Wolf | SeMeN SPeRmS SuPeR SiTe

Down Home Music Muddy Waters & Howlin’ Wolf

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Conjured by o~ SeMeN SPeRmS ~o on March 31, 2015

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Wolf Rider

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Conjured by o~ SeMeN SPeRmS ~o on August 5, 2014

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Wolf Rider

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Conjured by o~ SeMeN SPeRmS ~o on August 5, 2014

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Ilsa She Wolf Of The SS (1975) Sexy Nazisploitation

 

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Ilsa, She Wolf of the SS is a 1975 American Nazi exploitation film produced in the USA. The film was directed by Don Edmonds, produced by David F. Friedman and written by Jonah Royston.

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Ilsa is Kommandant of a Nazi prison camp, who conducts sadistic scientific experimentsdesigned to demonstrate that women are more capable of enduring pain than men are, and therefore should be allowed to fight in the army. Ilsa is also portrayed as a buxom woman with a voracious sexual appetite for men. Every night, she chooses another one of her male prisoners and rapes him; however, due to her insatiable hunger, she gets disappointed when her current victim eventually ejaculates, and promptly has him castrated and put to death. Only an American prisoner, who can withhold ejaculating, manages to use her weakness to his favor.

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The film was made on the Los Angeles set of the TV series Hogan’s Heroes. The series had already been cancelled and the show’s producers let the film be made on it once they learned that a scene called for it to be burned down, saving them the cost of having it demolished.

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When Lee Frost and David F. Friedman‘s 1969 Love Camp 7 became popular in Canada, André Link and Cinepix’s John Dunning created a script for Ilsa, She Wolf of the SS. After offering to produce, Friedman agreed and brought on Dyanne Thorne to play as the titular character. Friedman is credited onscreen as “Herman Traeger”.

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Ilsa is patterned after real-life murderous female Nazi camp personnel Ilse Koch and Irma Grese.

Friedman (under the pseudonym Herman Traeger) put a notice before the film opens: “The film you are about to see is based on documented fact. The atrocities shown were conducted as “medical experiments” in special concentration camps throughout Hitler‘s Third Reich. Although these crimes against humanity are historically accurate, the characters depicted are composites of notorious Nazi personalities; and the events portrayed, have been condensed into one locality for dramatic purposes. Because of its shocking subject matter, this film is restricted to adult audiences only. We dedicate this film with the hope that these heinous crimes will never happen again.”

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File under Cult Movies, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS ViDeO CLuB, Sex

Schoolgirl Report aka Schulmädchen Report 70’s German Teen Softcore Sexploitation

Ernst Hofbauer (b. 22 August 1925 Vienna, Austria – d. 24 February 1984 Munich, Germany at age 58) was an Austrian film director.

During the early 1970s, in Munich, Hofbauer teamed with Walter Boos, Wolf C. Hartwig, and Ludwig Spitaler to produce the original thirteen films under the banner Schulmadchen Report (or Schoolgirl Report); the stories were adapted from books written by Guenther Hunold, while Guenther Heller composed the film script, Klaus Werner did the camera work, and the music was handled by Gert Wilden & Orchestra. Hofbauer and Boos were referred to as the ‘Titans of Teen Libido’. The films were classified as ‘sexploitation’, and were extremely popular, seen by more than 30 million people all over the world.

Schoolgirls Report 75

In the United States, the films were released in grindhouses and drive-ins, and the names of the films were changed to conform to American standards. Because the films focused on young girls who may have been under legal age in this country, the Schoolgirl Report series was eventually suppressed.

The Schoolgirl Report series was very interesting because the films portrayed many unknown teenagers and actresses who were vibrant, beautiful, naive, innocent, and unabashed. Most of the films related a series of vignettes to tell an interesting story. Hidden pedophile lust, co-ed skinnydipping, situations involving first-time sexual experiences, and encounters with teachers were all shown in the episodes. Interracial love affairs, male and female masturbation sequences, forced prostitution, rape, voyeurism, harmless erotic games, seduction, and erotic touching are also portrayed in the vignettes. Well-known German sex kitten Ingrid Steeger and the ever-horny Italian comic Rinaldo Talamonti play key roles in many of the vignettes. Rosl Mayr appears in almost all of the thirteen Schulmadchen Report films as an elderly lady with a comic role. She is perfectly cast as a comedic talent and is the only senior actress that plays a key element in many of the vignettes. Marie Ekorre, Sonja Jeannine, Christina Lindberg, and Birgit Tetzlaff are a few of the young actresses who titillate the audience with their erotic encounters. Friedrich von Thon conducted street interviews to discuss the plots in the vignettes, and many of the situations were followed up with a courtroom setting (the male actors were charged with statutory rape). The Schoolgirl Report films were classified as ‘soft-core’ eroticism, which is similar to the David Hamilton genre.

