Roach | SeMeN SPeRmS SuPeR SiTe

The Police Tapes South Bronx Fort Apache 70’s & 80’s NYC High Crime Ghetto Wasteland

Fort Apache The Bronx

NYPD 70's South Bronx

Fort Apache NYPD Bronx New York 41-precinct-jpg

NY Illustrated – Saturday Night At Fort Apache – March 4, 1973

‘Three types of people use the streets of the South Bronx after dark: Policemen, Criminals, and Potential Victims.’

One in this public affairs series devoted to issues that concern the greater New York area. This program profiles Police Precinct 41 in the South Bronx, nicknamed “Fort Apache” because of the frequency and severity of violent crimes committed in the surrounding area. Narrated by Norman Rose, the program begins with a clip of Sgt. Bill Taylor addressing officers of the precinct’s anti-crime unit. Later, accompanied by Rose, Taylor tracks down and arrests a suspected mugger. In interviews with officers stationed at and previously assigned to the precinct, the following topics are discussed: the high risk of incurring severe injury while on duty and the ability to cope with fear; the reluctance among members of the police force to be assigned to the 41st precinct; completing tenure at the precinct as a step toward promotion; the high incidence of illegal weapons possession among area residents; and the factors linking street crime with drugs and poverty. Also included is footage of a typical night at the Lincoln Hospital emergency room, where the number of people suffering from gunshot wounds and stabbings often exceeds the hospital’s nightly capacity. Among those interviewed are Deputy Inspector Matthew Neary and Officers James Finn, Bob Gardner, and Tony Imbimbo. Commercials deleted. (This series occasionally runs under the title “New Jersey Illustrated” or “Connecticut Illustrated”; series dates unverified.) – The Paley Center For Media

NYPD South Bronx NYC 70's

South Bronx NYPD 70's NYC

Fort Apache Bronx New York City Police Patch NYPD

The Police Tapes (1977)

The-Police-Tapes

The Police Tapes is a 1977 documentary about a police precinct in the South Bronx. The original ran ninety minutes and was produced for public television; a one-hour version later aired on ABC. It won two Emmy Awards, a Peabody Award, and a DuPont-Columbia University Award for Broadcast Journalism,and became an influence on later television and film dramas.

Filmmakers Alan Raymond and Susan Raymond spent three months in 1976 riding along with patrol officers in the 44thPrecinct of the South Bronx, which had the highest crime rate in New York City. They produced about 40 hours of videotape that they edited into a 90-minute documentary.

The result was what New York Times TV critic John J. O’Connor called a “startlingly graphic and convincing survey of urban crime, violence, brutality and cynical despair”. Cases followed include the discovery of a dead body on the street, the rescue of a mother trapped in her apartment by a mentally ill son, an attempt to negotiate with a woman armed with an improvised flail who refuses to stop threatening her neighbor, and the arrest of a 70-year-old woman accused of hitting her daughter in the face with an axe. There is some introductory narration at the beginning describing the neighborhood and the time the documentary was filmed, but some unifying commentary is provided by an interview with Bronx Borough Commander Anthony Bouza, who ascribes the crime rate in the 44th Precinct to poverty, describes the hardening effects of urban violence on idealistic police officers, and likens himself to the commander of an occupying army, saying “We are manufacturing criminals… we are manufacturing brutality”.

The production was financed by the New York State Council on the Arts and WNET and cost only $20,000, thanks to the use of Portapak tape equipment; it would have cost an estimated $90,000 if film had been used. Special Newvicon tubes in the video cameras allowed them to tape with only streetlights for illumination, making them less conspicuous to subjects who might otherwise have fled from or approached the cameras.

The Police Tapes was an important source for Fort Apache, The Bronx, a 1981 film with Paul Newman and Ed Asner. It influenced the deliberately ragged visual style of the 1980s television police drama Hill Street Blues, which used handheld cameras to provide a sense of realism and immediacy—particularly during the morning roll call in each episode, which was based on a similar scene in The Police Tapes. Robert Butler, who directed the first five episodes, urged the camera operators to avoid carefully composed shots and to move their cameras frequently, telling them “If you’re having trouble focusing, that’s great.” This mock-documentary style, in turn, influenced many other television dramas.

Another line of influence runs from The Police Tapes to the Fox Network reality TV series COPSCOPS, like its predecessor, closely follows police officers, suspects, and crime victims with handheld cameras. According to New York Times film critic Elvis Mitchell, the style of COPS then became part of the visual language of feature films, so that “the DNA of [the Raymonds’] original has found its way into the film mainstream.”

