The Ramones 1975 Live at Arturo’s Loft
Conjured by @SeMeNSPeRmS on April 28, 2017
Stacia joined the band in 1971; however accounts vary as to how and why she began working with the band. Liner notes to In Search of Space indicate that poet and lyricist Robert Calvert recruited her for live shows; other sources state that she was a friend of Nik Turner, saxophonist and flautist for the band. In 2012, Turner told Mojo Magazine, “I met Stacia for the first time at the Isle of Wight… She said, “Can I dance with you?” and I said, “Yeah, but you must take off all your clothes and paint your body.” She took all her clothes off but unfortunately I didn’t have any body paint. That was like her audition.” In an interview in British music magazine Melody Maker, Stacia herself stated that she attended a show and, inspired by the music, got on stage and performed an impromptu dance to the band’s music. She immediately became an integral part of the live show after joining in 1971.
According to a 1974 interview in Penthouse, Stacia was six feet (183 cm) tall and “happily bisexual”. She regularly augmented her visual impact by performing topless or nude, her body decorated in iridescent or luminescent paint. In a 2007 BBC Four documentary, Lemmy described her as 6 ft 2 inches (188 cm) tall with a 52 inch (132 cm) bust and a bookbinder by trade. The same documentary said that she was working as a petrol pump attendant in Cornwall when she joined the band.
Stacia regarded what she did with the band as interpretive dance, and was an integral part of the early to mid-1970s Hawkwind show, particularly during the Space Ritual era. She left Hawkwind in 1975 after touring with them for the Warrior on the Edge of Time album. Her departure, along with that of Lemmy (who went on to form Motörhead) and Robert Calvert, signaled the end of an era; though Calvert, after a guest appearance with the band at the Reading festival, decided to rejoin the band full-time towards the end of that year.
Conjured by o~ SeMeN SPeRmS ~o on June 16, 2014
Bolan at his best. No question: If there was any doubt in your mind; this proves once and for all that Bolan indeed rocks.
It’s interesting to contrast the two performances; in the 5:30 show the acoustic set is much stronger; in the 8:30 show, the electric stuff is sensational, leading off with a rousing version of CADILLAC. The restoration of the image from 16mm is absolutely first rate; most of the footage was rescued, along with the original stereo recordings, from 100s of rusting film cans in Ringo’s garage.
Marc and the band are in top form, somehow managing to cut through the teenybop adulation with real, loud, rock’n’roll. Whether or not Bolan’s Tolkien-esque lyrics are your cup of tea, Ringo Starr who filmed all this certainly knew enough about pop idols to keep the camera focused on Marc and let the myth take care of itself.
What’s surprising about the Wembley audience is the intensity on fans’ faces, both girls and boys — when Bolan breaks into a wicked version of “Summertime Blues” there’s just a hint of the Sex Pistols’ punk sneer that was just five years away.
Conjured by o~ SeMeN SPeRmS ~o on March 29, 2013
Opening credits- Obliteration (Instrumental)
1.) Nervous Breakdown
2.) Can’t Decide
3.) Slip It In
4.) My Ghetto
5.) Black Coffee
7.) Six Pack
8.) My War
9.) Jealous Again
10.) I Love You
11.) The Swinging Man
12.) Three Nights
13.) Nothing Left Inside
14.) Fix Me
15.) Wound Up
16.) Rat’s Eyes
Closing Credits- Obliteration (Instrumental)
Conjured by o~ SeMeN SPeRmS ~o on June 21, 2012