Youth | SeMeN SPeRmS SuPeR SiTe

The Hippie Temptation 1967 CBS News Anti-Hippie Report

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A CBS News presentation, hosted by Harry Reasoner, that manages a balancing act between a sober critical analysis of the idealistic and sometime naive youth revolution centered in Haight-Ashbury and a cynical and culturally bigoted.dismissal of the values of this subculture that challenged this very same cynicism and bigotry. Contains precious period film footage of life in the geographic location most credited with the genesis of the psychedelic movement, some dualistically troubling footage of drug abuse and psychiatric treatment, and an especial focus on the band whose home was considered to be the “city hall” of the subculture, The Grateful Dead, who not only give eloquent voice to the values of this new society but who also evince their principles with a free performance at Golden Gate Park, playing Dancin’ In The Streets.

File under Blast From The Past, Culture, Massive Consumption of Drugs, Music, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS ViDeO CLuB, Sex

Youth Of Today Gorilla Biscuits

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Conjured by o~ SeMeN SPeRmS ~o on August 9, 2015

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A Youth Spray-Paints A Taxi During A Midtown Disturbance Last Night

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Conjured by o~ SeMeN SPeRmS ~o on April 28, 2015

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Get Stuffed

woman eating hot dog

“Stuffers” Pack on Pounds to Satisfy Their Sexual Desires
vocativ.com/underworld/sex…

Great Art? The graffiti of the New York subway
bbc.com/news/magazine-…

More bedbugs found on N line
Conductor’s seat cushions infested
myfoxny.com/story/26230790…

Google Spotted Explicit Images Of A Child In A Man’s Email And Tipped Off The Authorities
businessinsider.com/police-say-a-g…

Christian broadcaster: Ebola could cleanse US of atheists, gay people, and sluts
rawstory.com/rs/2014/08/07/…

FDA warns that tattoo inks can cause infections
myfoxdc.com/story/26220589…

18th Century Mexican Christ statue ‘has human teeth’
bbc.com/news/blogs-new…

NJ Police Officer Attacked By Canine Partner #W00f
my9nj.com/story/26222578…

‘Dead zone’ in the Gulf of Mexico is the size of Connecticut
news.yahoo.com/dead-zone-gulf…

What Happens When You Enter the Witness Protection Program?
priceonomics.com/what-happens-w…

Hunter S. Thompson’s Daily Drug and Drink Routine #Chivas #Cocaine #Dunhills #Weed #LSD #Halcyon
disinfo.com/2014/08/hunter…

Florida woman accused of smoking crack while breastfeeding baby #Multitasking
clickorlando.com/news/florida-w…

Hacking Online Polls and Other Ways British Spies Seek to Control the Internet
firstlook.org/theintercept/2…

The West’s Reckless Rush Towards War with Russia
peakprosperity.com/blog/86415/wes…

Barack Obama’s Secret Terrorist-Tracking System, by the Numbers
firstlook.org/theintercept/a…

The Synth of Fear: Horror film soundtracks with synthesizer scores
horrorpedia.com/2014/08/01/hor…

Ask Me, Don’t Tell Me (1961)
Early 60’s San Francisco Youth Gangs
“>youtu.be/hC56f7feqMA

File under Graffiti, Horror, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS Links 'o Death, Sex

Schoolgirl Report aka Schulmädchen Report 70’s German Teen Softcore Sexploitation

Ernst Hofbauer (b. 22 August 1925 Vienna, Austria – d. 24 February 1984 Munich, Germany at age 58) was an Austrian film director.

During the early 1970s, in Munich, Hofbauer teamed with Walter Boos, Wolf C. Hartwig, and Ludwig Spitaler to produce the original thirteen films under the banner Schulmadchen Report (or Schoolgirl Report); the stories were adapted from books written by Guenther Hunold, while Guenther Heller composed the film script, Klaus Werner did the camera work, and the music was handled by Gert Wilden & Orchestra. Hofbauer and Boos were referred to as the ‘Titans of Teen Libido’. The films were classified as ‘sexploitation’, and were extremely popular, seen by more than 30 million people all over the world.

Schoolgirls Report 75

In the United States, the films were released in grindhouses and drive-ins, and the names of the films were changed to conform to American standards. Because the films focused on young girls who may have been under legal age in this country, the Schoolgirl Report series was eventually suppressed.

