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Lemmy Just Texted Me

RIP LEMMY

Oklahoma man freaks out town with tattooed swastika face nydn.us/1VtREMq https://t.co/OMdjsOSRGW

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Robitussin’s Advertising Team Clearly Loves Future’s ‘DS2’ Album #Lean #DirtySprite complex.com/music/2015/12/…

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An orgasm a day could keep prostate cancer away, scientists claim telegraph.co.uk/news/health/ne…

Brawl breaks out between leaders of an anti-violence rally in Newark nj.com/essex/index.ss…

Where White People Meet dating site fox13now.com/2015/12/31/whi…

Rediscovered photos of the 70s Hollywood skate scene
i-d.vice.com/en_us/article/…

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Chipotle a victim of corporate sabotage by biotech industry food terrorists e.coli in retaliation for anti-GMO menu naturalnews.com/052405_Chipotl…

Internet Freedom Is Actively Dissolving in America motherboard.vice.com/read/internet-…

Websites and apps are designed for compulsion, even addiction. Should the net be regulated like drugs or casinos? aeon.co/essays/if-the-…

Boldest Smuggling Attempts businessinsider.com/14-of-the-bold…

9-Year-Old Opens PS4 Box On Christmas Morning, Finds Block Of Wood consumerist.com/2015/12/28/9-y…

Vaping RCs/Narcotics Mega-Thread bluelight.org/vb/threads/779…

Cool Guy with ‘Team USA’ Face Tattoo Jerks-Off on Subway for Over 30 Minutes jezebel.com/cool-guy-with-…

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The Hippie Scene

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Conjured by o~ SeMeN SPeRmS ~o on April 22, 2015

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Turn On Make The Scene

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Conjured by o~ SeMeN SPeRmS ~o on April 13, 2015

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Ilsa She Wolf Of The SS (1975) Sexy Nazisploitation

 

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Ilsa, She Wolf of the SS is a 1975 American Nazi exploitation film produced in the USA. The film was directed by Don Edmonds, produced by David F. Friedman and written by Jonah Royston.

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Ilsa is Kommandant of a Nazi prison camp, who conducts sadistic scientific experimentsdesigned to demonstrate that women are more capable of enduring pain than men are, and therefore should be allowed to fight in the army. Ilsa is also portrayed as a buxom woman with a voracious sexual appetite for men. Every night, she chooses another one of her male prisoners and rapes him; however, due to her insatiable hunger, she gets disappointed when her current victim eventually ejaculates, and promptly has him castrated and put to death. Only an American prisoner, who can withhold ejaculating, manages to use her weakness to his favor.

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The film was made on the Los Angeles set of the TV series Hogan’s Heroes. The series had already been cancelled and the show’s producers let the film be made on it once they learned that a scene called for it to be burned down, saving them the cost of having it demolished.

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When Lee Frost and David F. Friedman‘s 1969 Love Camp 7 became popular in Canada, André Link and Cinepix’s John Dunning created a script for Ilsa, She Wolf of the SS. After offering to produce, Friedman agreed and brought on Dyanne Thorne to play as the titular character. Friedman is credited onscreen as “Herman Traeger”.

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Ilsa is patterned after real-life murderous female Nazi camp personnel Ilse Koch and Irma Grese.

Friedman (under the pseudonym Herman Traeger) put a notice before the film opens: “The film you are about to see is based on documented fact. The atrocities shown were conducted as “medical experiments” in special concentration camps throughout Hitler‘s Third Reich. Although these crimes against humanity are historically accurate, the characters depicted are composites of notorious Nazi personalities; and the events portrayed, have been condensed into one locality for dramatic purposes. Because of its shocking subject matter, this film is restricted to adult audiences only. We dedicate this film with the hope that these heinous crimes will never happen again.”

