Shrek is Love, Shrek is Life
Conjured by o~ SeMeN SPeRmS ~o on April 13, 2014
René Laloux (July 13, 1929–March 14, 2004) was a French animator and film director.
He was born in Paris in 1929 and went to art school to study painting. After some time working in advertising, he got a job in a psychiatric institution where he began experimenting in animation with the interns. It is at the psychiatric institution that he made 1960’s Monkey’s Teeth (Les Dents du Singe), in collaboration with Paul Grimault’s studio, and using a script written by the Cour Cheverny’s interns.
Another important collaborator of his was Roland Topor with whom Laloux made Dead Time (Les Temps Morts, 1964), The Snails (Les Escargots, 1965) and his most famous work, the feature length Fantastic Planet (La Planète Sauvage, 1973).
Laloux also worked with Jean Giraud (Mœbius) to create the lesser known film Les Maîtres du temps (Time Masters) in 1981. Laloux’s 1988 film, Gandahar, was released in the US as Light Years. The US version was redubbed by Harvey Weinstein, from a screenplay adapted by Isaac Asimov. The US version was not as successful as the French version, grossing less than $400,000 on its release.
Laloux died of a heart attack on March 14, 2004 in Angoulême, Charente, Poitou-Charentes, France.
Roland Topor (January 7, 1938 – April 16, 1997), was a French illustrator, painter, writer and filmmaker, known for the surreal nature of his work. He was of Polish Jewish origin and spent the early years of his life in Savoy where his family hid him from the Nazi peril.
Les Temps morts aka Dead Times (1964)
Les Escargots (1965)
Conjured by o~ SeMeN SPeRmS ~o on March 16, 2011
Bruce Bickford (born Seattle, 1947) is a maker of animated films who works primarily in clay animation. From 1974 to 1980 he collaborated with Frank Zappa. Bickford’s animation was featured extensively in the Frank Zappa videos Baby Snakes and Dub Room Special. Zappa also released a video titled The Amazing Mr. Bickford, which was entirely composed of Bickford animations set to a soundtrack of Zappa’s orchestral music.
Bickford’s animations depict surreal scenes based on his unique worldview. Often outwardly seeming to be somewhat disconnected from the world around him, Bruce Bickford’s work is extremely subjective in its content and concepts, making for some disturbing and shocking imagery. Much of his video work depicted fast-moving, fluid-like transformations of human figures and disfigured faces into odd beasts on surreal structural settings with impressive camera effects (moving around within his stop-motion animation).
Conjured by o~ SeMeN SPeRmS ~o on March 7, 2011