Ernst Hofbauer directed many erotic films in addition to the original thirteen Schulmadchen Report classics. Sex sells, and Hofbauer exploited consumer demand for R-rated movies involving young actors and actresses. He had a unique style that combined youth, eroticism, wit, and anecdote. His exploitation films of the 1970s appealed to moviegoers from all walks of life.

A chronological list of the original 13 Schoolgirl Report films follows:

  • ★ Schulmadchen Report I: What Parents Don’t Think is Possible, aka Schoolgirl Report Part I
  • ★ Schulmadchen Report II: What Keeps Parents Awake at Night, aka Schoolgirl Report Part II
  • ★ Schulmadchen Report III: What Parents Find Unthinkable, aka Schoolgirls Growing Up
  • ★ Schulmadchen Report IV: What Drives Parents to Despair, aka Campus Swingers
  • ★ Schulmadchen Report V: What All Parents Should Know, aka 14 and Under
  • ★ Schulmadchen Report VI: Erotic Young Lovers, aka Campus Pussycats
  • ★ Schulmadchen Report VII: But Heart Needs to Be There
  • ★ Schulmadchen Report VIII: What Parents Should Never Get to Know, aka Naughty Coeds
  • ★ Schulmadchen Report IX: Examination Before the Matriculation
  • ★ Schulmadchen Report X: Every Girl Starts Sometime
  • ★ Schulmadchen Report XI: Confessions of a Naked Virgin, aka Blue Dreams
  • ★ Schulmadchen Report XII: Young Girls Need Love, aka Blue Fantasies
  • ★ Schulmadchen Report XIII: Don’t Forget The Love When Having Sex

File under Blast From The Past, Fetish, History of Pornography, Music, SeMeN SPeRmS Approved, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS ViDeO CLuB, Sex

Conjured by o~ SeMeN SPeRmS ~o on July 20, 2014

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Led Zeppelin Stairway To Heaven Opening Guitar Part Stolen?

Led Zeppelin are gettin’ sued for the opening guitar chord progression on Stairway To Heaven


Some say it sounds like this, also (at 3:00)

It’s not like they don’t have a history of bitin’

  • “Babe I’m Gonna Leave You” – A folk song by Anne Bredon, this was originally credited as “traditional, arranged by Jimmy Page,” then “words and music by Jimmy Page,” and then, following legal action, “Bredon/Page/Plant.”
  • “Black Mountain Side” – uncredited version of a traditional folk tune previously recorded by Bert Jansch.
  • “Bring It On Home” – the first section is an uncredited cover of the Willie Dixon tune (as performed by the imposter Sonny Boy Williamson).
  • “Communication Breakdown” – apparently derived from Eddie Cochran’s “Nervous Breakdown.”
  • “Custard Pie” – uncredited cover of Bukka White’s “Shake ‘Em On Down,” with lyrics from Sleepy John Estes’s “Drop Down Daddy.”
  • “Dazed And Confused” – uncredited cover of the Jake Holmes song (see The Above Ground Sound Of Jake Holmes).
  • “Hats Off To (Roy) Harper” – uncredited version of Bukka White’s “Shake ‘Em On Down.”
  • “How Many More Times” – Part one is an uncredited cover of the Howlin’ Wolf song (available on numerous compilations). Part two is an uncredited cover of Albert King’s “The Hunter.”
  • “In My Time Of Dying” – uncredited cover of the traditional song (as heard on Bob Dylan‘s debut).
  • “The Lemon Song” – uncredited cover of Howlin’ Wolf’s “Killing Floor” – Wolf’s publisher sued Zeppelin in the early 70s and settled out of court.
  • “Moby Dick” – written and first recorded by Sleepy John Estes under the title “The Girl I Love,” and later covered by Bobby Parker.
  • “Nobody’s Fault But Mine” – uncredited cover of the Blind Willie Johnson blues.
  • “Since I’ve Been Lovin’ You” – lyrics are the same as Moby Grape‘s “Never,” though the music isn’t similar.
  • “Stairway To Heaven” – the main guitar line is apparently from “Taurus” by Spirit.
  • “White Summer” – uncredited cover of Davey Graham’s “She Moved Through The Fair.”
  • “Whole Lotta Love” – lyrics are from the Willie Dixon blues “You Need Love.”

File under Music, SeMeN SPeRmS BLArRrG

1% Wolf

File under SeMeN SPeRmS BLArRrG

Conjured by o~ SeMeN SPeRmS ~o on July 23, 2012

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