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The Art of Punk – Black Flag – Raymond Pettibon

Raymond Pettibon Black Flag Bars

“On the first episode of “The Art of Punk” we dissect the art of the legendary Black Flag. From the iconic four bars symbols, to the many coveted and collected gig flyers, singles, and band t-shirts, all depicting the distinctive Indian ink drawn image and text by artist Raymond Pettibon. We start off in Los Angeles talking to two founding members singer Keith Morris, and bass player Chuck Dukowski, about what the scene was like in 1976 – setting the stage for the band’s formation, as well as the bands name, and the creation of the iconic four bars symbol. Raymond Pettibon talks with us from his New York art studio. Back in LA we meet with Flea, from the Red Hot Chili Peppers, about how the art, the music, and that early LA scene impacted his own life and career. To wrap it all up we sit and talk at length, with Henry Rollins, at MOCA Grand Ave in Los Angeles, about all of the above and more.”

Black Flag Flyering

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A Canal Scene On Mars

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Conjured by o~ SeMeN SPeRmS ~o on July 6, 2014

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Blonde On A Bum Trip

Blonde On A Bum Trip

New York’s East Village, flower children, peace, hallucinogens, lust, sadism (lust? sadism?!) Yes! This shocking documentary, focusing on Alphabet City’s sexiest scene, leaves those wimpy Frisco love-ins in the dust! See why Big Apple hippies, crazy rock music, and psychedelic drugs make for a lethal combination.

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REVOLUTION (1968) Hippie Documentary Haight Ashbury LSD 60’s San Francisco Scene

A documentary that explores the counterculture of San Francisco in the mid-1960’s

The sex is free. The pot is cheap. Everyone can afford the acid.

Revolution 1968
Peace, love and groovy, mind-altering drugs are the topics at hand in this San Francisco freak-out documentary. It’s a crude but heartfelt time capsule, released in the summer of ’68, just before the Haight Asbury scene turned into one big, unwashed bummer. And even if director Jack O’Connell (THE GREENWICH VILLAGE STORY, SWEDISH FLY GIRLS) may not have made a great movie, he was at the right time, at the right place, and (most important) with the right tripped-out attitude… Much of the movie is random footage of the hippie phenomenon, while a cute, blond, 20-year-old runaway named “Today Malone” provides a (slight) framework to this ragged mess. And a bigger bunch of long-haired, wide-eyed freaks I’ve never seen — crammed shoulder-to-shoulder, celebrating the summer solstice in the Golden Gate Park. God, the stench of patchouli must’ve been nauseating!

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Bands blast away, hippie chicks spin in circles, the lightshow begins, and it’s the same old acid haze we’ve come to know and love. Along the way, some interesting tidbits sneak in, including firsthand tales of getting busted, posted notes to runaway children, Ms. Malone unsuccessfully begging passers-by for spare change, a middle-aged nun describing how she’s similar to these “hippie girls,” and a typical hairball asked if he worries about chromosome damage from too much acid (when it’s, obviously, already too late). Of course, what movie about drugs is complete without a few suited “experts” (including San Francisco’s Director of Public Health and the thick-necked Chief of Police) warning about the evils of this new generation’s chemical dependence. But in the long run, this is a refreshingly pro-drug, pro-hippie pic that pushes the joys of LSD when Today doses on camera, and flies off on its mind-altering effects (actually, all they do is sit around a room, rolling their eyes and feeling a peach).

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The filmmakers have all the bases covered. They document the oddest niches of Hippiedom, which appeals to the curious. There are plenty of groovy visuals, in case you’re dosed. They even toss in some nude performance art to suck in the T&A crowd. It also features ragamuffin fashion at its worst (not as ratty as today’s Squatter Chic look, but close), plus music by Country Joe and The Fish, Quicksilver Messenger Service, and The Steve Miller Band… Nowadays, this nonsense is impossible to watch without laughing at these naive, burnt-out rebels, and it’s a reality check for folks who think the hippie subculture was exactly like PSYCH-OUT or THE TRIP. Unfortunately, real life was a lot less charismatic than reel life. And whenever one these wide-eyed innocents vows they’ll never conform to The System, I’ll give you odds that nowadays, they’re somewhere in suburbia, selling Amway products and falling asleep to AMERICA’S FUNNIEST HOME VIDEOS.

Shock Cinema

revolution 1968

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