masturbation sequences, forced prostitution, rape, voyeurism, harmless erotic games, seduction, and erotic touching are also portrayed in the vignettes. Well-known German sex kitten Ingrid Steeger and the ever-horny Italian comic Rinaldo Talamonti play key roles in many of the vignettes. Rosl Mayr appears in almost all of the thirteen Schulmadchen Report films as an elderly lady with a comic role. She is perfectly cast as a comedic talent and is the only senior actress that plays a key element in many of the vignettes. Marie Ekorre, Sonja Jeannine, Christina Lindberg, and Birgit Tetzlaff are a few of the young actresses who titillate the audience with their erotic encounters. Friedrich von Thon conducted street interviews to discuss the plots in the vignettes, and many of the situations were followed up with a courtroom setting (the male actors were charged with statutory rape). The Schoolgirl Report films were classified as ‘soft-core’ eroticism, which is similar to the David Hamilton genre.

Ernst Hofbauer directed many erotic films in addition to the original thirteen Schulmadchen Report classics. Sex sells, and Hofbauer exploited consumer demand for R-rated movies involving young actors and actresses. He had a unique style that combined youth, eroticism, wit, and anecdote. His exploitation films of the 1970s appealed to moviegoers from all walks of life.

A chronological list of the original 13 Schoolgirl Report films follows:

  • ★ Schulmadchen Report I: What Parents Don’t Think is Possible, aka Schoolgirl Report Part I
  • ★ Schulmadchen Report II: What Keeps Parents Awake at Night, aka Schoolgirl Report Part II
  • ★ Schulmadchen Report III: What Parents Find Unthinkable, aka Schoolgirls Growing Up
  • ★ Schulmadchen Report IV: What Drives Parents to Despair, aka Campus Swingers
  • ★ Schulmadchen Report V: What All Parents Should Know, aka 14 and Under
  • ★ Schulmadchen Report VI: Erotic Young Lovers, aka Campus Pussycats
  • ★ Schulmadchen Report VII: But Heart Needs to Be There
  • ★ Schulmadchen Report VIII: What Parents Should Never Get to Know, aka Naughty Coeds
  • ★ Schulmadchen Report IX: Examination Before the Matriculation
  • ★ Schulmadchen Report X: Every Girl Starts Sometime
  • ★ Schulmadchen Report XI: Confessions of a Naked Virgin, aka Blue Dreams
  • ★ Schulmadchen Report XII: Young Girls Need Love, aka Blue Fantasies
  • ★ Schulmadchen Report XIII: Don’t Forget The Love When Having Sex

File under Blast From The Past, Fetish, History of Pornography, Music, SeMeN SPeRmS Approved, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS ViDeO CLuB, Sex

Conjured by o~ SeMeN SPeRmS ~o on July 20, 2014

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Yokai Monsters: 100 Monsters (1968)

100 Monsters
Yokai Monsters is a series of Japanese tokusatsu movies created in the 1960s.

There were originally three movies made:

Yokai Monsters: Spook Warfare (1968)
Yokai Monsters: One Hundred Monsters (1968)
Yokai Monsters: Along With Ghosts (1969)
The films were produced by Daiei Motion Picture Company, and bear a resemblance to that studio’s other series, Gamera and Daimajin, and to other Japanese pop culture favorites like Godzilla and Ultraman.

Legend has it that the Yokai monsters will only interfere with human affairs when it is absolutely necessary. Things are quite awry, however, and it is time for these mythic figures to step in. A crooked magistrate and developer are booting the residents of an apartment building onto the street, and when the owner of the building tries to stop them, he is murdered. Now a masterless samurai must call upon the spiritual protectors of human kind in order to right the wrongs of his world.

File under Culture, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS ViDeO CLuB

Human Flesh Book Of The Dead


Femen Kill Putin

Topless feminist from FEMEN stabs wax Putin in France
‘Kill Putin’ written on her bare chest
thelocal.fr/20140605/femen…

Harvard Confirms It Owns a Book Bound in ‘human skin taken from the back of a woman’
Des destinées de l’ame
blogs.law.harvard.edu/houghton/2014/…

Harvard Flesh Bound Book

A History of Tanned Human Skin
(Not talking about a suntan)
ncbi.nlm.nih.gov/pmc/articles/P…

Detroit man takes road trip with dead girlfriend in the passenger seat
freep.com/article/201406…

Naked Man High On Drugs Punched NJ Cop, Tried To Steal Police Cruiser
philadelphia.cbslocal.com/2014/06/04/cop…

Electronic Deep Brain Stimulation Makes Man A Huge Johnny Cash Fan
blogs.discovermagazine.com/neuroskeptic/2…

