“I liked you, Macaroni. But you know the rules”
Rififi (1955) Finally watched the greatest heist film! veehd.com/video/4838513_…
Conjured by o~ SeMeN SPeRmS ~o on July 1, 2016
How robots will soon take teens’ virginity dailym.ai/1Uq4fhj
Human-pig hybrids for organ transplants could develop into monsters with ‘OUR brains’ shr.gs/YefbH4k#
Blinking (and its associated dopamine shift) appears to affect our perception of time, study finds voc.tv/1ULxdrN
Movie written by algorithm arstechnica.com/the-multiverse…
Oklahoma Highway Patrol Uses New Device To Steal Money From Prepaid Cards news9.com/story/32168555…
This Idiot Who Robbed a Bank and Posted It on Instagram Is Excited About His Three-Year Prison Sentence shar.es/1JhZCQ
New York City NY 11/1/72 A prisoner reading in his cell with photographs of women covering the walls in Tombs Prison jplaffont.photoshelter.com/image/I0000Ai1…
Big Pharma Killed Prince
Prince’s former drug dealer reveals extent of his addiction dailym.ai/1psQA0v
Who Killed Muhammad Ali?
The FBI Is Developing Software to Track and Sort People by Their Tattoos gizmodo.com/the-fbi-is-dev…
Young boy finds crystal meth in his Kinder Surprise egg telegraph.co.uk/news/2016/06/0…
Man fitted with £70k eight-inch bionic penis after freak childhood accident has op to make it SMALLER thesun.co.uk/sol/homepage/n…
Conjured by o~ SeMeN SPeRmS ~o on June 12, 2016
40 kids from the ages of 8-15 are put into the abandoned town of Bonanza City, New Mexico for 40 days. They have to build their own society by electing leaders, passing laws, and establish an economy.
The show, featuring 40 children aged 8 to 15, was filmed on location at the Bonanza Creek Movie Ranch, a privately owned town built on the ruins of Bonanza City, New Mexico, eight miles south of Santa Fe, with production beginning on April 1, 2007.
The show stresses the difficulty in creating a viable society. While each child received $5,000 for their involvement, Gold Stars valued at $20,000 and $50,000 were awarded to select outstanding participants as decided by the elected Town Council.
Speaking before an audience of television reviewers, producer Tom Forman acknowledged that Kid Nation would inevitably share some elements with William Golding’s novel Lord of the Flies, which depicted planewrecked children without adult supervision. But adults were present off-camera during the Kid Nation production, including cameramen, producers, a medic, and a child psychologist, although all interacted with the children as little as possible. Participants also missed a month of school, but Forman suggested that such real-world tasks as preparing a group breakfast, doing physical chores like fetching water, and making group decisions constituted an educational experience in its own right. Foreman said that all participants were cleared by a team of psychologists, any child could choose to go home at any time, and some did. – Wiki
Conjured by o~ SeMeN SPeRmS ~o on May 9, 2015
Even the Gorillas and Bears in Our Zoos Are Hooked on Prozac
Rent-a-Narc Drug Sniffing Dogs Help Parents Find Troubled Kid’s Stashes
How a Banker Introduced ‘Magic Mushrooms’ to the West
I Took Shrooms and Nude Modeled
Losing Your Virginity: A Better Experience Now Than 20 Years Ago, Says Science
Resident Discovers Home Was Once Serial Killer’s ‘Torture Chamber’
Disgraced Chinese Official Stashed Porn Under Buddha Shrine
Scottish mayor steps down after being banned from all 36 pubs in his town
Catholic priest arrested in Italy for suspected drug dealing, said cocaine was self-prescribed for depression
Finally, a male contraceptive: behold the polyester ball cozy!
When the U.S. Almost Nuked the Moon
The shameful secret behind the popularity of spy movies
Almost everyone involved in developing Tor was (or is) funded by the US government
How unique and trackable is your web browser?
Don’t Send Your Kid to the Ivy League
The nation’s top colleges are turning our kids into zombies
Adult Sex Workers Are Arrested When We “Think Of The Children”
Before They Were Famous: Head Shots of Future Adult Film Stars
Four-winged dinosaur is ‘biggest ever’
Using DNA to find a perfect mate? New dating site uses DNA tests to gauge ‘biological compatibility’
Tinder Guys With Tigers
Lounge Chair In Abandoned Home Turned Into Massive Yellow Jacket Nest
Conjured by o~ SeMeN SPeRmS ~o on July 22, 2014
During the early 1970s, in Munich, Hofbauer teamed with Walter Boos, Wolf C. Hartwig, and Ludwig Spitaler to produce the original thirteen films under the banner Schulmadchen Report (or Schoolgirl Report); the stories were adapted from books written by Guenther Hunold, while Guenther Heller composed the film script, Klaus Werner did the camera work, and the music was handled by Gert Wilden & Orchestra. Hofbauer and Boos were referred to as the ‘Titans of Teen Libido’. The films were classified as ‘sexploitation’, and were extremely popular, seen by more than 30 million people all over the world.
In the United States, the films were released in grindhouses and drive-ins, and the names of the films were changed to conform to American standards. Because the films focused on young girls who may have been under legal age in this country, the Schoolgirl Report series was eventually suppressed.