Fort Apache Protestor

Fort Apache the Bronx (1981) Paul NewmanFort Apache The Bronx 1981

File under Blast From The Past, Horror, New York City History, New York City Street Photography, NYC Nightlife, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS ViDeO CLuB

Lefty: Memories of a Dead One in Brooklyn (1978) 70’s NYC Gang Documentary

lefty1

A German film crew for station NDR [Norddeutscher Rundfunk] picked the perfect time to visit New York City for their street gang documentary, LEFTY – ERINNERUNG AN EINEN TOTEN IN BROOKLYN, as the area sweltered through a brutal summer heatwave and the infamous 1977 blackout. For five weeks, director Max H. Rehbein and his crew actually lived in the basement of a Brooklyn house owned by the parents of ‘Brother Lou’ [Louie Morales], the leader of ‘The Sex Boys’ (named after the street they hung out on, Essex — after dropping the first two letters), filming many of that gang’s most private moments and digging even deeper than the aforementioned ABC special. Unfortunately, the print’s narration is in unsubtitled German, but their footage alone makes this an astonishing, 88-minute artifact…

Sex Boys

‘Lefty’ [Charles ‘Carlos’ Valentine] is the latest ‘Sex Boys’ casualty, first glimpsed in the Kings County morgue after being stabbed to death near Greenpoint’s McCarren Pool. Tempers within the gang are running hot, with Lou trying to keep his soldiers under control. The filmmakers follow them as they strut past razed buildings in their gang colors, leap subway turnstiles, convene a rooftop gang meeting, share brews and joints, perform some general vandalism, and celebrate Lefty’s truncated life with street fireworks.

Lefty3

That’s intercut with Sgt. Frank Santangelo, from the 75th Precinct’s youth gang task force, as he patrols the neighborhood, attempts to ‘rap’ with gang members and ventures into one of their boarded-up-building clubhouses, in hopes of quelling tensions with ‘The Crazy Homicides’ from Coney Island. Sometimes helping their community (aiding neighbors during a late-night apartment fire), other times prepping for war (a meeting with ‘The Ghetto Brothers’ to purchase pistols) and often just having everyday interactions (Louie’s gravedigger day job, arguing with girlfriends, getting seriously-ugly tattoos), it’s an intimate, unfiltered peek into ‘The Sex Boys.’

sex boys subway

Without question, the most striking moments occur an hour in, because even a crime-ridden blackout doesn’t stop these crazy Germans from venturing into the war-zone-style streets with their cameras — filming Molotov-tossing kids, ransacked stores, looters fighting each other over an armful of clothes, and the overwhelmed police precinct…Rehbein adopts a fly-on-the-wall approach, with German narration and some bizarre synth soundtrack music added in post, and they must’ve been pounding back shots of Schnaps in the editing room when their tripped-out Halloween-party/haunted-house finale was conceived. From the shocking desolation of the South Bronx, to the bustling Coney Island boardwalk after dark, to Rikers Island — it’s all captured with an outsider’s inquisitive eyeand an almost TAXI DRIVER-esque amount of nighttime urban imagery. LEFTY is sprawling and unfocused, but also absolutely fascinating. – Shock Cinema

Sex Boys Graffiti

File under Blast From The Past, Culture, Music, New York City History, New York City Street Photography, Secret History, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS ViDeO CLuB, Sex

Roach Clip Lips

File under SeMeN SPeRmS BLArRrG

Conjured by o~ SeMeN SPeRmS ~o on March 17, 2013

Tags: , ,

Harley 74 Roach Shirt

File under SeMeN SPeRmS BLArRrG

Conjured by o~ SeMeN SPeRmS ~o on August 1, 2012

Tags: ,

Billoney’s Mixed Nuts

✩ Ghost Lusters
✩ Ego Death and Self-Control Cybernetics
✩ Pimp My Altar
✩ White Supremacists Support Barack Obama
✩ Dr. KENNETH ANGER on Flickr
✩ Technosigilic Approaches for Hypersaturation of Intent
✩ IRIS DIAGNOSIS
✩ Mars-Gate
✩ Virgin Mary Brain Scan
✩ Rosemary’s Baby – Dream Sequence

