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Conjured by o~ SeMeN SPeRmS ~o on May 2, 2015
During the early 1970s, in Munich, Hofbauer teamed with Walter Boos, Wolf C. Hartwig, and Ludwig Spitaler to produce the original thirteen films under the banner Schulmadchen Report (or Schoolgirl Report); the stories were adapted from books written by Guenther Hunold, while Guenther Heller composed the film script, Klaus Werner did the camera work, and the music was handled by Gert Wilden & Orchestra. Hofbauer and Boos were referred to as the ‘Titans of Teen Libido’. The films were classified as ‘sexploitation’, and were extremely popular, seen by more than 30 million people all over the world.
In the United States, the films were released in grindhouses and drive-ins, and the names of the films were changed to conform to American standards. Because the films focused on young girls who may have been under legal age in this country, the Schoolgirl Report series was eventually suppressed.
The Schoolgirl Report series was very interesting because the films portrayed many unknown teenagers and actresses who were vibrant, beautiful, naive, innocent, and unabashed. Most of the films related a series of vignettes to tell an interesting story. Hidden pedophile lust, co-ed skinnydipping, situations involving first-time sexual experiences, and encounters with teachers were all shown in the episodes. Interracial love affairs, male and female masturbation sequences, forced prostitution, rape, voyeurism, harmless erotic games, seduction, and erotic touching are also portrayed in the vignettes. Well-known German sex kitten Ingrid Steeger and the ever-horny Italian comic Rinaldo Talamonti play key roles in many of the vignettes. Rosl Mayr appears in almost all of the thirteen Schulmadchen Report films as an elderly lady with a comic role. She is perfectly cast as a comedic talent and is the only senior actress that plays a key element in many of the vignettes. Marie Ekorre, Sonja Jeannine, Christina Lindberg, and Birgit Tetzlaff are a few of the young actresses who titillate the audience with their erotic encounters. Friedrich von Thon conducted street interviews to discuss the plots in the vignettes, and many of the situations were followed up with a courtroom setting (the male actors were charged with statutory rape). The Schoolgirl Report films were classified as ‘soft-core’ eroticism, which is similar to the David Hamilton genre.
Ernst Hofbauer directed many erotic films in addition to the original thirteen Schulmadchen Report classics. Sex sells, and Hofbauer exploited consumer demand for R-rated movies involving young actors and actresses. He had a unique style that combined youth, eroticism, wit, and anecdote. His exploitation films of the 1970s appealed to moviegoers from all walks of life.
A chronological list of the original 13 Schoolgirl Report films follows:
Conjured by o~ SeMeN SPeRmS ~o on July 20, 2014
Perversion for Profit is a 1965 propaganda film financed by Charles Keating and narrated by news reporter George Putnam. A vehement diatribe against pornography, the film argues that sexually explicit materials corrupt young viewers and readers, leading to acts of violence and “perverted” attitudes regarding sex—including inclination toward homosexuality. Although Perversion for Profit is quite serious in its suggestion that pornography could erode the integrity of American culture, Peter L. Stein of the San Francisco Chronicle wrote in a 2003 review that it was “shrill and sometimes comical”.
Today, Perversion for Profit is in the public domain, and due largely to its unintentional humor value, it has become popular on the Prelinger Archives website and on YouTube. As Peter L. Stein observes in an article for the San Francisco Chronicle, however, the film also has considerable historical significance, serving as a sort of time capsule of pornography from the era as well as an example of historical concerns regarding media influence:
…as the parade of girlie magazine covers, men’s physique pictorials and campy S&M leaflets continues, the film betrays a kind of prurience the filmmakers could hardly have intended. What results is a remarkable visual record of midcentury underground literature and sexual appetites, and a gloss on the values of the society that condemned them.
“Now, you might ask yourself ‘Why this sudden concern? Pornography and sex deviation have always been with mankind.’ This is true. But, now, consider another fact: never in the history of the world have the merchants of obscenity, the teachers of unnatural sex acts, had available to them the modern facilities for disseminating this filth. High-speed presses, rapid transportation, mass distribution: all have combined to put the vilest obscenity within reach of every man, woman, and child in the country.”—George Putnam, narrator.
“This same type of rot and decay caused sixteen of the nineteen major civilizations to vanish from the Earth. Magnificent Egypt, classical Greece, imperial Rome, all crumbled away not because of the strength of the aggressor, but because of moral decay from within. But we are in a unique position to cure our own ills: our Constitution was written by men who put their trust in God and founded a government based in His laws. These laws are on our side. We have a constitutional guarantee of protection against obscenity. And, in this day especially, we must seek to deliver ourselves from this twisting, torturing evil. We must save our nation from decay and deliver our children from the horrors of perversion. We must make our land, ‘the land of the free’, a safe home. Oh, God, deliver us, Americans, from evil.”—George Putnam, narrator (closing words).
Conjured by o~ SeMeN SPeRmS ~o on June 9, 2014
Damn, I wish I coulda chilled with Dee Dee when he was still alive.
“This program features Lech Kowalski’s 2003 documentary feature about the life and times of Ramones bassist and all-star burn out, Dee Dee Ramone (1952-2002). Dee Dee’s life is a fascinating character study of a punk rock legend who never grew up. Listen to Dee Dee’s account with director Lech Kowalski, to discuss Johnny Thunders for the film ‘Born to Lose.’ Relive the battlefield history of rock and roll through the memories of this ordinary, yet extraordinary guy from Queens whose songs distilled frustration, humor, and pleasure, into the energetic melodies that made the Ramones a worldwide influence!” –IMDb
Conjured by o~ SeMeN SPeRmS ~o on January 22, 2014
Calvert DeForest (July 23, 1921 – March 19, 2007), also known by his character Larry “Bud” Melman, was an American actor and comedian, best known for his appearances on Late Night with David Letterman and the Late Show with David Letterman.
