The Satanic Mass | SeMeN SPeRmS SuPeR SiTe

Black Mass Lucifer (1971) Black Magic Moog

Black Mass Luciferblack_mass_2_backMort+Garson115982217-2

This bizarre collection of Moog compositions is credited to a band/artist named Lucifer (or is it “Black Mass?”), but the man behind the machine is better known by his more ordinary given name of Mort Garson. Along with scoring films, producing easy listening records, and co-writing the hit tune “Our Day Will Come,” Garson released several electronic music LPs with themes like the Zodiac, the Wizard of Oz, and plant growth stimulation. Black Mass/Lucifer (the cover art is ambiguous as to title) is Garson‘s exploration of the dark arts, an all-instrumental soundtrack for a horror film that never existed. Garson conjures up a sinister, minor-key atmosphere on tracks with titles like “Incubus,” “Witch Trial,” and “The Evil Eye” often achieving a tone similar to the scores that Italian horror-rock band Goblin would record for Dario Argento films later in the decade. The technology available to Garson in 1971 was still being developed, and the record occasionally sounds dated, particularly when some very corny synthetic drums ruin the mood. There’s some evocative music on Black Mass/Lucifer, to be sure, but ultimately it’s just not as wild of a recording as legend has painted, perfectly rendered for a psychedelic Halloween party but hardly strong enough to raise evil spirits on its own. Garson‘s Wozard of Iz album is a freakier Moog ride, a kaleidoscopic retelling of the L. Frank Baum tale. – All Music

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Charles Manson Superstar (1989)

Charles Manson Superstar is a documentary film about Charles Manson, directed by Nikolas Schreck in 1989. Most of the documentary (the entire interview) was filmed inside San Quentin Prison. Schreck narrated the segments while images were shown, and music played in the background. There was brief footage of Spahn Ranch, and a short clip of James M. Mason being interviewed about the Universal Order, and Manson. Olivier Messiaen‘s “Death and Resurrection,” Bobby Beausoleil‘s “Lucifer Rising,” Krzysztof Penderecki‘s “Apocalypsis,” and Anton La Vey‘s “The Satanic Mass,” and Manson’s own songs “Clang Bang Clang” and “Mechanical Man” from the album LIE The Love and Terror Cult, were played during the film.

 

 

For forty years, Charles Manson has survived most of his life in what he calls ‘the hallways of the all ways,’ the reform schools, jails and prisons that have been his home and tomb. His thought was born in the hole of solitary confinement, apart from time and beyond the grasp of society. In his cell, he created his own world and speaks his own language: he has concluded that there is only the mind. This DVD will relinquish to you the extreme story of the killer of all killers: Charles Manson. From convincing his followers to move into the desert to train for the apocalypse, to leading a murderous crew through a string of devilish murders, you will see and hear from Manson himself of how he created a preconceived terror based on his philosophy of life. Manson claims that the so-called ‘straight’ world outside of prison is but an inverted reflection of the underworld in which he has lived. To him, the reality that presidents and law-abiding citizens accept begins in the hermetic alternate universe of criminals, cons and outlaws. Much as simplistic historians have dismissed Hitler’s 3rd Reich as the overcompensation of a failed artist, Manson’s vision of a holy war has been generally categorized as nothing more than the jealous rage of a spurned musician.

 

File under Cult Movies, Cults, Kooky Characters, Music, SeMeN SPeRmS Approved, SeMeN SPeRmS BLArRrG, SeMeN SPeRmS ViDeO CLuB, Sex

The Satanic Mass

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Conjured by o~ SeMeN SPeRmS ~o on July 26, 2011

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