The Schoolgirl Report series was very interesting because the films portrayed many unknown teenagers and actresses who were vibrant, beautiful, naive, innocent, and unabashed. Most of the films related a series of vignettes to tell an interesting story. Hidden pedophile lust, co-ed skinnydipping, situations involving first-time sexual experiences, and encounters with teachers were all shown in the episodes. Interracial love affairs, male and female masturbation sequences, forced prostitution, rape, voyeurism, harmless erotic games, seduction, and erotic touching are also portrayed in the vignettes. Well-known German sex kitten Ingrid Steeger and the ever-horny Italian comic Rinaldo Talamonti play key roles in many of the vignettes. Rosl Mayr appears in almost all of the thirteen Schulmadchen Report films as an elderly lady with a comic role. She is perfectly cast as a comedic talent and is the only senior actress that plays a key element in many of the vignettes. Marie Ekorre, Sonja Jeannine, Christina Lindberg, and Birgit Tetzlaff are a few of the young actresses who titillate the audience with their erotic encounters. Friedrich von Thon conducted street interviews to discuss the plots in the vignettes, and many of the situations were followed up with a courtroom setting (the male actors were charged with statutory rape). The Schoolgirl Report films were classified as ‘soft-core’ eroticism, which is similar to the David Hamilton genre.
Ernst Hofbauer directed many erotic films in addition to the original thirteen Schulmadchen Report classics. Sex sells, and Hofbauer exploited consumer demand for R-rated movies involving young actors and actresses. He had a unique style that combined youth, eroticism, wit, and anecdote. His exploitation films of the 1970s appealed to moviegoers from all walks of life.
A chronological list of the original 13 Schoolgirl Report films follows:
Conjured by o~ SeMeN SPeRmS ~o on July 20, 2014
There were originally three movies made:
Yokai Monsters: Spook Warfare (1968)
Yokai Monsters: One Hundred Monsters (1968)
Yokai Monsters: Along With Ghosts (1969)
The films were produced by Daiei Motion Picture Company, and bear a resemblance to that studio’s other series, Gamera and Daimajin, and to other Japanese pop culture favorites like Godzilla and Ultraman.
Legend has it that the Yokai monsters will only interfere with human affairs when it is absolutely necessary. Things are quite awry, however, and it is time for these mythic figures to step in. A crooked magistrate and developer are booting the residents of an apartment building onto the street, and when the owner of the building tries to stop them, he is murdered. Now a masterless samurai must call upon the spiritual protectors of human kind in order to right the wrongs of his world.
Conjured by o~ SeMeN SPeRmS ~o on July 10, 2014
Lui (French for “Him”) is a French adult entertainment magazine created in November 1963 by Daniel Filipacchi, a fashion photographer turned publisher, Jacques Lanzmann, a jack of all trades turned novelist, and Frank Ténot, a press agent, pataphysician and jazz critic.
The objective was to bring some charm “à la française” to the market of men’s magazines, following the success of Playboy in the USA, launched just a decade before.
France, indeed, in the first half of 20th century had an outstanding reputation for erotic publications, feeding also foreign market and inspiring also ersatz French-flavoured magazines abroad, when, for example, US publishers used French-sounding titles like Chère and Dreamé or placed tricolour flags on the covers, attempting to attract the casual buyer. It was anyway a semi-clandestine circulating material, not allowed to be freely displayed or openly bought. In this sense Playboy changed the way ‘soft-pornography’ (become more respectfully ‘adult entertainment’), can be publicly circulated.
This magazine was particularly successful from its origins to the early eighties, afterwards it began a long decline. It was published regularly till November 1987 (the final issue of this first series was the number 285). After 1987 there was a further attempt to relaunch the title but the publication ceased again in 1994. Passed into the hands of the media group of Michel Birnbaum, after a transient stimulus, it became a pornographic magazine with episodic dissemination. It was published every three months.
After the purchase of the title by Jean-Yves Le Fur, it has been relaunched on September 5, 2013 as a high-end magazine with Frédéric Beigbeder at his helm.
First series (1963–1987)
This magazine successful recipe was combining content with depth articles and beautiful naked women, featuring many B-List but also celebrities, often prominent French actresses, such as Brigitte Bardot, Mireille Darc, Jane Birkin or Marlène Jobert.
It featured a monthly pin-up by Aslan. The first girl to pose on the cover was Valérie Lagrange (the number 1 appeared on 11 January 1963)) photographed by Francis Giacobetti, future director of the soft-core movie Emmanuelle 2.
The magazine hosted also a cartoon by Lauzier: Les Sextraordinaires Aventures de Zizi et Peter Panpan. Among the first collaborators are Jean-Louis Bory, René Chateau, Philippe Labro, Francis Dumoulin, Francis Giacobetti, Siné, Michel Mardore, Gilles Sandier and many others.
The magazine motto was Lui, le magazine de l’homme moderne (The Magazine of the Modern Man). In the beginning, it had also a mascot, a cat’s head, similarly to the magazine Playboy Bunny, but it disappeared in the early 1970s.
Conjured by o~ SeMeN SPeRmS ~o on June 18, 2014