Tapped: All the Ways Your Phone Can Be Hacked
motherboard.vice.com/read/tapped-al…

Military Sexual Assault Prevention Officer Accused of Running On-Base Prostitution Ring
iacknowledge.net/military-sexua…

Richard Pryor plays ‘Black Death Metal’

Born in the Wild
New reality series films women giving BIRTH in the wild with no help from doctors
dailymail.co.uk/news/article-2…

Internet Romance Gone Wrong
Woman buried alive after worst first date ever
nypost.com/2014/06/04/wom…

10 Secret Outlaw Languages #cryptolects
listverse.com/2014/05/25/10-…

A Chemist Has Uncovered A Secret To Brewing Delicious Coffee At Home
It’s The Water
businessinsider.com/a-chemist-has-…

James Brown Dance Lessons

File under SeMeN SPeRmS BLArRrG, SeMeN SPeRmS Links 'o Death, Sex

The Dirk Diggler Story (1988) Paul Thomas Anderson Pre-Boogie Nights Mockumentary

Dirk Diggler Story 1988

The Dirk Diggler Story is a 1988 mockumentary short film written and directed by Paul Thomas Anderson. It follows the rise and fall of Dirk Diggler, a well-endowed male porn star. The character was modeled on American porn actor John Holmes. The film was later expanded into Anderson’s successful 1997 breakout film Boogie Nights.

Dirk Diggler (Michael Stein) was born as Steven Samuel Adams on April 15, 1961 outside of Saint Paul, Minnesota. His parents are a construction worker and a boutique shop owner who attend church every Sunday and believe in God. Looking for a career as a male model, Diggler drops out of school at age 16 and leaves home. Jack Horner (Robert Ridgely) discovers Diggler at a falafel stand. Diggler meets his friend, Reed Rothchild (Eddie Delcore), through Horner in 1979, while working on a film.

pt anderson dirk diggler story

Horner slowly introduces Diggler to the business until Diggler became noticeable within the industry. Diggler becomes a prominent model and begins appearing in pornographic films. Diggler has critical and box office hits which leads him to stardom. The hits and publicity lead to fame and money, which lead Diggler to the world of drugs. With the amount of money Diggler is making he is able to support both his and Rothchild’s addictions. The drugs eventually cause a breakup between Diggler and Horner, since Diggler is having issues with his performance on set.

After the breakup Diggler tries to make a film himself, but it is never completed. He then attempts a music career, which is successful but leads him deeper into drugs because of the amount of money he is making. He then stars in a TV show, which is a failure both critically and commercially. Having failed and with no work, Diggler returns to the porn industry, taking roles in low-budget homosexual films to help support his habit. On July 17, 1981, during a film shoot, Diggler dies of a drug overdose.

The film ends with a quote from Diggler: “All I ever wanted was a cool ’78 ‘Vette and a house in the country.”

Dirk Diggler Story 1988

The film was Anderson’s first real production having experimented with what he called “standard fare”. Anderson conceived the film when he was 17 years old and a senior at Montclair College Preparatory School. Anderson called his friend Michael Stein, telling him to come over for a production meeting, and told Stein his idea: “John Holmes”. Stein loved the idea and was cast to play the role of Dirk Diggler; he selected his own wardrobe. Stein showed Anderson some video of his friend Eddie Dalcour, who was a professional body builder, which Anderson loved and cast him in the role of Reed Rothchild. Anderson’s father, Ernie Anderson, narrated the film and Robert Ridgely, a friend of Anderson’s father, played the role of Jack Horner

The film was shot in 1987 using a video camera and steadicam provided by Anderson’s father. Some scenes were shot at a motel. Anderson raised money for the film by cleaning cages in a pet store. Being influenced by This is Spinal Tap at the time, he decided to do a mockumentary and used the John Holmes documentary, Exhausted, as a model for the film, even taking some dialogue almost word-for-word. Anderson worked from a shot list and wanted the actors to be serious since the characters took their work seriously. Anderson edited the film using two VCRs. According to Anderson, the film drew admiring laughs when it was was shown at a University of Southern California film festival.

pt anderson dirk diggler story

The Dirk Diggler Story was expanded into Anderson’s 1997 breakout film Boogie Nights with a number of scenes appearing almost verbatim in both films. Two actors had roles in both films; in Boogie Nights, Robert Ridgely played The Colonel, a pornography financier, and Michael Stein had a cameo appearance as a stereo store customer. The main differences between The Dirk Diggler Story and Boogie Nights are the mockumentary versus narratives styles in the former and latter films, respectively; Diggler’s stint in gay porn in the first film versus his prostitution in the second; and Diggler’s dying from an overdose in the first film versus his happy return to his former roles and lifestyle in the second.