The Schoolgirl Report series was very interesting because the films portrayed many unknown teenagers and actresses who were vibrant, beautiful, naive, innocent, and unabashed. Most of the films related a series of vignettes to tell an interesting story. Hidden pedophile lust, co-ed skinnydipping, situations involving first-time sexual experiences, and encounters with teachers were all shown in the episodes. Interracial love affairs, male and female masturbation sequences, forced prostitution, rape, voyeurism, harmless erotic games, seduction, and erotic touching are also portrayed in the vignettes. Well-known German sex kitten Ingrid Steeger and the ever-horny Italian comic Rinaldo Talamonti play key roles in many of the vignettes. Rosl Mayr appears in almost all of the thirteen Schulmadchen Report films as an elderly lady with a comic role. She is perfectly cast as a comedic talent and is the only senior actress that plays a key element in many of the vignettes. Marie Ekorre, Sonja Jeannine, Christina Lindberg, and Birgit Tetzlaff are a few of the young actresses who titillate the audience with their erotic encounters. Friedrich von Thon conducted street interviews to discuss the plots in the vignettes, and many of the situations were followed up with a courtroom setting (the male actors were charged with statutory rape). The Schoolgirl Report films were classified as ‘soft-core’ eroticism, which is similar to the David Hamilton genre.

Ernst Hofbauer directed many erotic films in addition to the original thirteen Schulmadchen Report classics. Sex sells, and Hofbauer exploited consumer demand for R-rated movies involving young actors and actresses. He had a unique style that combined youth, eroticism, wit, and anecdote. His exploitation films of the 1970s appealed to moviegoers from all walks of life.

A chronological list of the original 13 Schoolgirl Report films follows:

  • ★ Schulmadchen Report I: What Parents Don’t Think is Possible, aka Schoolgirl Report Part I
  • ★ Schulmadchen Report II: What Keeps Parents Awake at Night, aka Schoolgirl Report Part II
  • ★ Schulmadchen Report III: What Parents Find Unthinkable, aka Schoolgirls Growing Up
  • ★ Schulmadchen Report IV: What Drives Parents to Despair, aka Campus Swingers
  • ★ Schulmadchen Report V: What All Parents Should Know, aka 14 and Under
  • ★ Schulmadchen Report VI: Erotic Young Lovers, aka Campus Pussycats
  • ★ Schulmadchen Report VII: But Heart Needs to Be There
  • ★ Schulmadchen Report VIII: What Parents Should Never Get to Know, aka Naughty Coeds
  • ★ Schulmadchen Report IX: Examination Before the Matriculation
  • ★ Schulmadchen Report X: Every Girl Starts Sometime
  • ★ Schulmadchen Report XI: Confessions of a Naked Virgin, aka Blue Dreams
  • ★ Schulmadchen Report XII: Young Girls Need Love, aka Blue Fantasies
  • ★ Schulmadchen Report XIII: Don’t Forget The Love When Having Sex

File under Blast From The Past, Fetish, History of Pornography, Music, SeMeN SPeRmS Approved, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS ViDeO CLuB, Sex

Conjured by o~ SeMeN SPeRmS ~o on July 20, 2014

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Dope It’s Menacing Our Youth

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Conjured by o~ SeMeN SPeRmS ~o on July 1, 2014

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Mayor of the Sunset Strip (2003) Rodney Bingenheimer Hollywood Rock Scenester

Rodney Bingenheimer Riot House

The Rodney Bingenheimer of today seems always to be smiling through a deep sadness. He is a small man who still has the youthful cuteness that must have won him friends in his early days. His hair is still combed in the same tousled mid-1970s rock star style, and his T-shirts are the real thing, not retro. He lives now in an inexpensive apartment jammed with records, tapes, discs, and countless autographed photos of his friends the stars. And, yes, they are still his friends; they have not forgotten him, and David Bowie, Cher, Debbie Harry, Courtney Love, Nancy Sinatra and Mick Jagger all appear in this film and seem genuinely fond of Rodney.

Rodney Bingenheimer Riot House

Well they might. He introduced some of them — Bowie in particular — to American radio. He was known for finding new music and playing it first: The Ramones, the Sex Pistols, the Clash, Nirvana. Stations all over the country stole their playlists from Rodney. “Sonny and Cher were kinda like my mom and my dad,” he says wistfully at one point. He ran a little club for a while, featuring British glam rock, and the stars remember with a grin that it was so small the “VIP Area” consisted simply of a velvet rope separating a few chairs from the dance floor.

