File under SeMeN SPeRmS BLArRrG
Conjured by o~ SeMeN SPeRmS ~o on August 24, 2015
Electric Stimulation Could Help You Control Your Dreams
Walmart employee stabbed by customer who didn’t like her ‘vibe’
‘We Kill People Based on Metadata’ – former director of the NSA and the CIA
WTF Johnny Rotten in Jesus Christ Superstar
World’s Dirtiest Man: 80-Year-Old Iranian Man Hasn’t Bathed in 60 Years
‘Europe’s Dirtiest Man’ Sleeps In A Bed Of Ashes
Cocaine use in Britain so high it has contaminated drinking water, report shows
Smart TV’s can become eavesdropping bugs
Lights out: The dark future of electric power
Dash Cam: Tree falls on cop during traffic stop
Conjured by o~ SeMeN SPeRmS ~o on May 12, 2014
Pixote: a Lei do Mais Fraco (Portuguese pronunciation: [piˈʃɔtʃi a ˈlej du ˈmajʃ ˈfɾaku], Pixote (small child): The Law of the Weakest) is a 1981 Brazilian drama film directed by Hector Babenco. The screenplay was written by Babenco and Jorge Durán, based on the book A infância dos mortos (The Childhood of the Dead Ones) by José Louzeiro.
The plot revolves around Pixote, a young boy who is used as a child criminal in muggings and drug transport.
After a police round up of street children Pixote is sent to a juvenile reformatory (FEBEM). The prison is a hellish school where Pixote uses glue sniffing as a means of emotional escape from the constant threats of abuse and rape.
It soon becomes clear that the young criminals are only pawns in the criminal, sadistic games of the prison guards and their commander.
When a boy dies of physical abuse by the guards, they frame the lover of the transgendered effeminate boy known as Lilica (Jorge Julião), for the murder. This lover then conveniently also dies, with some help from the guards.
Soon after, Pixote, Lilica and her new lover Dito (Gilberto Moura) find an opportunity to flee from the prison. First they stay at the apartment of Cristal (Tony Tornado), a former lover of Lilica, but when tensions arise they go to Rio for a cocaine drug deal; there, however, they get duped by a showgirl.
After some time bumming around the city, Pixote and his friends go to a club for another drug deal. While there, Pixote finds the showgirl that took their drugs and stabs her.
They become pimps for the prostitute Sueli who is definitely past her prime and is possibly ill from a botched abortion. The group conspires to rob her johns, but when Lilica’s lover Dito falls for Sueli, Lillica leaves. The robbery scheme fails when an American john fights back (because he apparently does not understand Portuguese) so they have to shoot him. In the ensuing fight, Pixote accidentally shoots and kills Dito as well.
Pixote tries to gain comfort from Sueli, treating her as a mother figure, but she rejects him. He leaves and is seen walking down a railway line, gun in hand, away from the camera, his figure disappearing in the distance, out of the film’s view.
Film critic Roger Ebert, who writes for the Chicago Sun-Times, considers the film a classic, and wrote, “Pixote stands alone in Babenco’s work, a rough, unblinking look at lives no human being should be required to lead. And the eyes of Fernando Ramos da Silva, his doomed young actor, regard us from the screen not in hurt, not in accusation, not in regret — but simply in acceptance of a desolate daily reality.”
Critic Pauline Kael was impressed by its raw, documentary-like quality, and a certain poetic realism. She wrote, “Babenco’s imagery is realistic, but his point of view is shockingly lyrical. South American writers, such as Gabriel Garcia Marquez, seem to be in perfect, poetic control of madness, and Babenco has some of this gift, too. South American artists have to have it, in order to express the texture of everyday insanity.”
The New York Times film critic, Vincent Canby, liked the neo-realist acting and direction of the drama, and wrote, “[Pixote], the third feature film by the Argentine-born Brazilian director Hector Babenco, is a finely made, uncompromisingly grim movie about the street boys of São Paulo, in particular about Pixote – which, according to the program, translates roughly as Peewee…The performances are almost too good to be true, but Mr. Da Silva and Miss Pera are splendid. Pixote is not for the weak of stomach. A lot of the details are tough to take, but it is neither exploitative nor pretentious. Mr. Babenco shows us rock-bottom, and because he is an artist, he makes us believe it as well all of the possibilities that have been lost.”
Conjured by o~ SeMeN SPeRmS ~o on November 6, 2013
Cooper said in the liner notes of Fistful of Alice and In the Studio with Redbeard, which spotlighted the Killer and Love it to Death albums, that the song “Desperado” was written about his friend Jim Morrison, who died the year this album was released. According to an NPR radio interview with Alice Cooper, “Desperado” was written about Robert Vaughn‘s character from the movie The Magnificent Seven. “Halo of Flies” was, according to Cooper’s liner notes in the compilation The Definitive Alice Cooper, an attempt by the band to prove that they could perform King Crimson-like progressive rock suites, and was supposedly about a SMERSH-like organisation. “Desperado”, along with “Under My Wheels” and “Be My Lover” have appeared on different compilation albums by Cooper. The song “Dead Babies” stirred up some controversy following the album’s release, despite the fact that its lyrics conveyed an “anti-child abuse” message.
The album reached #21 on the Billboard album chart and two singles made the Hot 100 chart.
Johnny Rotten of the Sex Pistols and Public Image Ltd. called Killer the greatest rock album of all time. Punk icon Jello Biafra & The Melvins covered the song “Halo of Flies” on their 2005 release Sieg Howdy! Psychobilly musicians Mojo Nixon and Skid Roper covered the song “Be My Lover” on their 1986 release Frenzy. Power metal band Iced Earth covered the song “Dead Babies” for their 2002 release Tribute to the Gods. Guns N’ Roses (featureing Alice Cooper) covered the song “Under My Wheels” on The Decline of Western Civilization Part II: The Metal Years – Original Motion Picture Soundtrack
Conjured by o~ SeMeN SPeRmS ~o on July 20, 2013
Conjured by o~ SeMeN SPeRmS ~o on May 16, 2013
Conjured by o~ SeMeN SPeRmS ~o on July 13, 2012