“Filmmaker Shirley Clarke (“The Connection”) directs this powerful, stark semi-documentary look at the horrors of Harlem ghetto slum life filled with drugs, violence, human misery, and a sense of despair due to the racial prejudices of American society. There is no patronizing of the black race in this cinematic cry for justice. A fifteen-year-old boy called Duke is ambitious to buy a “piece” (a gun) from an adult racketeer named Priest, to become president of the gang to which he belongs, and to return them to active “bopping” (gang fighting) which has declined in Harlem. It is a clearly patent allegory of an attempt by Duke to attain manhood and identity in the only way accessible to him – the antisocial one.” – IMDB
Check out a young Clarence Williams III as junkie gang leader ‘Blood’.
Pink film (ピンク映画 Pinku eiga or Pink eiga?) is a broad cinematic term used to categorize a wide variety of Japanese films with adult content. This encompasses everything from dramas to action thrillers and exploitation films (a.k.a. pinky violence), and softcore pornographic (romance pornography or roman poruno) features. The term is often mistakenly used to apply only to sex films. However, the so-called pink movie is part of an ongoing (and evolving) cycle of films rather than a specific genre.
Pinku eiga, along with the bloody and violent yakuza-eiga, or contemporary gangster film, both became wildly popular in the mid-1960s and dominated the Japanese domestic cinema through the mid-1980s. In the 1960s, the pink films were largely the product of small, independent studios. In the 1970s, some of Japan’s major studios, facing the loss of their theatrical audience, took over the pink film. With their access to higher production-values and talent, some of these films became critical and popular successes. Though the appearance of the AV (adult video) took away most of the pink film audience in the 1980s, films in this genre are still being produced.
Arron Bondaroff Presents
“Something Smells Fishy”
Pisces Festival Part 2
Saturday March 17 @ Westway
Music Malady By Cold Ones Virgins Normally Important Jailbait Crazy Band
DJs SeMeN SPeRmS Physical Therapy Nate Lowman 8 Yr Old Kid Sensation DJ Arson Plain Pat
Birthday Celebration For Gordon Stevenson Aaron Bondaroff Weirdo Dave Fat Bill Strobeck Shelly Zander Keir Kramlich Miss Info
Chris & Cory Kennedy , ALex Olson, lesely Arfin,ethan swan , lissy trullie, vanna youngstien, nartasha nunez, pam love , malcom ford
nick ackerman, chrissie miller, greg krelenstein, ,alden nusser , susan miller, rob lowe, joe mamma, nat king cole, pete doherty casey anthony, charles barkley , justin bieber, spike lee, johnny cash, kurt cobain, cindy crawford, Dr J , lou reed , albert einstien ,
In this made for TV movie, Powers Boothe plays the infamous leader of the “People’s Temple Cult,” Jim Jones. 1,000 followers give away their life savings to live with the cult in Guyana. When the illegal activities of Jones and his higher ups becomes known and investigators began searching the property, Jones decides to take himself and his followers on the fast track to heaven by staging the largest mass suicide in history. This film depicts Jones’ maniacal worldview and tragic end in graphic fashion. Boothe’s performance as Jones has long been revered as his absolute best, and the supporting cast, made up of such veterans as Ned Beatty, Randy Quaid and James Earl Jones, are equally good.
The film draws on Guyana Massacre: The Eyewitness Account and reports from The Washington Post at the time, to describe the life of Jim Jones from a 1960s idealist to the November 1978 mass murder/suicide of members of Peoples Temple in Jonestown, Guyana. In the beginning of the film, Jim Jones is seen helping minorities and working against racism. Later, after a move to San Francisco and increased power and attention, Jones becomes focused on his belief in nuclear holocaust, and moves hundreds of his followers to Guyana. Congressman Leo J. Ryan is notified that some individuals are being held against their will, and after going to investigate, the Guyana tragedy itself is depicted.
Elvis is a 1979 television film by John Carpenter and is based upon the life of Elvis Presley, starring Kurt Russell in the title role. However, it ends in 1969 and does not depict the last few years of Presley’s life and career.
Elvis is notable in Carpenter’s career for two reasons. It was made after Halloween had wrapped, so it offered him an avenue to try his hand at a film away from the horror genre. It was also the first time Carpenter had worked with Russell, who became a frequent collaborator of Carpenter’s. Russell subsequently starred in Escape from New York (1981), The Thing (1982), Big Trouble in Little China (1985), and Escape from L.A. (1996).
Kurt Russell worked with and met Presley in the film It Happened at the World’s Fair (1963). In the film, Presley wants to meet the fairground’s nurse and he pays a young boy (Russell) to kick him in the shins. Later in the movie, the young boy sees Presley and the nurse together on a date and asks Presley if he can kick him again for money. Russell’s cinematic involvement with Presley also includes dubbing the voice of a young Presley in Forrest Gump and playing a Presley impersonator in 3000 Miles to Graceland.
Country singer Ronnie McDowell provided the vocals for a number of songs Russell performed in the film. McDowell recorded 36 songs for the soundtrack, but only 25 were used. Elvis originally aired on ABC opposite two blockbuster films; Gone with the Wind on CBS, and One Flew Over the Cuckoo’s Nest on NBC. Despite this, Elvis beat both in the Nielson ratings, receiving a 27.3 rating compared to 24.3 and 22.5 respectively. Elvis was ranked the sixth most watched program of the week. According to several reports, Priscilla Presley was paid $50,000 to check the script for accuracy before shooting commenced.
Russell was nominated for an Emmy Award for his performance as Presley. Also nominated for Emmy Awards were cinematographer Donald M. Morgan and make-up artist Marvin Westmore. Russell would later marry co-star Season Hubley on March 17, 1979. They were later divorced. Bing Russell, who played Vernon Presley, is Kurt Russell’s real father.For several years Bing played Deputy Clem Poster in the TV series “Bonanza”.
The Decline of Western Civilization Part II: The Metal Years is a documentary film directed by Penelope Spheeris about the Los Angeles heavy metal scene from 1986 to 1988. It is the second film of a trilogy by Spheeris depicting life in Los Angeles at various points in time. The first film dealt with the punk rock scene during 1979-1980. The third film chronicles the gutter punk lifestyle of homeless teenagers in the late 1990s.
The film features concert footage and interviews of legendary heavy metal and hard rock bands and artists such as Aerosmith, Kiss, Megadeth, Motörhead, Ozzy Osbourne, W.A.S.P, and Alice Cooper. The film premiered at The Wiltern Theatre and featured David F. Castagno, Publisher/Editor of Screamer Magazine as the master of ceremony
The documentary follows the heavy metal scene in Los Angeles, with particular emphasis on the glam metal sub-genre. Spheeris explores the more famous musicians, including Alice Cooper, Aerosmith, Ozzy Osbourne, Dave Mustaine and Paul Stanley. She then explores unknown bands, such as London, Odin and Seduce. The film also features interviews with members of Poison, Tuff, Vixen, Faster Pussycat, W.A.S.P., and more. Serious issues such as drug usage, alcohol abuse, and censorship are tackled, as well as vanity issues like celebrity and sales.