Sacrifice Of A Maiden
Conjured by SeMeN SPeRmS on May 4, 2015
Stacia joined the band in 1971; however accounts vary as to how and why she began working with the band. Liner notes to In Search of Space indicate that poet and lyricist Robert Calvert recruited her for live shows; other sources state that she was a friend of Nik Turner, saxophonist and flautist for the band. In 2012, Turner told Mojo Magazine, “I met Stacia for the first time at the Isle of Wight… She said, “Can I dance with you?” and I said, “Yeah, but you must take off all your clothes and paint your body.” She took all her clothes off but unfortunately I didn’t have any body paint. That was like her audition.” In an interview in British music magazine Melody Maker, Stacia herself stated that she attended a show and, inspired by the music, got on stage and performed an impromptu dance to the band’s music. She immediately became an integral part of the live show after joining in 1971.
According to a 1974 interview in Penthouse, Stacia was six feet (183 cm) tall and “happily bisexual”. She regularly augmented her visual impact by performing topless or nude, her body decorated in iridescent or luminescent paint. In a 2007 BBC Four documentary, Lemmy described her as 6 ft 2 inches (188 cm) tall with a 52 inch (132 cm) bust and a bookbinder by trade. The same documentary said that she was working as a petrol pump attendant in Cornwall when she joined the band.
Stacia regarded what she did with the band as interpretive dance, and was an integral part of the early to mid-1970s Hawkwind show, particularly during the Space Ritual era. She left Hawkwind in 1975 after touring with them for the Warrior on the Edge of Time album. Her departure, along with that of Lemmy (who went on to form Motörhead) and Robert Calvert, signaled the end of an era; though Calvert, after a guest appearance with the band at the Reading festival, decided to rejoin the band full-time towards the end of that year.
Conjured by SeMeN SPeRmS on June 16, 2014
Café Flesh is a 1982 post-apocalyptic cult pornographic science fiction film designed and directed by Stephen Sayadian (under the pseudonym “Rinse Dream”) and co-written by Sayadian and Jerry Stahl (credited as “Herbert W. Day”). Music was composed and produced by noted music producer Mitchell Froom (and later appeared in his album, Key of Cool).
Music from Cafe Flesh (1982)
Conjured by SeMeN SPeRmS on May 18, 2014
RanXerox is a science fiction graphic novel series by Stefano Tamburini and Tanino Liberatore, two Italian artists who had worked on such magazines as Cannibale and Frigidaire. Conceived as a bizarre antihero, RanXerox was a mechanical creature made from Xerox photocopier parts.
At first (1978, in Italian, in Cannibale) the name was “Rank Xerox“, identical to that of a joint venture between the Xerox Corporation of the U.S. and the Rank Organisation of the U.K., the latter of which manufactures and markets Xerox equipment in Europe. Due to a threatened lawsuit by Rank Xerox for using their trademarked name, Tamburini changed it to “RanXerox” (1980, also in Italian, in Frigidaire). The name “Ranx” has also been used in some cases.
The first time RanXerox was published in English was in the July 1983 issue ofHeavy Metal. Many more issues of Heavy Metal, as well as novels followed, featuring RanXerox (such as “RanXerox in America”). The artist uses Pantone pens to create his unique style of art.
Richard Corben said about the character:
|“||RanXerox is a punk, futuristic Frankenstein monster, and with the under-aged Lubna, they are a bizarre Beauty and the Beast. This artist and writer team have turned a dark mirror to the depths of our Id and we see reflected the base part of ourselves that would take what it wants with no compromise, no apology – and woe to the person who would cross us. But it is all done with a black, wry, satirical sense of humor.||”|
Conjured by SeMeN SPeRmS on September 30, 2013