File under Music, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS ViDeO CLuB, Sex

Story Of A Junkie (1985) Gringo 80’s East Village NYC Heroin Addict Docudrama

John Spacely Gringo Story Of A Junkie

Story of a Junkie is a 1987 drama film directed by Lech Kowalski and starring John Spaceley. Distributed by Troma Entertainment. Filmed in documentary-style, the film follows the character of Gringo, a young man looking for fortune in New York, only to fall into heroin addiction.

John Spacely Gringo Story Of A Junkie

The movie has amassed quite a reputation in certain circles for its depictions of hard drug usage in New York City’s East Village area. Many of the cast members, including leading man John Spaceley, are actual junkies. The numerous shooting-up sequences are reportedly entirely real, as are many of the drug dens and their denizens. Perhaps even more notable than the cinema verite structure is the almost total lack of moralizing on the part of the producers or its characters.

John Spacely Gringo Story Of A Junkie

Lead actor Spaceley died in the early 1990s, reportedly from AIDS, which he contracted through intravenous drug use. His final moments are chronicled in yet another Lech Kowalski film, “Born to Lose: The Last Rock & Roll Movie”, a documentary about deceased former New York Dolls guitarist Johnny Thunders.

Troma Entertainment hails Story of a Junkie as one of the company’s best films; it’s one of the most well-known outside of the films directed by Troma founders Lloyd Kaufman and Michael Herz.

Gringo Story Of A Junkie

A harrowing, bloody story of heroin addiction that puts films like Trainspotting to shame, Gringo mixes documentary footage with staged scenes to show the life of addict John Spacely.

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Perhaps you’ve seen him somewhere and just can’t remember his name. The face is about an enigmatic as they come: classic Roman features topped by a greasy dyed matt of slicked back blond hair, pirate-style patch covering his right eye and cigarette dangling from an ever-present smirk. Or maybe you’ve never really noticed him and could frankly care less who he is or was. To you, John Spacely is just another loser, a human being throwing their life away by indulging in the most shameless of self-satisfactions: drug abuse. The minute you learn he’s a card-carrying member of the Riders of the White Horse, you’re thoughts turn to how selfish and stupid he is, how addiction is for the weak and lazy. You now no longer wish to know anything about him, his life, or how he ended up strung out in New York City. Instead, you sneer down your self-righteous nose and blame him (and his kind) for all the problems of the world. Maybe it would help you to learn a little about who John Spacely is. Perhaps your perceptions will change when you learn what drove him to drugs and what he has to do on a daily basis to survive. One thing’s for sure, the minute you see the horrifying docudrama Story of a Junkie, you will think twice about ever attempting to use drugs. This film is as successful a PSA warning about the terrors of dependency that you will probably ever see. It makes the Hollywood glamorization of such struggling souls that much more laughable.

John Spacely Gringo Story Of A Junkie

GRINGO Story of a Junkie is about as close to pure European neo-realism as an American movie is ever likely to get. It is also a stunning example of the cinema vérité style of filmmaking, the capturing of events as they happen without concern about continuity or performance. Part documentary, part confessional, this occasionally brilliant but always brave movie is an incredibly searing indictment on the use and abuse of drugs.
Whereas Tinsel Town tripe likes to romanticize the ritualistic intake of mind and or mood altering substances as a photogenic character flaw, Story of a Junkie tells it like it really is. Never once white washing or trivializing the life of a heroin addict, director Lech Kowalski and his cast of real life drug users draw us directly into the warped urban war zone where the vast majority of pusher and partakers exist. Never cringing from the sights, the sounds, the smells and the surreality of the real drug culture, the desperation is palpable and the danger, predominant. From how fixes are “cut” to the hierarchy in a shooting gallery, you’ll be hard pressed to find another film that tackles this terrible subject with more authenticity. It is drug abuse as slasher film, a frightening, sometime funny and often fatalistic representation of people living a life with a maniacal monkey on their back.

John Spacely Gringo Story Of A Junkie

It’s impossible for us non-addicts to understand the struggles and the will to survive (if only for the next score) of the person hopelessly obsessed with using. But for some reason, we are no longer a society that accepts brutal honesty. Everything needs to be sugarcoated with a small fraction of hope inserted to keep us feeling safe and secure. Frankly, the plain truth is all that Story of a Junkie has to offer. Without its integrity, its desire to get to the very heart of this corrupt cosmos, all we’d have is a carnival sideshow, a scandalous showcase of pure exploitation. But because of the tales it tells and the people who tell them, Story of a Junkie transcends its trappings to become a work of astounding power.

-Source

File under Cult Movies, Culture, Massive Consumption of Drugs, New York City History, Punksploitation, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS ViDeO CLuB