File under Billoney.com, SeMeN SPeRmS Approved, SeMeN SPeRmS BLArRrG

Sabotage

☛ Emo Style Makeover Game
Stupendous beauty game in which you’ll be able to put makeup on a normal, common girl with the latest emo style cosmetics. You’ll be able to combine them with the most daring hairstyles and with the most stylish accessories, such as earrings, piercings, etc.
☛ Steve Jobs Action Figure: Apple Threatens Chinese Toy Maker With Lawsuit
Apple has allegedly threatened to sue Chinese company In Icons over its eerily realistic 12-inch action figure of Steve Jobs, the company’s late founder. The 1:6 scale model, which was said to be distributed by DiD Corp. in late February, comes with the clothes and accessories popularized by Jobs, such as the black faux turtleneck, blue jeans and sneakers. The figurine, which is packaged in a box that looks like Walter Isaacson’s “Steve Jobs” biography cover, also comes with a chair, a “One More Thing…” backdrop, as well as two red apples, including one with a bite in it. To make it extra creepy, the doll’s realistic head sculpt features Jobs’ famous unblinking stare.
☛ 34 Shocking Facts About U.S. Debt That Should Set America On Fire With Anger
We have all been lied to. For decades, the leaders of both major political parties have promised us that they can fix our current system and that they can get our national debt under control. As the 2012 election approaches, they are making all kinds of wild promises once again. Well you know what? It is all a giant sham. The United States has gotten into so much debt that there will be no coming back from this. The current system is irretrievably broken. 30 years ago the U.S. debt was a horrific crisis that was completely and totally out of control. If we would have dealt with it back then maybe we could have done something about it. But now it is 15 times larger, and we are adding more than a trillion dollars to the debt every single year.
☛ Vertu making ‘year of the dragon’ Signature phone…Only $20,733!
☛ Paul Supporter Likely Violated Military Conduct Code
Following a third-place finish in the Iowa caucuses, Ron Paul held a boisterous rally, featuring a speech from Army Corporal Jesse Thorsen. Thorsen, who was in uniform, voiced impassioned support for Paul’s non-interventionist views. “We don’t need to be picking fights overseas,” he said, and pledged to help “make sure this man is the next president of the United States.” It was an understandable sentiment from a soldier who said he had served in the military for 10 years, which included tours in Iraq and Afghanistan. But the appearance likely violated the protocols for service members included in Defense Department Directive 1344.10, which states explicitly that they are not to participate in political rallies as anything more than spectators. And if they do attend a political function, they’re not supposed to do so in uniform.
☛ Arthur Lee Thompson steals police vehicle while high on crack [Video]
☛ Islam Critical Black Metal music nominated for Norwegian Grammy
Metal band Taake is nominated for the Norwegian Grammys in the category for best metal album for the album “Norway’s weapons,” which came out this fall. Besides the line of text devoted to “Moslems”, include “those who burn our flag,” called the swine in the song “Hurricane.” The text also says that hard to be against hard: “Now wake up soon Norway.”
☛ Swank sushi: Tuna fetches record $736K
A bluefin tuna caught off northeastern Japan fetched a record $736,000, Thursday in the first auction of the year at Tokyo’s Tsukiji fish market. The price translates to $1,238 per pound — also a record, said Yutaka Hasegawa, a Tsukiji market official. Though the fish is undoubtedly high quality, the price has more to do with the celebratory atmosphere that surrounds the first auction of the year.
☛ How fracking might have led to an Ohio earthquake
The link between “fracking”-related activities and earthquakes was thrown into stark relief over the weekend when a magnitude 4.0 quake struck Youngstown, Ohio – typically not a hot bed of noticeable seismic activity. The quake triggered shaking reportedly felt as as far away as Buffalo, N.Y., and Toronto. The temblor struck Dec. 31 and was the latest and strongest of 11 minor-to-light quakes that have hit the region since March. The epicenters are clustered around a wastewater injection well for a hydraulic fracturing operation.
☛ Denver woman accused of attacking $30 million painting
A 36-year-old Denver woman, apparently drunk, leaned against an iconic Clyfford Still painting worth more than $30 million last week, punched it, slid down it and urinated on herself, according to a criminal case filed against Carmen Lucette Tisch. “It doesn’t appear she urinated on the painting or that the urine damaged it, so she’s not being charged with that,” Lynn Kimbrough, a spokeswoman for the Denver district attorney’s office, said Wednesday. “You have to wonder where her friends were.” Tisch is being charged with criminal mischief in the incident that happened at the Clyf ford Still Museum at 3:30 p.m. on Dec. 29. Damage to the painting — “1957-J-No. 2.” — is estimated at $10,000. The painting, which is nearly 9 1/2 feet tall and 13 feet wide, is estimated to be worth between $30 million and $40 million by the museum. Tisch allegedly committed the offense with her pants pulled down, according to the police report, and struck the painting repeatedly with her fist.
☛ STEVE ESPO POWERS
ESPO is legit.

 

 

Submit Links:
SeMeNSPeRmS@SeMeNSPeRmS.com

File under Music, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS Links 'o Death