Rodney Bingenheimer English Disco

The story of how Bingenheimer entered into this world is apparently true, unlikely as it sounds. As a kid he was obsessed with stars, devoured the fan magazines, collected autographs. One day when he was a teenager, his mother dropped him off in front of Connie Stevens’ house and told him he was on his own. He didn’t see his mother for another five or six years. Connie wasn’t home.

Rodney Bingenheimer n Jimi Hendrix

He migrated to the Sunset Strip, but instead of dying there or disappearing into drugs or crime, he simply ingratiated himself. People liked him. He hustled himself into a job as a gofer for Davy Jones of the Monkees (they looked a little alike), and then became a backstage caterer; a survivor of a Doors tour remembers a Toronto concert where Rodney had enormous platters of fresh shrimp backstage. But the Beatles were backstage visitors, and Rodney gave them the shrimp, so there were only a few left for the Doors, who had paid for them. Challenged by The Doors, Rodney shrugged and said, “Well, they’re the Beatles.”

Rodney Bingenheimer English Disco

Wherever Bingenheimer went in the music and club scene, his face was his passport. Robert Plant says, “Rodney got more girls than I do.” We hear a little of his radio show from the old days, and what comes across is not a vibrating personality or a great radio voice — it’s kind of tentative, really — but an almost painful sincerity. He loves the music he plays, and he introduces it to you like a lover he thinks is right for you. The road downhill was gradual, apparently. We get glimpses of Rodney today, repairing his mom’s old Nova with a pair of pliers, shuffling forlornly through souvenirs of his glory days. He seems very even, calm, sad but resigned, except for one moment the documentary camera is not supposed to witness, when he finds that another deejay, a person he sponsored and gave breaks to, is starting a show of new music — stealing Rodney’s gig. He explodes in anger. We’re glad he does. He has a lot to feel angry about.

Rodney Bingenheimer-and-joan-jett

The film was directed by George Hickenlooper, who made the classic doc “Hearts Of Darkness: A Filmmaker’s Apocalypse” (1991), about the nightmare of Coppola’s “Apocalypse Now,” and the wonderful fiction film “The Man From Elysian Fields” (2001). Why did he make this film (apart from the possibility that someone named Hickenlooper might feel an affinity for someone named Bingenheimer)? Hickenlooper has been around fame at an early age. He was 26 when he released the doc about the Coppola meltdown. He cast Mick Jagger and James Coburn in “Elysian Fields.” He was aware of Rodney Bingenheimer when the name still opened doors. His film evokes what the Japanese call mono no aware, which refers to the impermanence of life and the bittersweet transience of things. There is a little Rodney Bingenheimer in everyone, but you know what? Most people aren’t as lucky as Rodney. – Roger Ebert

rodney mayor

File under Blast From The Past, Music, SeMeN SPeRmS ViDeO CLuB, Sex

Flyin’ Cut Sleeves NYC 70’s Bronx Youth Gangs Documentary Savage Skulls Ghetto Brothers

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Produced and directed by Henry Chalfant and Rita Fecher
Completed in 1993 Flyin’ Cut Sleeves presents alternating portrayals, from the past and the present, of former street gang presidents in the Bronx: Benjy Melendez, The Ghetto Brothers, Ben Buxton, The Savage Nomads, Nelly “China” Velez, The Savage Nomad Girls, Felipe “Blackie” Mercado, The Savage Skulls, and Lorine Padilla, Blackie’s wife. The project grew out of the experiences of Rita Fecher, the film’s co-producer, who taught in a South Bronx school in the late 1960′s and early 1970′s, became intimately involved with the gangs, their leaders, and the leaders’ families and began to document their lives. Their world was the streets, set against a backdrop of uprooted families, cultural alienation, drugs and violence. Neighborhood teenagers responded by organizing into street groups known to the members as “families”, but labeled in the most alarming terms as violent gangs by the press. In fact, the “families” had a stabilizing effect, enabling the youths to cope with their troubled environment and providing their young leaders with a means of exercising authority. The political climate at the time, movements of national liberation and such organizations as the Black Panthers and Young Lords Party influenced the young gang leaders to aspire to be more than warriors and to become, to some degree, a positive force in their communities. – HenryChalfant.com

New York City street gang Savage Skulls

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SAVAGE-NOMADS

File under Blast From The Past, Culture, New York City History, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS ViDeO CLuB