Calvert DeForest as Larry “Bud” Melman giving hot towels out at the Port Authority as people get off the bus. Nov. 16, 1983
Late Night with David Letterman, Custom Made Show #2 (1984). Dave puts Larry in a bear suit and sends him down the hall to get change.
David Letterman pays tribute to the late Calvert Deforest (aka Larry “Bud” Melman)
Little has been published about his early life. He was born to Calvert Martin DeForest, M.D., a physician who died in 1949, and Mabelle (Taylor) DeForest. He was a cousin of actor DeForest Kelley of Star Trek fame, and Bebe Daniels, a silent film star who survived the introduction of sound. Radio pioneer Lee De Forest was Daniels’s second cousin. The exact family connection of Lee De Forest to Calvert DeForest is unclear.
DeForest attended Poly Prep Country Day School in Brooklyn, New York. He worked for many years for the large pharmaceutical company Parke Davis, which was later acquired by Pfizer. He had aspirations of acting but was discouraged by his mother, who was briefly an actress herself. After her death in 1969, DeForest did part-time backstage work, which eventually led to acting work.
He is credited with four films from 1972 to 1982 and, after his first appearance with David Letterman, appeared in 15 other films or television shows.
The Associated Press noted: “DeForest’s gnomish face was the first to greet viewers when Letterman’s NBC show debuted on February 1, 1982, offering a parody of the prologue to the Boris Karloff film Frankenstein. ‘It was the greatest thing that had happened in my life,’ he once said of his first Letterman appearance.”
The Melman character also opened Letterman’s first CBS show under his own name, but as essentially the same character, when Letterman moved from NBC to CBS in 1993. The name change was made because the character of “Larry ‘Bud’ Melman” was considered the intellectual property of NBC. Melman also appeared as “Kenny The Gardener”. He continued to appear on Letterman’s show until his 81st birthday in 2002 before retiring from acting. DeForest often “drew laughs by his bizarre juxtaposition as a Late Show correspondent at events such as the 1994 Winter Olympics in Norway and the Woodstock anniversary concert that year.” One of DeForest’s more memorable skits came on Letterman’s May 13, 1994, show. The host stated Johnny Carson would announce the evening’s Top 10 list, at which point DeForest, as Melman, appeared as “Johnny Carson.” On DeForest’s exit, the real Johnny Carson appeared in what would prove Carson’s last television appearance. DeForest was also noted for his remote interviews in which he would ask the interviewee a question, but pitch the microphone to the interviewee too quickly, resulting in a fade out of the last part of the question.
Letterman noted after DeForest’s death: “Everyone always wondered if Calvert was an actor playing a character, but in reality he was just himself: a genuine, modest and nice man. To our staff and to our viewers, he was a beloved and valued part of our show, and we will miss him.” When asked how he’d like to be remembered, DeForest responded “Just being able to make people laugh and knowing people enjoyed my humor. I also hope I haven’t offended anyone through the years.”
He was co-host (in charge of the digital switcher) on the local SF Bay Area radio program, 10@10, on KFOG-FM with Dave Morey.
In 1989, he appeared in the Special Ed video for the song “ ” as the villainous Dr. Norecords.
In 1994, he wrote a humor book called Cheap Advice.
DeForest also appeared on the hit albums Americana and Ixnay on the Hombre by The Offspring, doing some of the voices that can be heard before and after certain tracks. In late March 2007, a 20-minute clip of DeForest recording the voices for their album was posted on The Offspring’s website.
He appeared as one of the clubhouse gang in an episode of Pee-wee’s Playhouse.
After years of poor health, DeForest died at Good Samaritan Hospital in West Islip, New York, on Long Island, on March 19, 2007. Per his request, no funeral services were held; he was cremated and his remains were interred at Pinelawn Cemetery, Farmingdale, New York. By all press accounts, he left no surviving relatives.
Conjured by o~ SeMeN SPeRmS ~o on July 20, 2013
George Denis Patrick Carlin (May 12, 1937 – June 22, 2008) was an American stand-up comedian, social critic, satirist, actor, and writer/author who won five Grammy Awards for his comedy albums. Carlin was noted for his black humor as well as his thoughts on politics, the English language, psychology, religion, and various taboo subjects. Carlin and his “Seven Dirty Words” comedy routine were central to the 1978 U.S. Supreme Court case F.C.C. v. Pacifica Foundation, in which a 5–4 decision by the justices affirmed the government’s power to regulate indecent material on the public airwaves.
The first of his 14 stand-up comedy specials for HBO was filmed in 1977. From the late 1980s, Carlin’s routines focused on socio-cultural criticism of modern American society. He often commented on contemporary political issues in the United States and satirized the excesses of American culture. In 2004, Carlin placed second on the Comedy Central list of the 100 greatest stand-up comedians of all time, ahead of Lenny Bruce and behind Richard Pryor. He was a frequent performer and guest host on The Tonight Show during the three-decadeJohnny Carson era, and hosted the first episode of Saturday Night Live. His final HBO special,It’s Bad for Ya, was filmed less than four months before his death. In 2008, he was posthumously awarded the Mark Twain Prize for American Humor.
Conjured by o~ SeMeN SPeRmS ~o on June 12, 2013